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Screening Roman Britain: Film and Television between Myth and History [Kõva köide]

  • Formaat: Hardback, 202 pages, kõrgus x laius: 234x156 mm, 18 Halftones, black and white; 18 Illustrations, black and white
  • Ilmumisaeg: 29-May-2026
  • Kirjastus: Routledge
  • ISBN-10: 1032755555
  • ISBN-13: 9781032755557
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  • Formaat: Hardback, 202 pages, kõrgus x laius: 234x156 mm, 18 Halftones, black and white; 18 Illustrations, black and white
  • Ilmumisaeg: 29-May-2026
  • Kirjastus: Routledge
  • ISBN-10: 1032755555
  • ISBN-13: 9781032755557

This book is the first systematic study examining depictions of Roman Britain in fictional film and television, exploring the varying interpretations of the rich history and myths that emerge from the clash of cultures between Romans and Britons.

The book proceeds chronologically through 400 years of Roman occupation, starting with the Claudian invasion in AD 43 as featured in the television drama Britannia, before examining numerous works on Boudica’s rebellion (Warrior Queen; Boudica: Warrior Queen and Boudicca: Queen of War). It then investigates the period of settlement and Northern conflicts in the second century AD as reflected in the comedy show Chelmsford 123 and the recent films Centurion and The Eagle. The final chapter considers Rome’s influence on the most enduring of British myths – Arthurian legend – as illustrated in films like King Arthur, The Last Legion, Arthur & Merlin: Knights of Camelot and other recent works. On its route through history, the book examines how these works have interwoven contemporary concerns into their ancient worlds. As the book demonstrates, Roman Britain has left lasting traces in our culture. Exploring its representation on screen offers valuable insights into these traces and addresses questions about national identity, colonialism, multiculturalism and the mythologizing of history.

This volume provides a fascinating study of Roman Britain on film, of interest to students and scholars of classical reception, film and television, and history, as well as those with an interest in representation and the cultural significance and contemporary relevance of early colonial narratives.



This book is the first systematic study examining depictions of Roman Britain in fictional film and television, exploring the varying interpretations of the rich history and myths that emerge from the clash of cultures between Romans and Britons.

Arvustused

Sylvie Magerstädts Screening Roman Britain: Film and Television between Myth and History takes the reader on a breathtaking journey to the jagged coasts and moss-covered forests of the mystical island kingdom where we follow the cinematic footsteps of the ancient tribes, sage druids, and warrior queens from contemporary epic films and television series. Just as King Arthur pulled the sword from the stone, Magerstädt skillfully draws out the powerful multivalences of politics and heroism, religion and myth, gender and society embedded within the various screen adaptations of the vibrant Roman Britannic narrative and visual traditions. Screening Roman Britain offers scholars and students an authoritative and compelling new contribution to the growing field of onscreen classical reception studies.

Monica S. Cyrino, Professor of Classics, University of New Mexico USA

List of Figures ix Acknowledgements x 1 Forests, furs and Celtomania
introducing Roman Britain on screen 1 2 Trees and nightmares Romano-British
encounters on the eve of invasion 17 2.1 Tribes at war versus Pax Romana
the complex politics of collaboration and resistance in Britannia (201721)
22 2.2 Britannias druids as sages and savages 34 2.3 From multiculturalism
to monotheism the spectrum of religious ideas in Britannia 39 3 Freedom
fighter or terrorist Boudica as controversial British icon 53 3.1 Between
mother and war leader Boudicas reluctant rise to fame in ITVs Warrior
Queen (1978) 62 3.2 British identity in the modern imagination in Boudica:
Warrior Queen (2003) 72 3.3 The making of a (failed) heroine in Boudica: Rise
of the Warrior Queen (2019) and Boudica: Queen of War (2023) 82 4 A tale of
two parts Roman Britain between assimilation and resistance 97 4.1 Settling
the south colonial discourses in Chelmsford 123 (198890) 104 4.2 The
troubled northern frontier in Centurion (2010) 115 4.3 Friends and foes in
The Eagle (2011) 130 5 Historicising the myth Roman traces in Arthurian
legends 149 5.1 The Roman Arthur or Pelagius against the Church of Rome in
King Arthur (2004) 156 5.2 The last of the Romans Arthurian ancestry in The
Last Legion (2007) 171 5.3 Roman traces across Arthurian screens: Kaamelott
(20049), Arthur & Merlin: Knights of Camelot (2020) and The Winter King
(2023) 179 Epilogue: Roman history, myth and fictions in British screen
culture 190 The cultural trajectory of Roman Britain in literature, film and
television 195 Index 198
Sylvie Magerstädt is a senior lecturer in film studies at the University of Notre Dame Australia. Her work sits at the intersection of ancient history, philosophy and film studies, with a particular interest in mythology and culture.