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Showcasing Science: A History of Teylers Museum in the Nineteenth Century [Kõva köide]

Teised raamatud teemal:
Teised raamatud teemal:
Teylers Museum was founded in 1784 and soon thereafter became one of the most important centres of Dutch science. The Museums first director, Martinus van Marum, famously had the worlds largest electrostatic generator built and set up in Haarlem. This subsequently became the most prominent item in the Museums world-class, publicly accessible, and constantly growing collections. These comprised scientific instruments, mineralogical and palaeontological specimens, prints, drawings, paintings, and coins. Van Marums successors continued to uphold the institutions prestige and use the collections for research purposes, while it was increasingly perceived as an art museum by the public. In the early twentieth century, the Nobel Prize laureate Hendrik Antoon Lorentz was appointed head of the scientific instrument collection and conducted experiments on the Museums premises. Showcasing Science: A History of Teylers Museum in the Nineteenth Century charts the history of Teylers Museum from its inception until Lorentz tenure. From the vantage point of the Museums scientific instrument collection, this book gives an analysis of the changing public role of Teylers Museum over the course of the nineteenth century.
1 Introduction
I Teylers at the Paris Electrical Exhibition
11(7)
II Teylers Museum
18(3)
III Museums and Popular Science
21(2)
IV Structure and Intended Readership of the Book
23(4)
2 The Birth of a Musaeum
I The Museum's Pre-History
27(30)
Martinus van Marum and the Beginning of the Age of Museums
27(7)
Martinus van Marum's Formative Years and The Holland Society of Sciences
34(7)
Pieter Teyler van der Hulst
41(4)
The Contents of Pieter Teyler's Last Will and Testament
45(4)
Contextualising the Will: Mennonite Governors in Haarlem
49(6)
Teyler's Choice of "Arts and Sciences"
55(2)
II The Establishment of Teylers Museum
57(54)
A Financial Setback
57(2)
The Teyler Foundation's First Trustees
59(3)
The Appointment of a Kastelein
62(1)
The Foundation's Buildings
63(2)
The Haarlem Drawing Academy
65(2)
Teylers Learned Societies
67(4)
Prize Essay Competitions
71(1)
Pieter Teyler's Prints and Drawings
72(4)
Birth of a Musaeum
76(6)
The Design of the Oval Room
82(3)
Ideas for the Oval Room
85(11)
Van Marum is Appointed Director of Teylers Museum
96(6)
Teylers Museum and the Public
102(2)
Musaeum or Museum
104(7)
3 Van Marum --- Empiricism and Empire
I Van Marum's Work at Teylers Museum
111(44)
Van der Vinne Resigns
111(1)
Experiments with the Cuthbertson Electrostatic Generator
112(3)
Van Marum Generates Attention
115(3)
From Physics to Chemistry
118(1)
A Financial Windfall
119(1)
The Addition of a Laboratory
120(4)
Van Marum's Acquisition Plans
124(5)
Amateurs and Professionals
129(3)
London and the Aftermath
132(4)
Van Marum's Practical Appliances
136(2)
Van Marum and the Earth Sciences
138(3)
French Occupation
141(3)
Cuvier and the Mosasaur
144(2)
Homo Diluvii Testis, Lying Stones, and Ohio
146(2)
A Matter of Faith
148(3)
Aesthetic Value
151(3)
Van Marum's Dispute with the Trustees
154(1)
II Van Marum's "Philosophy of Science"
155(18)
Van Marum's Take on Kant
155(2)
A Matter of Belief
157(3)
Relying on Experiments
160(3)
The Practical Turn
163(5)
Van Marum's Lectures During the French Occupation
168(4)
A Summary of Van Marum's Ideals
172(1)
III Open All Hours: Public Accessibility of Teylers Museum 1780-1840
173(13)
Tourism Emerges
173(2)
Selection of Visitors?
175(4)
Early Travel Reports of Teylers Museum
179(5)
Teylers Museum as "Testimony to the History of Physics"
184(2)
IV The Forgotten Art
186(11)
No Great Connoisseur of Pictures
186(2)
Christina of Sweden's Collection of Drawings
188(2)
Changing Definitions of "Art"
190(3)
Paintings by Contemporary Artists
193(4)
4 Van der Willigen - Precision and the Discipline of Physics
I An Unexpected Guessing Game (Intro)
197(5)
II Volkert Simon Maarten van der Willigen (I): Early Years
202(10)
A New Methodology
202(3)
The Athenaeum in Deventer
205(1)
Amateurs, Specialists, and True Physics
206(6)
III The Art of Presenting
212(13)
The Rise of Public Art Exhibitions
212(4)
The First Art Gallery, a Permanent Exhibition?
216(3)
The More Visitors, the More Exclusive?
219(6)
IV Changing Definition of Museums
225(11)
From Scholarly Musaeum to Educational Museum
225(1)
The Great Exhibition, "Albertopolis", and the South Kensington Museum
226(3)
The Public Museum in Support of Public Mores
229(2)
Prince Albert and the History of Art
231(2)
London to Haarlem
233(3)
V Jacob Gijsbert Samuel van Breda at Teylers Museum
236(23)
Mid-Century Dutch Liberalism
236(2)
Some Critics of Official Dutch Museum Policy
238(4)
Jacob Gijsbert Samuel van Breda
242(4)
Van Breda, Logeman, Winkler
246(3)
Different Approaches to Collecting
249(5)
The Rhenish Mineral-Office Krantz
254(2)
"Monuments of Science"
256(3)
VI Volkert Simon Maarten van der Willigen (II): Curator in Haarlem
259(14)
On the Job
259(1)
Van der Willigen's Work in Haarlem
260(5)
Public Lectures and the Centennial in Philadelphia
265(3)
The Special Loan Collection at South Kensington
268(3)
Febris Rheumatica Articularis
271(2)
5 Lorentz -- Function Follows Form and Theory Leads to Experiment
I Themes of the
Chapter
273(4)
II A New Type of Museum
277(15)
New Government Policy in the 1870s
277(3)
The New Annex to Teylers Museum
280(5)
Guards at Teylers Museum
285(3)
Teylers' New Annex and the Rijksmuseum
288(4)
III T.C. Winkler and E. van der Ven
292(9)
Tiberius Cornelis Winkler
292(5)
Elisa van der Ven
297(4)
IV Function Follows Form
301(15)
Moving House
301(4)
Function Follows Form
305(2)
The Birth of a Museum of the History of Science
307(3)
Science Museums and Museums of the History of Science
310(6)
V Lorentz: A Theoretician as Curator
316(17)
A Revered Theoretical Physicist
316(1)
Much to Offer
317(4)
Refurbishment of the Laboratory and Subsequent Research
321(3)
"The Isolation of Haarlem"
324(5)
The Museum Next Door
329(4)
6 Conclusion
I Summary
333(2)
II Musaeum or Museum?
335(1)
III The Changing Status of the Scientific Instrument Collection
336(5)
Appendix 341(4)
Acknowledgements 345(2)
Archives 347(2)
Bibliography 349(16)
Index 365
Martin P.M. Weiss is a historian of science at the German Maritime Museum. He studied in Aachen and Utrecht and received his PhD from Leiden University.