Preface |
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xxiv | |
Acknowledgments |
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xxvii | |
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1 | (42) |
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1 | (1) |
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2 | (1) |
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2 | (1) |
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Transconductance Amplifiers |
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2 | (1) |
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2 | (1) |
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Transimpedance Amplifiers |
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3 | (1) |
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3 | (1) |
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Nominal Signal Levels and Dynamic Range |
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4 | (2) |
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6 | (5) |
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Frequency Response: Cascaded Stages |
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6 | (5) |
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11 | (1) |
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11 | (6) |
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Amplification Then Attenuation |
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14 | (1) |
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Attenuation Then Amplification |
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15 | (1) |
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Raising the Input Signal to the Nominal Level |
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15 | (1) |
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16 | (1) |
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17 | (2) |
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19 | (1) |
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19 | (1) |
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1/f Noise (Flicker Noise) |
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20 | (1) |
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20 | (1) |
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21 | (1) |
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22 | (2) |
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Noise in Bipolar Transistors |
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24 | (5) |
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Bipolar Transistor Voltage Noise |
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25 | (1) |
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Bipolar Transistor Current Noise |
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25 | (4) |
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29 | (2) |
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29 | (2) |
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31 | (1) |
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Low-Noise Opamp Circuitry |
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31 | (1) |
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32 | (1) |
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32 | (2) |
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34 | (1) |
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35 | (1) |
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36 | (1) |
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Ultra-Low-Noise Design With Multi-Path Amplifiers |
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36 | (4) |
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Ultra-Low-Noise Voltage Buffers |
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37 | (1) |
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Ultra-Low-Noise Amplifiers |
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38 | (2) |
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Multiple Amplifiers for Greater Drive Capability |
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40 | (3) |
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43 | (42) |
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43 | (6) |
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Copper and Other Conductive Elements |
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43 | (2) |
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45 | (1) |
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46 | (1) |
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Cable and Wiring Resistance |
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46 | (1) |
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47 | (2) |
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PCB Track-to-Track Crosstalk |
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49 | (2) |
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51 | (1) |
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Impedances and Crosstalk: A Case History |
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52 | (1) |
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53 | (20) |
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54 | (1) |
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54 | (2) |
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56 | (1) |
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Resistor Accuracy: Two-Resistor Combinations |
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57 | (5) |
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Resistor Accuracy: Three-Resistor Combinations |
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62 | (1) |
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Other Resistor Combinations |
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62 | (2) |
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Resistor Value Distributions |
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64 | (2) |
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66 | (1) |
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67 | (1) |
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67 | (3) |
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70 | (3) |
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73 | (10) |
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74 | (1) |
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Capacitor Non-Linearity Examined |
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75 | (1) |
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Non-Electrolytic Capacitor Non-Linearity |
