| Volume 1 Geography And Anthropology |
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viii | |
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1.0 Introduction: On the Geography and Anthropology of the Senses |
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1 | (24) |
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23 | (68) |
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1.1 The Background to Pure Geography |
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25 | (8) |
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33 | (6) |
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39 | (4) |
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1.4 Sensing the World in Cross-Cultural Perspective |
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43 | (12) |
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55 | (8) |
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1.6 Geography of the Senses |
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63 | (18) |
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1.7 Anthropology of the Senses |
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81 | (12) |
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Part II Key Domains And Concepts |
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91 | (242) |
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1.8 'Blowing 'cross the Crest of Mount Galeng': Winds of the Voice, Winds of the Spirits |
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93 | (12) |
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105 | (4) |
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1.10 Feeling is Believing, or Landscape as a Way of Being in the World |
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109 | (18) |
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1.11 Enduring and Endearing Feelings and the Transformation of Material Culture in West Africa |
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127 | (18) |
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1.12 The Memory of the Senses - Marks of the Transitory: The Breast of Aphrodite |
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145 | (14) |
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159 | (10) |
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1.14 Immigrant Lives and the Politics of Olfaction in the Global City |
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169 | (10) |
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1.15 Sensing Muslim Difference |
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179 | (22) |
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1.16 Literacy as Anti-Culture: The Andean Experience of the Written Word |
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201 | (14) |
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1.17 Culture on the Ground: The World Perceived through the Feet |
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215 | (20) |
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1.18 Using 'the Body' as an Instrument of Research: Kimch'i and Pavlova |
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235 | (12) |
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247 | (8) |
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1.20 Leviathan and the Experience of Sensory Ethnography |
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255 | (12) |
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1.21 Cybercartography: A Multisensory Approach |
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267 | (20) |
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1.22 The Sensory Experience of Food |
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287 | (14) |
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Synaesthesia/Intersensoriality |
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1.23 Brain and Mind in Desana Shamanism |
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301 | (22) |
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Gerardo Reichel-Dolmatoff |
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1.24 Synesthesia, Metaphor, and Symbolic Space |
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323 | (12) |
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333 | (43) |
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1.25 Woman, Fire, Ambition, and Desire - The Idea and Performance of the Great Baga D'mba (Exhibition Project Narrative) |
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335 | (14) |
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1.26 Creating Mami Wata: An Interactive, Sensory Exhibition |
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349 | (14) |
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1.27 Walking Without Purpose: Sensations of History and Memory in Nagasaki City |
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363 | |
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376 | (4) |
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380 | |
| Volume 2 History And Sociology |
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viii | |
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2.0 Introduction: On the History and Sociology of the Senses |
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1 | (22) |
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21 | (62) |
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2.1 Huizinga on Historical Experience |
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23 | (16) |
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2.2 Smells, Tastes, Sounds and the Underdevelopment of Sight |
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39 | (8) |
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2.3 Shock and Distraction: Georg Simmel and Walter Benjamin |
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47 | (16) |
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2.4 The Senses in History |
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63 | (8) |
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2.5 Sociology of the Senses |
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71 | (14) |
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Part II Key Domains And Concepts |
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83 | (252) |
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2.6 On the Color of Angels: The Sensory Cosmologies of St. Hildegard, Boehme, and Fourier |
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85 | (24) |
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2.7 The Everyday City of the Senses |
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109 | (18) |
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2.8 The Performative Icon |
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127 | (24) |
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2.9 Outcomes of Secularization Theory for Visual and Material Religion |
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151 | (8) |
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2.10 The Proust Effect: Uplifting Musical Memories and Sensory Reminiscence in Older People |
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159 | (12) |
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2.11 Uncertainty and Deliberative Thinking in Blind Race Attribution |
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171 | (24) |
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2.12 Pens and Needles: Writing, Women's Work and Feminine Sensibilities |
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195 | (26) |
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2.13 Virtualization: Sensory Atrophy and Disconnection |
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221 | (6) |
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2.14 Grasping the Phenomenology of Sporting Bodies |
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227 | (16) |
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Jacquelyn Allen Collinson |
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243 | (2) |
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2.16 Russia's Carnival: The Sense-Experience of Transition |
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245 | (2) |
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2.17 Listening-Touch: Affect and the Crafting of Medical Bodies through Percussion |
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247 | (22) |
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2.18 Take Five: Renaissance Literature and the Study of the Senses |
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269 | (18) |
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287 | (8) |
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2.20 The Invention of Gastronomy |
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295 | (8) |
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Synaesthesia/Intersensoriality |
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2.21 Color and Sound: Transcending the Limits of the Senses |
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303 | (14) |
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2.22 Synesthesia, Transformation and Synthesis: Toward a Multi-sensory Pedagogy of the Image |
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317 | (20) |
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335 | (38) |
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337 | (8) |
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2.24 Ears-On Exhibitions: Sound in the History Museum |
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345 | (16) |
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2.25 War, Memory and the Senses in the Imperial War Museum London, 1920-2014 |
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361 | |
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373 | (4) |
