Muutke küpsiste eelistusi

Scorsese and Religion [Kõva köide]

  • Formaat: Hardback, 336 pages, kõrgus x laius x paksus: 235x155x25 mm, kaal: 670 g
  • Sari: Studies in Religion and the Arts 15
  • Ilmumisaeg: 19-Sep-2019
  • Kirjastus: Brill
  • ISBN-10: 9004411372
  • ISBN-13: 9789004411371
  • Formaat: Hardback, 336 pages, kõrgus x laius x paksus: 235x155x25 mm, kaal: 670 g
  • Sari: Studies in Religion and the Arts 15
  • Ilmumisaeg: 19-Sep-2019
  • Kirjastus: Brill
  • ISBN-10: 9004411372
  • ISBN-13: 9789004411371
Scholars of religion explore the American film director Martin Scorsese and Catholicism, religious influences and themes in his cinema, and religion in a selection of individual films. Among their topics are the Catholic Scorsese-how a seminarian turned to the movies, the problems of violence in Scorsese's films: the Catholic gangster as tragic hero, The Last Temptation of Christ: Scorsese's Jesus among ordinary saints, The Wolf of Wall Street and economic nihilism, and the global afterlives of Silence. Annotation ©2019 Ringgold, Inc., Portland, OR (protoview.com)

Scorsese and Religion explores and analyzes the religious vision of filmmaker Martin Scorsese’s oeuvre, showing that Scorsese cannot be properly understood without reflecting on the ways that his religious interests are expressed in and through his art.
Acknowledgements ix
List of Illustrations
x
Notes on Contributors xi
Introduction 1(8)
Christopher B. Barnett
Clark J. Elliston
PART 1 Scorsese and Catholicism
1 The Catholic Scorsese - or How a Seminarian Turned to the Movies
9(13)
Marc Raymond
2 No Way Out: Martin Scorsese and the Ecclesial Imagination
22(23)
Guerric DeBona
PART 2 Religious Influences and Themes in Scorsese's Cinema
3 Dostoevskian Elements in Scorsese's Cinema
45(27)
Christopher B. Barnett
4 The Problem of Violence in Scorsese's Films: The Catholic Gangster as Tragic Hero
72(19)
John McAteer
5 Violence and Redemption in Scorsese's Films: A Girardian Reading
91(16)
Cari Myers
6 Scorsese as a Critic of Modernity: The Woman Question
107(44)
M. Gail Hamner
PART 3 Scorsese and Religion: A Selective Filmography
7 The Last Temptation of Christ Scorsese's Jesus among Ordinary Saints
151(20)
Rhonda Burnette-Bletsch
8 Scorsese's Kundun as Catholic Encounter with the Dalai Lama and His Tibetan Dharma
171(25)
Kerry P.C. San Chirico
9 Pity and Pardon in Scorsese's Palimpsest, Bringing Out the Dead
196(35)
Gerard Loughlin
10 Martin Scorsese's Screening Room: Theatricality, Psychoanalysis, and Modernity in Shutter Island
231(17)
Stephen Mulhall
11 Reinventing Human Experience: Hugo and the Theological Possibilities of Film
248(21)
Clark J. Elliston
12 The Wolf of Wall Street and Economic Nihilism
269(18)
D. Stephen Long
13 The Global Afterlives of Silence
287(24)
Darren J.N. Middleton
Mark W. Dennis
Index of Bible References 311(1)
Index of Names and Subjects 312
Christopher B. Barnett, D.Phil. (Oxford, 2008), is Associate Professor in the Department of Theology and Religious Studies at Villanova University, USA. In addition to numerous articles and book chapters, he has published three monographs, including Kierkegaard and the Question Concerning Technology (Bloomsbury Academic, 2019).

Clark J. Elliston, D.Phil. (Oxford, 2012) is Assistant Professor of Religion and Philosophy at Schreiner University, USA. Interested in the intersection of Christian theology, culture, and technology, he is the author of Dietrich Bonhoeffer and the Ethical Self (Fortress, 2016).





Contributors are: Christopher B. Barnett, Rhonda Burnette-Bletsch, Guerric DeBona, Mark Dennis, Clark J. Elliston, M. Gail Hamner, D. Stephen Long, Gerard Loughlin, John McAteer, Darren J.N. Middleton, Stephen Mulhall, Cari Myers, Marc Raymond, Kerry San Chirico