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75 | (5) |
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Electrolytic Capacitor Non-Linearity |
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80 | (3) |
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83 | (2) |
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Chapter 3 Discrete Transistor Circuitry |
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85 | (42) |
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Why Use Discrete Transistor Circuitry? |
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85 | (1) |
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86 | (1) |
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Bipolar Junction Transistors |
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86 | (1) |
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87 | (1) |
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88 | (1) |
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88 | (15) |
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The Simple Emitter-Follower |
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88 | (4) |
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The Constant-Current Emitter-Follower |
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92 | (1) |
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The Push-Pull Emitter-Follower |
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93 | (2) |
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Emitter-Follower Stability |
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95 | (1) |
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96 | (2) |
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Improved Unity-Gain Buffers |
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98 | (5) |
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103 | (14) |
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One-Transistor Shunt-Feedback Gain Stages |
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103 | (1) |
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One-Transistor Series-Feedback Gain Stages |
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103 | (2) |
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Two-Transistor Shunt-Feedback Gain Stages |
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105 | (4) |
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Two-Transistor Shunt-Feedback Stages: Improving Linearity |
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109 | (3) |
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Two-Transistor Shunt-Feedback Stages: Noise |
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112 | (1) |
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Two-Transistor Shunt-Feedback Stages: Bootstrapping |
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112 | (3) |
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Two-Transistor Shunt-Feedback Stages as Summing Amplifiers |
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115 | (1) |
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Two-Transistor Series-Feedback Gain Stages |
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116 | (1) |
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117 | (5) |
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Discrete Opamp Design: The Input Stage |
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118 | (2) |
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Discrete Opamp Design: The Second Stage |
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120 | (1) |
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Discrete Opamp Design: The Output Stage |
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121 | (1) |
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High-Input-Impedance Bipolar Stages |
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122 | (5) |
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Chapter 4 Opamps and Their Properties |
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127 | (40) |
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127 | (1) |
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A Very Brief History of Opamps |
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127 | (1) |
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128 | (1) |
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Opamp Properties: Slew Rate |
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129 | (1) |
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Opamp Properties: Common Mode Range |
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130 | (1) |
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Opamp Properties: Input Offset Voltage |
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131 | (1) |
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Opamp Properties: Bias Current |
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131 | (1) |
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132 | (1) |
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Opamp Properties: Distortion |
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133 | (10) |
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Opamp Internal Distortion |
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135 | (1) |
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Slew-Rate Limiting Distortion |
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135 | (1) |
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Distortion Due to Loading |
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136 | (1) |
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136 | (1) |
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136 | (1) |
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Common-Mode Distortion: Bipolar Input Opamps |
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137 | (4) |
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Common-Mode Distortion: JFET Opamps |
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141 | (2) |
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Selecting the Right Opamp |
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143 | (1) |
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Opamps Surveyed: BJT Input Types |
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144 | (1) |
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144 | (1) |
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144 | (12) |
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146 | (2) |
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148 | (3) |
