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Simple Flute: From A to Z [Kõva köide]

Illustrated by , (Professor of Flute, Oberlin Conservatory)
  • Formaat: Hardback, 288 pages, kõrgus x laius x paksus: 243x161x20 mm, kaal: 535 g, line figures and musical examples
  • Ilmumisaeg: 28-Feb-2002
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0195145216
  • ISBN-13: 9780195145212
Teised raamatud teemal:
  • Formaat: Hardback, 288 pages, kõrgus x laius x paksus: 243x161x20 mm, kaal: 535 g, line figures and musical examples
  • Ilmumisaeg: 28-Feb-2002
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0195145216
  • ISBN-13: 9780195145212
Teised raamatud teemal:
Drawing from his highly praised French work, Une simple flute, distinguished flutist and teacher Michel Debost has compiled a useful and imaginative introduction to playing the flute. This alphabetically arranged compendium of advice and insight covers essential topics such as breathing, articulation, and tone, but also explores "jawboning," "finger phrasing," "the little devils," and other quirky and vexing aspects of flute playing. Full of practical advice on technique and axioms that lend moral support during tough practice sessions, The Simple Flute will be a welcome addition to any serious or novice flutist's library. In addition, the book includes original exercises such as "Debost's Scale Game," making it an excellent resource for flute teachers. Debost concludes each essay with "In a nutshell" and "Please refer to" boxes that make the book easy to browse, dog-ear, and return to again and again. Offering concise, common-sense solutions for flutists of all levels, this book is an ideal reference guide on flute performance.

Arvustused

Finally, after too long a wait we have the English version of Une Simple Flute....I urge every flute player, every flute student, and every library to get this book, devour it, relish its practicality and freshness, and savor its savoir faire. * The Flute Network * Debost's writing style is refreshingly candid and reaches flutists of all levels. His quotes and footnotes reflect an inquiring mind, broad knowledge, and a superb intellect, all of which are inspiring to encounter. His wisdom is shared simply and directly. Other points are made with great humor or with thought-provoking metaphor, or poetic simile. * Leone Buyse, Professor of Flute and Chamber Music at Rice University and former acting principal flute of the Boston Symphony * It should be required reading for every student of the flute. Debost has excellent ideas and expresses them clearly and interestingly. Certainly a must have on the book shelf. * Patricia George * Michel Debost used to tell us in his classes at the Conservatorie de Paris that his methods were not the Bible, but rather a 'gospel according to Saint Michel'....This is a new kind of reference, resting on more than fifty years of experience, full of sensitivity and good sense, with little dogmatism and lots of intelligence....The curious student as well as the established teacher will plunge into the book, and raise their head three minutes later having learned something new that they will want to put to the test immediately. The book is a delight to read, handling language with ease and pertinence, capable of surprising us with each turn of phrase. * Emmanuel Pahud, solo flutist with Berliner Philharmonicker *

A to Z in Form of Introduction 3(2)
Accompaniment
5(6)
Acoustics
11(1)
Agogic
12(2)
Air Column
14(3)
Air Speed
17(1)
Alignment
18(3)
Appoggiatura
21(2)
Appoggio
23(2)
Arpeggio
25(1)
Articulation
26(4)
Attacks
30(4)
Beginners
34(4)
Blowing Long Phrases
38(5)
Breathing 1: Generalities
43(3)
Breathing 2: Mechanics
46(2)
Breathing 3: Where Not to Breathe
48(2)
Breathing 4: Where to Breathe
50(2)
Bridge
52(2)
Center of Gravity
54(3)
Circular Blowing
57(2)
Concentration, Relaxation
59(2)
Diaphragm
61(2)
Dynamics
63(5)
Embouchure
68(3)
Etudes
71(1)
Fingerings
72(6)
Finger Antagonisms
78(2)
Finger Phrasing
80(2)
Flutes
82(6)
Focus
88(2)
Freedom
90(7)
Grace Notes
97(4)
Hands
101(8)
Hierarchy of Beats
109(2)
Images
111(2)
Interpretation
113(10)
Interpreting Accents
123(5)
Intervals
128(6)
Intonation, Intonations
134(6)
Isometrics
140(3)
Jawboning
143(5)
Keys
148(6)
Lips
154(2)
Little Devils
156(4)
Memory
160(3)
Muscle Groups
163(3)
Muscles, Strong and Weak
166(2)
Notes
168(1)
Pain and Pleasure
169(4)
Paris Conservatoire and French School
173(3)
Phrasing
176(8)
Posture
184(3)
Practicing
187(4)
Programs
191(4)
Quodlibet
195(6)
Repertoire
201(3)
Resonance
204(3)
Rituals
207(3)
Rest
210(1)
Rubato
211(4)
Scale Game
215(4)
Silence
219(3)
Stability
222(2)
Stepping-Stones
224(6)
Stress
230(7)
Style
237(4)
Technique
241(2)
Tempo
243(5)
Tonguing
248(7)
Trills
255(1)
Tuning
256(2)
Unusual Trill Fingerings
258(2)
Vibrato
260(4)
Warm-Ups
264(1)
Yawning
265(1)
Zeal in Form of Conclusion
266(3)
Bibliography 269(2)
Index 271


Michel Debost is Professor of Flute at the Oberlin Conservatory. He succeeded Jean-Pierre Rampal at the Paris Conservatoire National and served as principal of the Orchestre de Paris under music directors Munch, Karajan, Solti, and Barenboim.