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Selected Poems of Edna St. Vincent Millay: An Annotated Edition [Pehme köide]

  • Formaat: Paperback / softback, 344 pages, kõrgus x laius: 235x191 mm, 12 b-w illus.
  • Ilmumisaeg: 08-Nov-2022
  • Kirjastus: Yale University Press
  • ISBN-10: 0300264666
  • ISBN-13: 9780300264661
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  • Formaat: Paperback / softback, 344 pages, kõrgus x laius: 235x191 mm, 12 b-w illus.
  • Ilmumisaeg: 08-Nov-2022
  • Kirjastus: Yale University Press
  • ISBN-10: 0300264666
  • ISBN-13: 9780300264661
Teised raamatud teemal:
This beautifully produced first annotated edition of Edna St. Vincent Millay’s oeuvre re-presents the work of the Jazz Age’s most famous poet


This beautifully produced first annotated edition of Edna St. Vincent Millay’s oeuvre re-presents the work of the Jazz Age’s most famous poet

More than sixty years after her death, the Pulitzer Prize–winning poet Edna St. Vincent Millay continues to captivate new generations of readers. The twentieth-century American author was catapulted to fame after the publication of Renascence, her first major work and a poem written while she was still a teenager. Millay’s frank attitude toward sexuality—along with immortal lines such as “My candle burns at both ends”—solidified her reputation as the quintessential liberated woman of the Jazz Age.

In this authoritative volume, Timothy F. Jackson has compiled and annotated a new selection that represents the full range of her published work alongside previously unpublished manuscript excerpts, poems, prose, and correspondence. The poems, appearing as they were printed in their first editions, are complemented by Jackson’s extensive, illuminating notes that draw on archival sources and help situate her work in its historical and literary context. Two introductory essays—one by Jackson and the other by Millay’s literary executor, Holly Peppe—also help critically frame the poet’s work.

This deluxe edition will be cherished by readers who continue to study and enjoy the work of this iconic figure.

Arvustused

Particularly useful to student readers, but also to advanced scholars.James Gifford and Margaret Konkol, The Years Work in English Studies

Yale University Presss edition of the Selected Poems of Edna St. Vincent Millay, superbly edited by Timothy Jackson, and with a brilliant introduction by Millay scholar Holly Peppe, constitutes a significant addition both to our understanding of Twentieth-Century American Poetry as well as to a fuller, more complex and balanced portrait of who the extraordinary poet Edna St. Vincent Millay was andmore importantlyis to readers searching for a more accurate picture of what made Modern Poetry modern. If she has been too often overlooked in the last half century and more, this edition will undoubtedly help restore Millays brilliant, witty, and tragic feminine voice to her rightful place among the company of Hart Crane, Frost, Williams, Pound, Eliot and Stevens.Paul Mariani, Boston College

Edna St. Vincent Millay is like Robert Frost or Philip Larkin in that her poems would survive even if every professor and professional critic ignored them (as, at times, they have). Her poems are both ancient and modern, comprised of equal parts pain and elation, ravishing music and stark reality.  She can break your heart, or, perhaps more importantly, remind you of the person who once had a heart that could be broken.Christian Wiman, author of My Bright Abyss

Many of the poets and academics who once dismissed Edna St. Vincent Millay as minor, and stylistically old fashioned are themselves now unread, forgotten. Millays poem are still powerfully alive. As this first rate edition shows.Greg Delanty, author of Book Seventeen

Assumptions about Millays work are too often based on her early poems or the romantic lyrics. This exceptionally fine selection represents a wide range of Millays work from her entire career. Brilliantly and meticulously edited, it offers an illuminating new perspective on Millays achievement. Selected Poems of Edna St. Vincent Millay celebrates a force of nature whose artistry this elegant annotated edition brings to light.Phillis Levin, author of Mr. Memory & Other Poems