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151 | (1) |
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151 | (2) |
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153 | (2) |
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155 | (1) |
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Opamps Surveyed: JFET Input Types |
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156 | (11) |
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156 | (2) |
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158 | (2) |
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160 | (2) |
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162 | (1) |
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163 | (4) |
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Chapter 5 Opamps for Low Voltages |
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167 | (12) |
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High Fidelity From Low Voltages |
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167 | (1) |
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Running Opamps From a Single +5 V Supply Rail |
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167 | (2) |
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169 | (1) |
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The NE5532 in +5 V Operation |
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169 | (1) |
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The LM4562 in +5 V Operation |
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170 | (1) |
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The AD8022 in +5 V Operation |
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171 | (1) |
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The AD8397 in +5 V Operation |
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172 | (4) |
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Opamps for 3.3 V Single-Rail Operation |
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176 | (3) |
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179 | (14) |
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179 | (1) |
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179 | (1) |
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180 | (1) |
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180 | (1) |
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180 | (1) |
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Combined Low-Pass and High-Pass Filters |
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181 | (1) |
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181 | (1) |
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181 | (1) |
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182 | (1) |
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182 | (1) |
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Sallen and Key Low-Pass Filters |
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182 | (3) |
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Sallen and Key High-Pass Filters |
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185 | (2) |
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Distortion in Sallen and Key Filters |
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187 | (1) |
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Multiple-Feedback Band-Pass Filters |
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188 | (1) |
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189 | (2) |
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191 | (2) |
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Chapter 7 Preamplifier Architectures |
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193 | (6) |
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193 | (1) |
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194 | (1) |
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Amplification and the Gain-Distribution Problem |
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195 | (1) |
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196 | (1) |
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Active Gain Controls Plus Passive Attenuators |
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197 | (1) |
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197 | (1) |
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197 | (2) |
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Chapter 8 Variable Cain Stages |
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199 | (16) |
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Amplifier Stages With Gain From Unity Upwards: Single-Gain Pot |
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199 | (4) |
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Amplifier Stages With Gain From Unity Upwards: Dual-Gain Pot |
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203 | (2) |
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Combining Gain Stages With Active Filters |
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205 | (1) |
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Amplifier Stages With Gain From Zero Upwards: Single-Gain Pot |
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206 | (3) |
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Amplifier Stages With Gain From Zero Upwards: Dual-Gain Pot |
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209 | (2) |
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211 | (4) |
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Chapter 9 Moving-Magnet Inputs: Levels and RIAA Equalisation |
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215 | (64) |
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215 | (1) |
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215 | (1) |
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216 | (2) |
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218 | (1) |
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Maximum Signal Levels From Vinyl |
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219 | (4) |
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Moving-Magnet Cartridge Sensitivities |
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223 | (1) |
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Overload Margins and Amplifier Limitations |
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224 | (1) |
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Equalisation and Its Discontents |
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225 | (1) |
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The Unloved IEC Amendment |
