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Signs: Lettering in the Environment [Pehme köide]

  • Formaat: Paperback / softback, 192 pages, kõrgus x laius x paksus: 252x240x18 mm, kaal: 960 g, col. Illustrations
  • Ilmumisaeg: 06-Oct-2008
  • Kirjastus: Laurence King Publishing
  • ISBN-10: 185669576X
  • ISBN-13: 9781856695763
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  • Pehme köide
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  • Formaat: Paperback / softback, 192 pages, kõrgus x laius x paksus: 252x240x18 mm, kaal: 960 g, col. Illustrations
  • Ilmumisaeg: 06-Oct-2008
  • Kirjastus: Laurence King Publishing
  • ISBN-10: 185669576X
  • ISBN-13: 9781856695763
Teised raamatud teemal:
Hundreds of color photographs grace this volume on lettering in our environment, and how signs can dictate our "sense of place." Baines and Dixon (Central Saint Martins College of Art and Design, UK) use road signs, building names and graphics from all over the world to compare differences and similarities in the way we inform ourselves about our surroundings. A reprint of the 2003 edition, this book also provides students and practitioners of art, graphics and urban planning with a historical context for this signage. Annotation ©2008 Book News, Inc., Portland, OR (booknews.com)

This book focuses on the letterforms and typography in public places, from road signs to building names, that help us to navigate cities and countryside and contribute to a sense of place.

Featuring examples from around the world, the book discusses the function and execution of signage. Visually led, Signs contains 700 color images grouped together thematically and described in extended captions, showing the best current examples alongside historical material.

Part resource, part celebration, the book forms an exciting visual compendium.
Introduction 7(5)
Signs to direct and instruct
12(84)
Informatory signs: milestones in Britain
16(31)
Kilometre markers: Spain, France and Japan
19(1)
Early British road signs
20(2)
British 1933/44/57 standard directional signs
22(2)
British motorway signs: the Anderson Committee 1962
24(2)
Signs for all-purpose roads in Britain: the Worboys Report 1963
26(2)
directional signs
28(1)
map-type signs
29(1)
tinkering with the system
30(2)
International use of the Transport alphabet
32(2)
bilingual road signs
34(2)
The US `Interstate' type
36(2)
Map-type direction signs: Spain, France and Italy
38(2)
Michelin signs in France
40(4)
France after Michelin
44(2)
Highlighting road numbers
46(1)
Regulatory signs: the Geneva protocol 1949
47(19)
signs which warn
48(4)
signs which prohibit
52(2)
signs which instruct
54(2)
signs with non-standard shapes
56(1)
adaptations & expansion
57(1)
Other standards: the US diamond pattern
58(2)
Variations on a theme: arrows
60(2)
Using the road
62(4)
Signs for pedestrians: heritage & modernity
66(8)
rural simplicity
68(2)
over-design
70(2)
mapping urban spaces
72(2)
Signs for travel networks: bus stops
74(22)
Railways: identifying stations
78(2)
variety & identity, London's Underground
80(2)
ambience & splendour
82(2)
old-fashioned reliability
84(2)
legibility, arrows and pictograms
86(2)
Airports
88(1)
Railways & airports: multilingual signs
89(4)
Railways & airports: keeping up to date
93(3)
Naming places and defining spaces
96(88)
Identifying locations: street names, individuality & standardization
104(14)
materials & letterforms
106(4)
physical presence
110(2)
bilingual signs
112(1)
a dog marking its territory
113(1)
Boundary markers
114(1)
Names for towns and villages: the official and the home-made
115(3)
Identifying and enlivening buildings: architectural (permanent) and fascia (temporary) lettering
118(30)
Architectural lettering: considerations of letterform, position, scale and material
120(2)
Italy, from the Republic to the Renaissance
122(2)
civic and industrial uses
124(2)
the grand gesture and humble details
126(2)
success & failure
128(2)
success & failure, the British Library
130(1)
Josep Maria Subirachs in Barcelona
131(1)
Barcelona New Town Hall and related work
132(2)
At Gaudi's Sagrada Familia
134(2)
Fascia lettering
136(2)
materials & techniques: tiles, faience, mosaic and modular units
138(2)
metal
140(2)
ceramics, wood and paint
142(2)
silhouette
144(1)
light
145(1)
Numbers
146(2)
Enlivening spaces
148(8)
Stephen Raw and Ralph Beyer
152(2)
Ralph Beyer
154(2)
Artists & letters: Joan Brossa, Velodrom d'Horta
156(6)
Barcino and other works
158(2)
Maarten de Reus, Groen in Carnisselande
160(2)
Recording: triumphalism, Rome, empire and dictatorship
162(10)
Rome under Mussolini
164(4)
triumphalism & reflection
168(2)
commemoration
170(2)
Incidentals: recording, instructing, advertising
172(8)
letters as identity, S P Q R
177(1)
dates & makers
178(2)
Twelve pictures which wouldn't fit anywhere else
180(4)
Endmatter: glossaries 184(3)
further reading 187(1)
index 188(4)
photographic credits/acknowledgements 192