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Serial Forms: The Unfinished Project of Modernity, 1815-1848 [Kõva köide]

(Grace 2 Chair, Faculty of English, University of Cambridge)
  • Formaat: Hardback, 368 pages, kõrgus x laius x paksus: 240x162x25 mm, kaal: 712 g, 43 Illustrations
  • Ilmumisaeg: 04-Jun-2020
  • Kirjastus: Oxford University Press
  • ISBN-10: 0198830424
  • ISBN-13: 9780198830429
  • Formaat: Hardback, 368 pages, kõrgus x laius x paksus: 240x162x25 mm, kaal: 712 g, 43 Illustrations
  • Ilmumisaeg: 04-Jun-2020
  • Kirjastus: Oxford University Press
  • ISBN-10: 0198830424
  • ISBN-13: 9780198830429
Serial Forms: The Unfinished Project of Modernity 1815-1848 proposes an entirely new way of reading the transition into the modern. This is the first book in a three-part series which will take the reader up to the end of the First World War and will move from London to the global. Serial Forms sets out the theoretical and historical basis for all the three volumes. It suggests that the growing importance and determining power of the form of seriality is a result of the parallel and connected development of a news culture alongside an emergent popular culture of historicism. Through serial newsprint, illustrations, performances, shows, and new forms of mediation, the past and the contemporary moment are emerging into public visibility together. The increasingly insistent rhythm of the serial which reorganises time and recalibrates and rescales the social is preparing the way for the revolutions which are the subject of the next book, Serial Revolutions: 1848.

Rather than offering rarefied intellectual history or chopping up the period into 'Romantic' and 'Victorian', this series takes as its focus the development of communications technologies and tracks their impact on the imagination of time, history, and virtuality. Serial Forms is able to offer new and exciting readings of familiar authors such as Scott, Byron, Dickens, and Gaskell by placing their work back into the messy serial print and shows culture from which it originally appeared. Through the serial form the social becomes recognised as political for the first time and Serial Forms points towards the crucial importance of the 'failed' 1848 revolutions in Britain as well as in Continental Europe.

Arvustused

Serial Forms establishes the importance of seriality as organizing logic and uses it to open up the period in illuminating ways. The arguments about temporality, however, particularly how a sense of shared present was developed, are not just persuasive but transformative. * Prof. James Mussell, Journal of European Periodical Studies * The book is the first of a projected trilogy that will follow its argument through the First World War: Pettitt's readers will shortly be able to assess a bit more of her compelling argument's historical and theoretical reach. * David Kurnick, criticalinquiry.com * It is a valuable and original investigation of noncanonical serials in the early nineteenth century. It is also a significant contribution to the conversation about form, time, and politics that extends beyond seriality studies. * Robyn Warhol's, MLQ: A Journal of Literary History * This is both an exciting and a weighty book. It joins extensive archival knowledge with sharp theoretical insight to throw a new light on the emergence of the modern subject ... I am eager for the next installment. * Caroline Levine, Modern Philology * Pettitt expertly weaves together various strands to show how the growing infiltration of seriality into every aspect of culture forms 'the dynamic processes involved in calibrating a new form of social time'. [ ...] Serial Forms is a rich, textured study, and there are many byways of the argument not touched upon here that readers will find useful." * David E. Latané, Victorian Periodicals Review * In Pettitt's hands, serialization becomes not simply a subject for literary discussion, but is interpreted as a significant cultural movement which informed, and was informed by, the politics and people of the time. The result is an insightful and inspiring collection of chapters that broadens our knowledge of the subject and - appropriately in the spirit of serialization - whets our appetite for the next two books to follow. * Pete Orford, University of Buckingham , Dickens Quarterly * With its thrilling combination of small details and big insights, this book should attract a readership as wide and grateful as that achieved by Linda Hughes and Michael Lund's The Victorian Serial... I, for one, am eager for the next installment. * Matthew Poland, University of Washington, Seattle, review19 * The greatest strength of the book is its meticulous research of periodicals,...Serial Forms offers a refreshingly material engagement with affect studies. * William Lee Hughes, Victorian Studies Vol 64.4 *

Muu info

Winner of Co-Winner, 2023 Rose Mary Crawshay Prize, The British Academy Co-winner, 2022 ESPRit Prize, European Society for Periodical Studies Winner, 2022 NAVSA Annual Book Prize, North American Victorian Studies Association.
List of Illustrations
xv
Introduction: Serial Forms 1(28)
1 Yesterday's News
29(40)
2 Scott Unbound
69(38)
3 Live Byron
107(41)
4 Vesuvius on the Strand
148(29)
5 Scalar: Pugin, Carlyle, Dickens
177(36)
6 History in Miniature
213(38)
7 Biopolitics of Seriality
251(36)
Conclusion: 1848 and Serial Revolutions 287(8)
Bibliography 295(40)
Index 335
Clare Pettitt has published widely on nineteenth-century literature and culture. She has taught at the universities of Oxford, Leeds, Cambridge, and King's College London. Pettitt is currently Grace 2 Chair at the Faculty of English, University of Cambridge.