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226 | (1) |
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227 | (1) |
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MM Amplifier Configurations |
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227 | (2) |
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229 | (1) |
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Calculating the RIAA Equalisation Components |
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230 | (1) |
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Implementing RIAA Equalisation |
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230 | (3) |
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Implementing the IEC Amendment |
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233 | (1) |
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RIAA Series-Feedback Network Configurations |
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234 | (3) |
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RIAA Optimisation: CI as a Single E6 Capacitor, 2 × E24 |
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237 | (2) |
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RIAA Optimisation: CI as 3 × 10 nF Capacitors, 2 × E24 |
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239 | (2) |
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RIAA Optimisation: CI as 4 × 10 nF Capacitors, 2 × E24 |
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241 | (1) |
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RIAA Optimisation: The Willmann Tables |
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241 | (2) |
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RIAA Optimisation: CI as 3 × 10 nF Capacitors, 3 × E24 |
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243 | (1) |
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RIAA Optimisation: CI as 4 × 10 nF Capacitors, 3 × E24 |
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244 | (2) |
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Switched-Gain MM RIAA Amplifiers |
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246 | (2) |
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Switched-Gain MM/MC RIAA Amplifiers |
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248 | (1) |
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Open-Loop Gain and RIAA Accuracy |
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249 | (1) |
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Passive and Semi-Passive RIAA Equalisation |
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249 | (4) |
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MM Cartridge Loading and Frequency Response |
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253 | (1) |
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MM Cartridge-Preamplifier Interaction |
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254 | (1) |
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MM Cartridge DC and AC Coupling |
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255 | (1) |
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Noise in MM RIAA Preamplifiers |
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255 | (7) |
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262 | (1) |
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263 | (1) |
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Noise in Balanced MM Inputs |
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263 | (2) |
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265 | (1) |
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265 | (1) |
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Cartridge Load Synthesis for Lower Noise |
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266 | (2) |
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268 | (5) |
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Subsonic Filtering: Butterworth Filters |
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268 | (2) |
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Subsonic Filtering: Elliptical Filters |
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270 | (2) |
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Subsonic Filtering by Cancellation |
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272 | (1) |
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273 | (1) |
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A Practical MM Amplifier #3 |
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273 | (6) |
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Chapter 10 Moving-Coil Head Amplifiers |
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279 | (12) |
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Moving-Coil Cartridge Characteristics |
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279 | (1) |
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The Limits on MC Noise Performance |
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280 | (1) |
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281 | (1) |
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281 | (2) |
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Moving-Coil Input Amplifiers |
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283 | (2) |
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An Effective MC Amplifier Configuration |
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285 | (2) |
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287 | (1) |
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288 | (3) |
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291 | (20) |
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291 | (1) |
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A Brief History of Tape Recording |
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292 | (1) |
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The Basics of Tape Recording |
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292 | (2) |
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294 | (1) |
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294 | (2) |
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296 | (1) |
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297 | (3) |
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300 | (2) |
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Replay Noise: Calculation |
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302 | (2) |
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Replay Noise: Measurements |
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304 | (1) |
