Muutke küpsiste eelistusi

Serious Play: Design in Midcentury America [Kõva köide]

, Contributions by , Contributions by , Contributions by , Contributions by ,
  • Formaat: Hardback, 256 pages, kõrgus x laius: 279x241 mm, kaal: 1588 g, 153 color + 51 b-w illus.
  • Ilmumisaeg: 23-Oct-2018
  • Kirjastus: Yale University Press
  • ISBN-10: 0300234228
  • ISBN-13: 9780300234220
  • Kõva köide
  • Hind: 53,88 €*
  • * saadame teile pakkumise kasutatud raamatule, mille hind võib erineda kodulehel olevast hinnast
  • See raamat on trükist otsas, kuid me saadame teile pakkumise kasutatud raamatule.
  • Kogus:
  • Lisa ostukorvi
  • Tasuta tarne
  • Lisa soovinimekirja
  • Formaat: Hardback, 256 pages, kõrgus x laius: 279x241 mm, kaal: 1588 g, 153 color + 51 b-w illus.
  • Ilmumisaeg: 23-Oct-2018
  • Kirjastus: Yale University Press
  • ISBN-10: 0300234228
  • ISBN-13: 9780300234220
A lively exploration of eclecticism, playfulness, and whimsy in American postwar design, including architecture, graphic design, and product design 

This spirited volume shows how postwar designers embraced whimsy and eclecticism in their work, exploring playfulness as an essential construct of modernity. Following World War II, Americans began accumulating more and more goods, spurring a transformation in the field of interior decoration. Storage walls became ubiquitous, often serving as a homes centerpiece. Designers such as Alexander Girard encouraged homeowners to populate their new shelving units with folk art, as well as unconventional and modern objects, to produce innovative and unexpected juxtapositions within modern architectural settings. Playfulness can be seen in the colorful, child-sized furniture by Charles and Ray Eames, who also produced toys. And in the postwar corporate world, the concept of play is manifested in the influential advertising work of Paul Rand. Set against the backdrop of a society that was experiencing rapid change and high anxiety, Serious Play takes a revelatory look at how many of the countrys leading designers connected with their audience through wit and imagination.

Published in association with the Milwaukee Art Museum and the Denver Art Museum

Exhibition Schedule:

Milwaukee Art Museum (09/28/1801/06/19)

 

Denver Art Museum (05/05/1908/25/19)  

Arvustused

As several contributors . . . point out, many designers . . . rejected a dogmatic modernism and hungered for something beyond rational and utilitarian motives. The post-World War II era was marked by an acquisitive appetite, for which designers like Charles and Ray Eames and Alexander Girard devised colorful multitiered storage units, while ceramists like Eva Zeisel created charming table accoutrements to fill them.Ann Landi, Wall Street Journal

Directors Foreword vi
Acknowledgments viii
Introduction 1(22)
Monica Obniski
Darrian Alfred
Playful Domesticity
23(30)
Monica Obniski
Charles and Ray Eames Serious Play, Serious Pleasure
53(28)
Pat Kirkham
"What Is a Clock, Anyway?"
81(22)
Amy Auscherman
EVA Zeisel the "Merry-Souled" Designer's Playful Search for Beauty
103(18)
Pat Kirkham
Toys as Furniture/Furniture as Toys
121(26)
Alexandra Lange
Alexander Girard and Play in the Corporate Environment
147(20)
Monica Obniski
The Play Principle Paul Rand and Graphic Design
167(18)
Steven Heller
Serious Business The Wonderful, Imaginative Spirit of Alcoa's Forecast Program
185(34)
Darrin Alfred
Checklist 219(16)
Contributors 235(1)
Illustration Credits 236(2)
Index 238
Monica Obniski is Demmer Curator of Twentieth and Twenty-First Century Design at the Milwaukee Art Museum. Darrin Alfred is curator of architecture, design, and graphics at the Denver Art Museum.