Introduction xiii
Holly Peppe
Editorial Method xxxix
List of Abbreviations
liii
From Renascence and Other Poems (1917)
Renascence
3(7)
Interim
10(7)
Witch-Wife
17(1)
Blight
18(2)
If I should learn, in some quite casual way
20(1)
Bluebeard
21(4)
From Second April (1921) Spring
25(24)
Elegy Before Death
26(1)
Weeds
27(1)
Passer Mortuus Est
28(1)
Assault
29(1)
Song of a Second April
30(1)
Alms
31(1)
Wraith
32(1)
Elaine
33(1)
Exiled
34(2)
Memorial to D.C.
Oh, loveliest throat of all sweet throats
36(1)
Epitaph
37(1)
Prayer to Persephone
38(1)
Chorus
39(1)
Elegy
40(2)
Dirge
42(1)
We talk of taxes, and I call you friend
43(1)
Into the golden vessel of great song
44(1)
Only until this cigarette is ended
45(1)
Wild Swans
46(3)
From A Few Figs from Thistles (1920-1922)
First Fig
49(1)
Second Fig
49(1)
To the Not Impossible Him
50(1)
The Singing-Woman from the Wood's Edge
51(2)
Daphne
53(1)
The Philosopher
54(1)
I do but ask that you be always fair
55(1)
Oh, think not I am faithful to a vow
56(1)
I shall forget you presently, my dear
57(4)
From The Harp-Weaver and Other Poems (1923)
My Heart, Being Hungry
61(1)
Nuit Blanche
62(1)
The Goose-Girl
63(1)
The Betrothal
64(1)
The Ballad of the Harp-Weaver
65(5)
Never May the Fruit Be Plucked
70(1)
Pity me not because the light of day
71(1)
Your face is like a chamber where a king
72(1)
I, being born a woman and distressed
73(1)
What lips my lips have kissed, and where, and why
74(1)
Sonnets from an Ungrafted Tree
I So she came back into his house again
75(1)
II The last white sawdust on the floor was grown
76(1)
III She filled her arms with wood, and set her chin
77(1)
IV The white bark writhed and sputtered like a fish
78(1)
V A wagon stopped before the house; she heard
79(1)
VI Then cautiously she pushed the cellar door
80(1)
VII One way there was of muting in the mind
81(1)
VIII She let them leave their jellies at the door
82(1)
IX Not over-kind nor over-quick in study
83(1)
X She had forgotten how the August night
84(1)
XI It came into her mind, seeing how the snow
85(1)
XII Tenderly, in those times, as though she fed
86(1)
XIII From the wan dream that was her waking day
87(1)
XIV She had a horror he would die at night
88(1)
XV There was upon the sill a pencil mark
89(1)
XVI The doctor asked her what she wanted done
90(1)
XVII Gazing upon him now, severe and dead
91(4)
From The Kings Henchman (1927)
White-thorn and black-thorn
95(2)
What art thou?
97(2)
The Like of Thee
99(1)
O moon, draw not aside
100(5)
From The Buck in the Snow and Other Poems (1928)
Moriturus
105(6)
The Hawkweed
111(1)
The Hardy Garden
112(1)
The Buck in the Snow
113(1)
Justice Denied in Massachusetts
114(2)
Wine from These Grapes
116(1)
Dawn
117(2)
Dirge Without Music
119(1)
Winter Night
120(1)
The Cameo
121(1)
Counting-Out Rhyme
122(1)
Lethe
123(1)
The Pioneer
124(3)
From Fatal Interview (1931)
II This beast that rends me in the sight of all
127(1)
VII Night is my sister, and how deep in love
128(1)
VIII Yet in an hour to come, disdainful dust
129(1)
XI Not in a silver casket cool with pearls
130(1)
XXVII Moon, that against the lintel of the west
131(1)
XXX Love is not all; it is not meat nor drink
132(1)
XXXVI Hearing your words, and not a word among them
133(1)
XLVI Even in the moment of our earliest kiss
134(2)
L The heart once broken is a heart no more 13s LII Oh, sleep forever in the Latmian cave
136(3)
From Wine from These Grapes (1934)
The Return
139(1)
Autumn Daybreak
140(1)
The Hedge of Hemlocks
141(1)
Valentine
142(1)
In the Grave No Flower