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305 | (1) |
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305 | (2) |
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307 | (4) |
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Chapter 12 Guitar Preamplifiers |
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311 | (14) |
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Electric Guitar Technology |
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311 | (1) |
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311 | (1) |
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312 | (1) |
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313 | (1) |
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314 | (1) |
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315 | (1) |
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Guitar Preamplifier Noise: Calculations |
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316 | (4) |
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Guitar Preamplifier Noise: Measurements |
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320 | (2) |
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Guitar Amplifiers and Guitar Effects |
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322 | (1) |
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323 | (2) |
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Chapter 13 Volume Controls |
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325 | (56) |
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325 | (1) |
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325 | (3) |
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328 | (3) |
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Dual-Action Volume Controls |
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331 | (3) |
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334 | (3) |
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337 | (2) |
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339 | (5) |
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The Baxandall Active Volume Control |
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344 | (1) |
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The Baxandall Volume Control Law |
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344 | (1) |
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A Practical Baxandall Active Volume Stage |
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345 | (2) |
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Low-Noise Baxandall Active Volume Stages |
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347 | (3) |
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The Baxandall Volume Control: Loading Effects |
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350 | (2) |
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An Improved Baxandall Active Volume Stage With Lower Noise |
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352 | (2) |
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Baxandall Active Volume Stage Plus Passive Control |
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354 | (2) |
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356 | (3) |
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359 | (1) |
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Belt-Ganged Volume Controls |
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359 | (1) |
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360 | (1) |
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361 | (1) |
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Switched Attenuator Volume Controls |
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362 | (9) |
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Relay-Switched Volume Controls |
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371 | (1) |
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Transformer-Tap Volume Controls |
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371 | (1) |
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Integrated Circuit Volume Controls |
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372 | (1) |
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373 | (4) |
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The Newcomb and Young Loudness Control |
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377 | (4) |
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Chapter 14 Balance Controls |
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381 | (14) |
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381 | (2) |
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Balance Controls: Passive |
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383 | (3) |
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386 | (2) |
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Combining Balance Controls With Other Stages |
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388 | (1) |
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Switched Balance Controls |
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388 | (3) |
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391 | (1) |
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392 | (3) |
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Chapter 15 Tone Controls and Equalisers |
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395 | (54) |
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395 | (1) |
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396 | (1) |
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397 | (15) |
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The Baxandall One-LF-Capacitor Tone Control |
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397 | (6) |
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The Baxandall Two-LF-Capacitor Tone Control |
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403 | (1) |
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The Baxandall Two-HF-Capacitor Tone Control |
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404 | (2) |
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The Baxandall Tone Control: Impedance and Noise |
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406 | (3) |
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Combining a Baxandall Stage With an Active Balance Control |
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409 | (1) |
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Switched-HF-Frequency Baxandall Controls |
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410 | (2) |
