Marsh’s multichannel visual interventions articulate the criticality of infrastructure, the technological image, spatial expansion, surveillance, collective labor and much more
Published with Press Enter.
Part reader, part monograph, part visual essay, She Moves Me synthesizes the installation and performance pieces of Canadian artist Lynne Marsh (born 1969). Marsh’s filmed and choreographed interventions look behind the scenes, underscoring the camera’s power to delineate social spaces.
