| Foreword |
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8 | (3) |
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Signals: How Video Transformed The World |
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11 | (12) |
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Michelle Kuo-Stuart Comer |
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Television At The End Of History |
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23 | (8) |
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31 | (11) |
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Stan VanDerBeek, Movie-Drome |
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42 | (4) |
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Marta Minuj in, Sinultane idad en simul tane I dad |
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46 | (4) |
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Raindance Corporation, Proto Media Primer/Media Primer (Shamberg) |
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50 | (4) |
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54 | (4) |
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Fujiko Nakaya, Friends of Minamata Victims--Video Diary |
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58 | (4) |
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Richard Serra/Carlota Fay Schoolman, Television Delivers People |
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62 | (4) |
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66 | (4) |
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CADA (Colectivo Acciones de Arte), iAy Sudamerica! |
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70 | (4) |
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Nam June Paik, Good Morning, Mr. Orwell |
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74 | (4) |
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Martha Rosier, If It's Too Bad to Be True, It Could Be Disinformation |
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78 | (2) |
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Black Audio Film Collective/John Akomfrah, Handsworth Songs |
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80 | (4) |
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Tony Cokes, Black Celebration |
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84 | (5) |
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Spl It Screens And Part Itioned Publics |
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89 | (12) |
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Never Rest/Unrest: Emerging Time |
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101 | (8) |
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109 | (9) |
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Victor Masayesva Jr., Ritual Clowns |
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118 | (4) |
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Mona Hatoum, Measures of Distance |
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122 | (2) |
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Gretchen Bender, TV Text and I mage (Donne11 L ibrary Center Version) |
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124 | (4) |
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128 | (4) |
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132 | (4) |
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Walid Raad/Souhei I Bachar, Hostage: The Bachar Tapes (English Version) |
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136 | (2) |
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Artur Zmijewski, Democracies |
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138 | (4) |
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Amar Kanwar, The Torn First Pages |
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142 | (4) |
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Carlos Motta, We Who Feel Differently |
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146 | (4) |
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Sondra Perry, Double Quadruple Etcetera Etcetera I & II |
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150 | (2) |
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Chto Del at, The Excluded. I n a Moment of Danger |
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152 | (4) |
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Ming Wong, Windows on the World (Part 2) |
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156 | (2) |
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Martine Syms, Lessons I-CLXXX |
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158 | (4) |
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Lawrence Abu Hamdan, Wal led Unwal led |
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162 | (4) |
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Dana Kavelina, Letter to a Turtledove |
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166 | (4) |
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Sandra Mujinga, Pervasive Light |
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170 | (3) |
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| A Short History of Video Technology and Transmission |
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173 | (4) |
| Check I ist of the Exhibition |
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177 | (5) |
| Acknowledgments |
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182 | (2) |
| Contributors |
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184 | (4) |
| Trustees of The Museum of Modern Art |
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188 | |