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412 | (2) |
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414 | (1) |
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A New Type of Switched-Frequency LF EQ |
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415 | (1) |
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Variable-Frequency HF and LF EQ in One Stage |
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416 | (6) |
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Tilt or Tone-Balance Controls |
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422 | (2) |
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424 | (15) |
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Fixed Frequency Baxandall Middle Controls |
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425 | (3) |
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Three-Band Baxandall EQ in One Stage |
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428 | (2) |
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430 | (1) |
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Wien Fixed Middle EQ: Altering the Q |
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430 | (3) |
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Variable-Frequency Middle EQ |
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433 | (2) |
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Single-Gang Variable-Frequency Middle EQ |
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435 | (3) |
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Switched-Q Variable-Frequency Wien Middle EQ |
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438 | (1) |
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Switchable Peak/Shelving LF/HF EQ |
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439 | (1) |
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440 | (3) |
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443 | (6) |
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Chapter 16 Mixer Architecture |
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449 | (16) |
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449 | (1) |
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449 | (1) |
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450 | (1) |
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450 | (2) |
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The Split Mixing Architecture |
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452 | (1) |
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The In-Line Mixing Architecture |
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453 | (2) |
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A Closer Look at Split-Format Modules |
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455 | (7) |
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The Channel Module (Split Format) |
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455 | (3) |
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458 | (1) |
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458 | (1) |
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459 | (2) |
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Talkback and Oscillator Systems |
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461 | (1) |
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The In-Line Channel Module |
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462 | (3) |
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Chapter 17 Microphone Preamplifiers |
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465 | (16) |
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465 | (1) |
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Microphone Preamplifier Requirements |
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465 | (1) |
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Transformer Microphone Inputs |
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466 | (2) |
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The Simple Hybrid Microphone Preamplifier |
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468 | (1) |
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The Balanced-Feedback Hybrid Microphone Preamplifier (BFMA) |
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469 | (1) |
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Microphone and Line Input Pads |
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470 | (1) |
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The Padless Microphone Preamplifier |
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471 | (5) |
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Capacitor Microphone Head Amplifiers |
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476 | (2) |
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Ribbon Microphone Amplifiers |
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478 | (3) |
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481 | (54) |
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481 | (1) |
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481 | (1) |
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Input Amplifier Functions |
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482 | (1) |
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482 | (3) |
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Balanced Interconnections |
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485 | (1) |
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The Advantages of Balanced Interconnections |
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486 | (1) |
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The Disadvantages of Balanced Interconnections |
|
|
487 | (1) |
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Balanced Cables and Interference |
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487 | (2) |
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489 | (1) |
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|
489 | (1) |
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Electronic Versus Transformer Balanced Inputs |
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490 | (1) |
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490 | (6) |
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The Basic Electronic Balanced Input |
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493 | (2) |
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The Basic Balanced Input and Opamp Effects |
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|
495 | (1) |
