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Shakespeare On Stage and Off [Pehme köide]

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  • Formaat: Paperback / softback, 304 pages, kõrgus x laius: 229x152 mm, 32 b&w photos
  • Ilmumisaeg: 19-Dec-2019
  • Kirjastus: McGill-Queen's University Press
  • ISBN-10: 0773559256
  • ISBN-13: 9780773559257
Teised raamatud teemal:
  • Formaat: Paperback / softback, 304 pages, kõrgus x laius: 229x152 mm, 32 b&w photos
  • Ilmumisaeg: 19-Dec-2019
  • Kirjastus: McGill-Queen's University Press
  • ISBN-10: 0773559256
  • ISBN-13: 9780773559257
Teised raamatud teemal:
Essays for all readers on new directions in Shakespearean performance, adaptation, and criticism.


Today, debates about the cultural role of the humanities and the arts are roiling. Responding to renewed calls to reassess the prominence of canonical writers, Shakespeare On Stage and Off introduces new perspectives on why and how William Shakespeare still matters. Lively and accessible, the book considers what it means to play, work, and live with Shakespeare in the twenty-first century. Contributors - including Antoni Cimolino, artistic director of the Stratford Festival - engage with contemporary stagings of the plays, from a Trump-like Julius Caesar in New York City to a black Iago in Stratford-upon-Avon and a female Hamlet on the Toronto stage, and explore the effect of performance practices on understandings of identity, death, love, race, gender, class, and culture. Providing an original approach to thinking about Shakespeare, some essays ask how the knowledge and skills associated with working lives can illuminate the playwright's works. Other essays look at ways of interacting with Shakespeare in the digital age, from Shakespearean resonances in Star Trek and Indian films to live broadcasts of theatre performances, social media, and online instructional tools. Together, the essays in this volume speak to how Shakespeare continues to enrich contemporary culture. A timely guide to the ongoing importance of Shakespearean drama, Shakespeare On Stage and Off surveys recent developments in performance, adaptation, popular culture, and education. Contributors include Russell J. Bodi (Owens State Community College), Christie Carson (Royal Holloway University of London), Brandon Christopher (University of Winnipeg), Antoni Cimolino (Stratford Festival), Jacob Claflin (College of Eastern Idaho), Lauren Eriks Cline (University of Michigan), David B. Goldstein (York University), Gina Hausknecht (Coe College), Peter Holland (University of Notre Dame), R.W. Jones (University of Texas), Christina Luckyj (Dalhousie University), Julia Reinhard Lupton (University of California, Irvine), Linda McJannet (Bentley University), Roderick H. McKeown (University of Toronto), Hayley O'Malley (University of Michigan), Amrita Sen (University of Calcutta), Eric Spencer (The College of Idaho), Lisa S. Starks (University of South Florida St Petersburg), and Jeffrey R. Wilson (Harvard University).

Arvustused

"A well-put-together, provocative, adventurous collection." Pascale Aebischer, University of Exeter

Figures
xi
Acknowledgments xv
Introduction 3(12)
Kenneth Graham
Alysia Kolentsis
PART ONE PLAYING WITH SHAKESPEARE
1 The Play's Not the Only Thing
15(10)
Antoni Cimolino
2 Global Othello, Then and Now: The 2015 Royal Shakespeare Company Production in Context
25(11)
Christina Luckyj
3 Shakespeare, Spectators, and the Meaning of Race on Stage
36(11)
Lauren Eriks Cline
4 "The Slutty Clown Speaks the Prologue": Cross-Gender Casting on the Toronto Stage
47(14)
Roderick H. Mckeown
5 Two Productions of The Two Gents: From the Globe Stage to the Royal Shakespeare Company, 2012-2014
61(15)
Christie Carson
6 Embodying the Sea: Shakespeare and Physical Theatre
76(15)
Linda Mcjannet
PART TWO WORKING WITH SHAKESPEARE
Introduction
91(3)
Julia Reinhard Lupton
7 Shakespeare's Social Work: From Displacement to Placement in Twelfth Night
94(15)
Julia Reinhard Lupton
8 Lessons from a Street Fighter: Reconsidering Romeo and Juliet
109(14)
Russell J. Bodi
9 Rooting for Shakespeare: Cooking through Timon of Athens
123(16)
David B. Goldstein
10 "Redeeming Time": The Dramatization of Desistance in I Henry IV
139(20)
Jeffrey R. Wilson
PART THREE LIVING WITH SHAKESPEARE
11 Nutshells and Open Trials: Editing and Cinematography in Live Broadcast Shakespeare
159(12)
R.W. Jones
12 Filming Theatre: A Tale of Two Merchants
171(15)
Peter Holland
13 Shakespeare Adaptation in the Age of the Camera Phone: Spectacle and Experimental Seeing in Ralph Fiennes's Coriolanus
186(14)
Hayley O'Malley
14 The Indian Shakespeare Trilogy: Maqbool, Omkara, and Haider
200(12)
Amrita Sen
15 Queering Will and Kit: Slash and the Shakespeare Biopic
212(18)
Lisa S. Starks
16 Star Trek's Shakespeare Problem
230(11)
Brandon Christopher
17 Retelling Macbeth for the Digital Age: The Multimodal Poetics of Sleep No More
241(11)
Jacob Claflin
18 Square Brackets and Performance Choices: Considering the Shakespearean Stage Direction
252(10)
Gina Hausknecht
19 "Nor Understood None Neither": Why It Might Be Time to Think Seriously about Shakespeare in Modern English
262(11)
Eric Spencer
Contributors 273(6)
Index 279
Kenneth Graham is professor of English at the University of Waterloo. Alysia Kolentsis is associate professor of English at St Jerome's University in the University of Waterloo.