143(1)
Sappho Crosses the Dark River into Hades
144(2)
Desolation Dreamed Of
146(1)
On the Wide Heath
147(1)
Above These Cares
148(1)
Epitaph for the Race of Man (selections)
I Before this cooling planet shall be cold
149(1)
VI See where Capella with her golden kids
150(1)
XII Now forth to meadow as the farmer goes
151(1)
XIV Him not the golden fang of furious heaven
152(1)
XVIII Here lies, and none to mourn him but the sea
153(4)
From Flowers of Evil (1936)
Invitation to the Voyage
157(2)
The Old Servant
159(1)
The King of the Rainy Country
160(1)
Murdered Woman
161(3)
A Memory
164(1)
The Cracked Bell
165(4)
From Conversation at Midnight (1937)
It is I who have faith
169(2)
It is not arrogance, Ricardo
171(1)
Anselmo said, and took in his brown hands
172(1)
"Your masses," Merton said
173(1)
If you lived in the north
174(3)
From Huntsman, What Quarry? (1939)
Song for Young Lovers in a City
177(1)
The Snow Storm
178(1)
Not So Far as the Forest
I That chill is in the air
179(1)
II Branch by branch
180(1)
III Distressed mind, forbear
181(1)
IV Not dead of wounds, not borne
182(1)
V Poor passionate thing
183(1)
Rendezvous
184(1)
The Fining
185(1)
Intention to Escape from Him
186(1)
"Fontaine, je ne boirai pas de ton eau!"
187(1)
The Plaid Dress
188(1)
The True Encounter
189(1)
The Princess Recalls Her One Adventure
190(1)
Menses
191(2)
I too beneath your moon, almighty Sex
193(1)
Not only love plus awful grief
194(1)
Upon this age, that never speaks its mind
195(4)
From Make Bright the Arrows: 1940 Notebook (1940)
Memory of England
199(4)
From Mine the Harvest (1954)
Ragged Island
203(1)
To whom the house of Montagu was neighbour
204(2)
This is mine and I can hold it
206(2)
The Strawberry Shrub
208(1)
The courage that my mother had
209(1)
New England Spring, 1942
210(1)
Here in a Rocky Cup
211(1)
Armenonville
212(1)
When the tree-sparrows with no sound
213(2)
Amorphous is the mind
215(1)
An Ancient Gesture
216(1)
The Parsi Woman
217(1)
Tranquility at length, when autumn comes
218(1)
It is the fashion now to wave aside
219(1)
What chores these churls do put upon the great
220(1)
I will put Chaos into fourteen lines
221(1)
Now sits the autumn cricket in the grass
222(3)
Previously Unpublished and Uncollected Poems
Nun-Heart
225(1)
E.St.V.M.
226(1)
Oh, mariner, homeward come to Care
227(1)
Thanksgiving 1950
228(5)
Previously Unpublished Prose
Essay on Faith
233(6)
Selections from Letters, and a Previously Unpublished Letter
To St. Nicholas Magazine (191 o)
239(1)
To Caroline B. Dow (1912)
239(2)
To Mr. and Mrs. Arthur Davison Ficke and Witter Bynner (1912)
241(2)
To Norma Millay (1917)
243(2)
To Mrs. Cora B. Millay (1921)
245(1)
To Mr. Morton (1937)
246(1)
To Cass Canfield (1946)
247(5)
To Edmund Wilson (1946)
252(2)
To Bemice Baumgarten (1950)
254(3)
Appendix
"An Ancient Gesture" with Critical Apparatus
257(5)
Selected Manuscript Variants
262(7)
Millay's Synopsis of Act II from The King's Henchman: Lyric Drama in Three Acts (excerpt)
269(1)
Millay's Foreword to Conversation at Midnight (excerpt)
270(1)
Bibliography 271(6)
Acknowledgments 277(2)
Suggestions for Further Reading 279(2)
Index of First Lines and Tides 281
Pulitzer Prizewinner Edna St. Vincent Millay (18921950) was a poet and playwright. Timothy F. Jackson is associate professor of English at Rosemont College. Holly Peppe, literary executor for Edna St. Vincent Millay and editor of the Penguin Classics edition of Millays Early Poems, has written and lectured widely about the poets life and work.