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377 | |
| Volume 3 Biology, Psychology And Neuroscience |
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viii | |
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3.0 Introduction: On the Individuation/Integration of the Senses in the Fields of Biology, Psychology and Neuroscience-An Orthogonal View |
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1 | (34) |
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33 | (100) |
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3.1 The Unity of the Senses |
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35 | (6) |
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3.2 'Taste-Smell Confusions' and the Duality of the Olfactory Sense |
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41 | (8) |
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3.3 The Theory of Meaning |
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49 | (26) |
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3.4 Edison's Teeth: Touching Hearing |
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75 | (16) |
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3.5 Crossmodal Correspondences: A Synopsis |
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91 | (44) |
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Part II Key Domains And Concepts |
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133 | (228) |
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3.6 Perception, Ecology, and Music |
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135 | (18) |
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3.7 Fingeryeyes: Impressions of Cup Corals |
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153 | (18) |
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3.8 Mechanical Tasting: Sensory Science and the Flavorization of Food Production |
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171 | (18) |
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3.9 Electromagnetism and the Nth Sense: Augmenting Senses in the Grinder Subculture |
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189 | (6) |
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3.10 On Listening to a Dream: The Sensory Dimensions |
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195 | (12) |
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3.11 The Making of Mind in a West African Community: Anlo-Ewe Understandings of Embodied Cognition |
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207 | (10) |
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3.12 The Menagerie of the Senses |
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217 | (14) |
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3.13 An Auditory World: Music and Blindness |
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231 | (4) |
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3.14 Interactive Sonification for Data Exploration |
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235 | (18) |
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3.15 Vision and "the Training of Perception": McLuhan's Medienpadagogik |
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253 | (10) |
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3.16 Seeing with a 'Sideways Glance': Visuomotor 'Knowing' and the Plasticity of Perception |
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263 | (16) |
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3.17 What Animals Teach Us about Politics |
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279 | (12) |
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3.18 An Empire of Sound: Sentience, Sonar and Sensory Impudence |
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291 | (16) |
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3.19 Cultural Factors Shape Olfactory Language |
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307 | (4) |
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311 | (12) |
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Synaesthesia/Intersensoriality |
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3.21 Synesthesia on Our Mind |
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323 | (18) |
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3.22 Synaesthesia Unravelled |
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341 | (22) |
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361 | (24) |
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3.23 Making Sense of the Senses across Species Boundaries: Curating the Animal Senses Gallery at National Museums Scotland |
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363 | (12) |
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3.24 Tate Sensorium (Exhibition Project Narrative) |
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375 | |
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385 | (4) |
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389 | |
| Volume 4 Art And Design |
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viii | |
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4.0 Introduction: Sensory Art and Design |
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1 | (26) |
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25 | (62) |
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4.1 Sensory Separation and the Founding of Art History |
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27 | (16) |
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4.2 All-Consuming Images: The Marriage Between Art and Commerce |
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43 | (8) |
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4.3 Twentieth Century Visual Art, Design, Music and the Senses |
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51 | (16) |
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4.4 Disciplining the Senses: Beethoven as Synaesthetic Paradigm |
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67 | (8) |
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4.5 Sensing Materials: Exploring the Building Blocks for Experiential Design |
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75 | (14) |
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Hendrick N.J. Schifferstein |
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Part II Key Domains And Concepts |
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87 | (282) |
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4.6 Visualizing: Design, Communicative Objectivity and the Interface Since 1945 |
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89 | (22) |
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4.7 Resonances: Experimental Encounters with Sound Art in the Making |
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111 | (26) |
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4.8 Atmospheric Architecture: Elements, Processes and Practices |
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137 | (18) |
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155 | (8) |
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4.10 Sensuality and Shag Carpeting: A Sensory Design Review of a Postwar Floor Covering |
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163 | (4) |
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4.11 Unofficial Memory: Intercultural Cinema, Embodiment and the Senses |
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167 | (12) |
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4.12 Remote Avant Garde: Tjanpi Desert Weavers |
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179 | (18) |
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197 | (22) |
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4.14 The Mediated Sensorium |
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219 | (44) |
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4.15 Sense, Meaning and Perception in Three Dance Cultures |
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263 | (14) |
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4.16 Sound Studies without Auditory Culture: A Critique of the Ontological Turn |
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277 | (20) |
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4.17 The Senses in Literature, 1920-2000: From the Modernist Shock of Sensation to Postcolonial and Virtual Voices |
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297 | (18) |
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4.18 Towards a Multisensory Aesthetic: Jean Giono's Non-Visual Sensorium |
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315 | (4) |
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319 | (16) |
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Synaesthesia/Intersensoriality |
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4.20 Art and the Senses, 1800-1920: From the Romantics to the Futurists |
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335 | (22) |
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4.21 Sensing Things: Merleau-Ponty, Synaesthesia and Human-centredness |
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357 | (14) |
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369 | (38) |
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371 | (6) |
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377 | (4) |
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4.24 Mediations of Sensation: Designing Performative Sensory Environments |
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381 | (8) |
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4.25 A Feast for the Senses at The Walters Art Museum (Exhibition Project Narrative) |
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389 | (18) |
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407 | (4) |
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411 | |
