Introduction |
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xiii | |
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Editorial Method |
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xxxix | |
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liii | |
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From Renascence and Other Poems (1917) |
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3 | (7) |
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10 | (7) |
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17 | (1) |
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18 | (2) |
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If I should learn, in some quite casual way |
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20 | (1) |
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21 | (4) |
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From Second April (1921) Spring |
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25 | (24) |
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26 | (1) |
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27 | (1) |
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28 | (1) |
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29 | (1) |
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30 | (1) |
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31 | (1) |
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32 | (1) |
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33 | (1) |
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34 | (2) |
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Oh, loveliest throat of all sweet throats |
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36 | (1) |
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37 | (1) |
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38 | (1) |
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39 | (1) |
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40 | (2) |
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42 | (1) |
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We talk of taxes, and I call you friend |
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43 | (1) |
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Into the golden vessel of great song |
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44 | (1) |
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Only until this cigarette is ended |
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45 | (1) |
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46 | (3) |
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From A Few Figs from Thistles (1920-1922) |
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49 | (1) |
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49 | (1) |
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To the Not Impossible Him |
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50 | (1) |
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The Singing-Woman from the Wood's Edge |
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51 | (2) |
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53 | (1) |
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54 | (1) |
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I do but ask that you be always fair |
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55 | (1) |
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Oh, think not I am faithful to a vow |
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56 | (1) |
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I shall forget you presently, my dear |
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57 | (4) |
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From The Harp-Weaver and Other Poems (1923) |
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61 | (1) |
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62 | (1) |
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63 | (1) |
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64 | (1) |
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The Ballad of the Harp-Weaver |
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65 | (5) |
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Never May the Fruit Be Plucked |
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70 | (1) |
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Pity me not because the light of day |
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71 | (1) |
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Your face is like a chamber where a king |
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72 | (1) |
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I, being born a woman and distressed |
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73 | (1) |
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What lips my lips have kissed, and where, and why |
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74 | (1) |
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Sonnets from an Ungrafted Tree |
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I So she came back into his house again |
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75 | (1) |
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II The last white sawdust on the floor was grown |
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76 | (1) |
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III She filled her arms with wood, and set her chin |
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77 | (1) |
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IV The white bark writhed and sputtered like a fish |
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78 | (1) |
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V A wagon stopped before the house; she heard |
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79 | (1) |
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VI Then cautiously she pushed the cellar door |
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80 | (1) |
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VII One way there was of muting in the mind |
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81 | (1) |
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VIII She let them leave their jellies at the door |
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82 | (1) |
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IX Not over-kind nor over-quick in study |
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83 | (1) |
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X She had forgotten how the August night |
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84 | (1) |
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XI It came into her mind, seeing how the snow |
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85 | (1) |
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XII Tenderly, in those times, as though she fed |
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86 | (1) |
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XIII From the wan dream that was her waking day |
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87 | (1) |
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XIV She had a horror he would die at night |
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88 | (1) |
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XV There was upon the sill a pencil mark |
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89 | (1) |
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XVI The doctor asked her what she wanted done |
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90 | (1) |
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XVII Gazing upon him now, severe and dead |
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91 | (4) |
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From The Kings Henchman (1927) |
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White-thorn and black-thorn |
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95 | (2) |
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97 | (2) |
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99 | (1) |
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100 | (5) |
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From The Buck in the Snow and Other Poems (1928) |
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105 | (6) |
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111 | (1) |
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112 | (1) |
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113 | (1) |
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Justice Denied in Massachusetts |
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114 | (2) |
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116 | (1) |
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117 | (2) |
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119 | (1) |
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120 | (1) |
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121 | (1) |
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122 | (1) |
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123 | (1) |
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124 | (3) |
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From Fatal Interview (1931) |
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II This beast that rends me in the sight of all |
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127 | (1) |
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VII Night is my sister, and how deep in love |
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128 | (1) |
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VIII Yet in an hour to come, disdainful dust |
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129 | (1) |
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XI Not in a silver casket cool with pearls |
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130 | (1) |
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XXVII Moon, that against the lintel of the west |
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131 | (1) |
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XXX Love is not all; it is not meat nor drink |
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132 | (1) |
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XXXVI Hearing your words, and not a word among them |
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133 | (1) |
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XLVI Even in the moment of our earliest kiss |
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134 | (2) |
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L The heart once broken is a heart no more 13s LII Oh, sleep forever in the Latmian cave |
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136 | (3) |
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From Wine from These Grapes (1934) |
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139 | (1) |
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140 | (1) |
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141 | (1) |
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142 | (1) |
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143 | (1) |
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Sappho Crosses the Dark River into Hades |
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144 | (2) |
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146 | (1) |
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147 | (1) |
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148 | (1) |
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Epitaph for the Race of Man (selections) |
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I Before this cooling planet shall be cold |
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149 | (1) |
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VI See where Capella with her golden kids |
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150 | (1) |
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XII Now forth to meadow as the farmer goes |
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151 | (1) |
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XIV Him not the golden fang of furious heaven |
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152 | (1) |
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XVIII Here lies, and none to mourn him but the sea |
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153 | (4) |
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From Flowers of Evil (1936) |
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157 | (2) |
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159 | (1) |
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The King of the Rainy Country |
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160 | (1) |
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161 | (3) |
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164 | (1) |
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165 | (4) |
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From Conversation at Midnight (1937) |
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169 | (2) |
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It is not arrogance, Ricardo |
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171 | (1) |
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Anselmo said, and took in his brown hands |
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172 | (1) |
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"Your masses," Merton said |
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173 | (1) |
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If you lived in the north |
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174 | (3) |
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From Huntsman, What Quarry? (1939) |
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Song for Young Lovers in a City |
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177 | (1) |
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178 | (1) |
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I That chill is in the air |
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179 | (1) |
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180 | (1) |
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III Distressed mind, forbear |
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181 | (1) |
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IV Not dead of wounds, not borne |
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182 | (1) |
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183 | (1) |
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184 | (1) |
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185 | (1) |
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Intention to Escape from Him |
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186 | (1) |
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"Fontaine, je ne boirai pas de ton eau!" |
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187 | (1) |
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188 | (1) |
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189 | (1) |
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The Princess Recalls Her One Adventure |
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190 | (1) |
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191 | (2) |
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I too beneath your moon, almighty Sex |
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193 | (1) |
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Not only love plus awful grief |
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194 | (1) |
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Upon this age, that never speaks its mind |
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195 | (4) |
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From Make Bright the Arrows: 1940 Notebook (1940) |
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199 | (4) |
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From Mine the Harvest (1954) |
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203 | (1) |
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To whom the house of Montagu was neighbour |
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204 | (2) |
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This is mine and I can hold it |
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206 | (2) |
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208 | (1) |
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The courage that my mother had |
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209 | (1) |
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210 | (1) |
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211 | (1) |
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212 | (1) |
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When the tree-sparrows with no sound |
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213 | (2) |
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215 | (1) |
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216 | (1) |
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217 | (1) |
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Tranquility at length, when autumn comes |
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218 | (1) |
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It is the fashion now to wave aside |
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219 | (1) |
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What chores these churls do put upon the great |
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220 | (1) |
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I will put Chaos into fourteen lines |
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221 | (1) |
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Now sits the autumn cricket in the grass |
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222 | (3) |
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Previously Unpublished and Uncollected Poems |
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225 | (1) |
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226 | (1) |
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Oh, mariner, homeward come to Care |
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227 | (1) |
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228 | (5) |
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Previously Unpublished Prose |
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233 | (6) |
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Selections from Letters, and a Previously Unpublished Letter |
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To St. Nicholas Magazine (191 o) |
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239 | (1) |
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To Caroline B. Dow (1912) |
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239 | (2) |
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To Mr. and Mrs. Arthur Davison Ficke and Witter Bynner (1912) |
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241 | (2) |
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243 | (2) |
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To Mrs. Cora B. Millay (1921) |
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245 | (1) |
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246 | (1) |
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247 | (5) |
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252 | (2) |
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To Bemice Baumgarten (1950) |
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254 | (3) |
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"An Ancient Gesture" with Critical Apparatus |
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257 | (5) |
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Selected Manuscript Variants |
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262 | (7) |
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Millay's Synopsis of Act II from The King's Henchman: Lyric Drama in Three Acts (excerpt) |
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269 | (1) |
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Millay's Foreword to Conversation at Midnight (excerpt) |
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270 | (1) |
Bibliography |
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271 | (6) |
Acknowledgments |
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277 | (2) |
Suggestions for Further Reading |
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279 | (2) |
Index of First Lines and Tides |
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281 | |