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Opamp Frequency Response Effects |
|
|
496 | (1) |
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|
497 | (1) |
|
Amplifier Component Mismatch Effects |
|
|
497 | (4) |
|
A Practical Balanced Input |
|
|
501 | (3) |
|
Variations on the Balanced Input Stage |
|
|
504 | (19) |
|
Combined Unbalanced and Balanced Inputs |
|
|
504 | (1) |
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|
505 | (1) |
|
Switched-Gain Balanced Inputs |
|
|
506 | (1) |
|
Variable-Gain Balanced Inputs |
|
|
507 | (2) |
|
Combined Line Input and Balance Control Stage With Low Noise |
|
|
509 | (1) |
|
The Self Variable-Gain Line Input |
|
|
510 | (1) |
|
High Input-Impedance Balanced Inputs |
|
|
511 | (2) |
|
The Inverting Two-Opamp Input |
|
|
513 | (1) |
|
The Instrumentation Amplifier |
|
|
514 | (1) |
|
Instrumentation Amplifier Applications |
|
|
515 | (1) |
|
The Instrumentation Amplifier With 4x Gain |
|
|
516 | (4) |
|
The Instrumentation Amplifier at Unity Gain |
|
|
520 | (1) |
|
The Instrumentation Amplifier and Gain Controls |
|
|
520 | (2) |
|
The Instrumentation Amplifier and the Whitlock Bootstrap |
|
|
522 | (1) |
|
Transformer Balanced Inputs |
|
|
523 | (1) |
|
Input Overvoltage Protection |
|
|
524 | (1) |
|
Low-Noise Balanced Inputs |
|
|
525 | (5) |
|
Low-Noise Balanced Inputs in Action |
|
|
530 | (1) |
|
Ultra-Low-Noise Balanced Inputs |
|
|
530 | (5) |
|
|
535 | (26) |
|
|
535 | (1) |
|
|
536 | (7) |
|
Ground-Cancelling Outputs: Basics |
|
|
543 | (2) |
|
Ground-Cancelling Outputs: Zero-Impedance Output |
|
|
545 | (1) |
|
Ground-Cancelling Outputs: CMRR |
|
|
545 | (2) |
|
Ground-Cancelling Outputs: Send Amplifier Noise |
|
|
547 | (1) |
|
Ground-Cancelling Outputs: Into a Balanced Input |
|
|
548 | (1) |
|
Ground-Cancelling Outputs: History |
|
|
549 | (1) |
|
|
549 | (2) |
|
Balanced Outputs: Output Impedance |
|
|
551 | (1) |
|
|
551 | (1) |
|
|
552 | (1) |
|
Transformer Balanced Outputs |
|
|
553 | (1) |
|
Output Transformer Frequency Response |
|
|
554 | (1) |
|
Output Transformer Distortion |
|
|
555 | (2) |
|
Reducing Output Transformer Distortion |
|
|
557 | (4) |
|
Chapter 20 Headphone Amplifiers |
|
|
561 | (14) |
|
|
561 | (1) |
|
|
561 | (1) |
|
|
562 | (1) |
|
|
562 | (2) |
|
Opamp-Transistor Hybrid Amplifiers |
|
|
564 | (2) |
|
Discrete Class-AB Headphone Amplifiers |
|
|
566 | (4) |
|
Discrete Class-A Headphone Amplifiers |
|
|
570 | (2) |
|
|
571 | (1) |
|
|
572 | (1) |
|
|
572 | (1) |
|
|
572 | (1) |
|
Balanced Headphone Amplifiers |
|
|
572 | (3) |
|
Chapter 21 Signal Switching |
|
|
575 | (36) |
|
|
575 | (1) |
|
Input-Select Switching: Mechanical |
|
|
575 | (2) |
|
The Virtual Contact: Mechanical |
|
|
577 | (2) |
|
|
579 | (1) |
|
|
579 | (1) |
|
Switching with CMOS Analogue Gates |
|
|
580 | (13) |
|
CMOS Gates in Voltage Mode |
|
|
581 | (7) |
|
CMOS Gates in Current Mode |
|
|
588 | (1) |
|
CMOS Series-Shunt Current Mode |
|
|
589 | (1) |
|
Control Voltage Feedthrough in CMOS Gates |
|
|
590 | (1) |
|
CMOS Gates at Higher Voltages |
|
|
591 | (1) |
|
CMOS Gates at Low Voltages |
|
|
591 | (1) |
|
|
592 | (1) |
|
|
593 | (18) |
|
The Series JFET Switch in Voltage Mode |
|
|
593 | (6) |
|
The Shunt JFET Switch in Voltage Mode |
|
|
599 | (1) |
|
|
600 | (3) |
|
Reducing Distortion by Biasing |
|
|
603 | (2) |
|
|
605 | (1) |
|
Physical Layout and Offness |
|
|
606 | (1) |
|
Dealing With the DC Conditions |
|
|
607 | (1) |
|
A Soft Changeover Circuit |
|
|
608 | (1) |
|
Control Voltage Feedthrough in JFETS |
|
|
609 | (2) |
|
Chapter 22 Mixer Sub-Systems |
|
|
611 | (58) |
|
|
611 | (1) |
|
|
612 | (1) |
|
|
612 | (1) |
|
|
612 | (2) |
|
How to Move a Circuit Block |
|
|
614 | (1) |
|
|
615 | (2) |
|
|
616 | (1) |
|
|
617 | (2) |
|
|
619 | (1) |
|
|
619 | (11) |
|
|
621 | (4) |
|
|
625 | (3) |
|
|
628 | (2) |
|
|
630 | (4) |
|
|
634 | (1) |
|
Group Module Circuit Blocks |
|
|
634 | (1) |
|
Summing Systems: Voltage Summing |
|
|
635 | (1) |
|
Summing Systems: Virtual-Earth Summing |
|
|
635 | (2) |
|
|
637 | (1) |
|
Ground-Cancelling Summing Systems |
|
|
638 | (2) |
|
Distributed Summing Systems |
|
|
640 | (3) |
|
|
643 | (3) |
|
Hybrid Summing Amplifiers |
|
|
646 | (3) |
|
Balanced Hybrid Summing Amplifiers |
|
|
649 | (1) |
|
Balancing Tracks to Reduce Crosstalk |
|
|
650 | (1) |
|
The Multi-Function Summing Amplifier |
|
|
651 | (1) |
|
|
652 | (6) |
|
|
654 | (1) |
|
|
654 | (1) |
|
|
654 | (2) |
|
Virtual-Earth PFL Detection |
|
|
656 | (2) |
|
|
658 | (1) |
|
|
658 | (2) |
|
Talkback Microphone Amplifiers |
|
|
660 | (1) |
|
|
661 | (3) |
|
|
664 | (2) |
|
|
666 | (1) |
|
Console Cooling and Component Lifetimes |
|
|
666 | (3) |
|
Chapter 23 Level Indication and Metering |
|
|
669 | (16) |
|
Signal-Present Indication |
|
|
669 | (1) |
|
|
670 | (2) |
|
The Log Law Level LED (LLLL) |
|
|
672 | (2) |
|
Distributed Peak Detection |
|
|
674 | (2) |
|
|
676 | (1) |
|
|
676 | (2) |
|
|
678 | (1) |
|
|
678 | (2) |
|
A More Efficient LED Bar-Graph Architecture |
|
|
680 | (3) |
|
Vacuum Fluorescent Displays |
|
|
683 | (1) |
|
|
683 | (1) |
|
|
684 | (1) |
|
Chapter 24 Level Control and Special Circuits |
|
|
685 | (94) |
|
|
685 | (7) |
|
A Brief History of Gain-Control Elements |
|
|
685 | (1) |
|
|
685 | (3) |
|
Operational Transconductance Amplifiers (OTAs) |
|
|
688 | (1) |
|
Voltage-Controlled Amplifiers (VCAs) |
|
|
689 | (3) |
|
|
692 | (6) |
|
|
695 | (1) |
|
|
696 | (1) |
|
|
697 | (1) |
|
|
698 | (2) |
|
|
700 | (6) |
|
|
700 | (3) |
|
Active Clipping With Transistors |
|
|
703 | (3) |
|
Active Clipping With Opamps |
|
|
706 | (1) |
|
|
706 | (2) |
|
2 Negative-Feedback Clipping |
|
|
708 | (3) |
|
|
711 | (3) |
|
|
714 | (1) |
|
|
715 | (4) |
|
Chapter 25 Power Supplies |
|
|
719 | (1) |
|
Opamp Supply Rail Voltages |
|
|
719 | (1) |
|
Designing a ± 15 V Supply |
|
|
720 | (3) |
|
Designing a ± 17 V Supply |
|
|
723 | (1) |
|
Using Variable-Voltage Regulators |
|
|
724 | (1) |
|
Improving Ripple Performance |
|
|
725 | (1) |
|
Dual Supplies From a Single Winding |
|
|
726 | (1) |
|
Power Supplies for Discrete Circuitry |
|
|
727 | (1) |
|
|
728 | (1) |
|
Mutual Shutdown Circuitry |
|
|
729 | (1) |
|
Very Large Power Supplies |
|
|
729 | (1) |
|
Microcontroller and Relay Supplies |
|
|
730 | (1) |
|
+48 V Phantom Power Supplies |
|
|
731 | (2) |
|
Chapter 26 Interfacing With the Digital Domain |
|
|
733 | (12) |
|
PCB Layout Considerations |
|
|
733 | (1) |
|
|
734 | (1) |
|
|
735 | (1) |
|
Interfacing With ADC Inputs |
|
|
735 | (3) |
|
|
738 | (1) |
|
Interfacing With DAC Outputs |
|
|
738 | (2) |
|
Interfacing With Microcontrollers |
|
|
740 | (5) |
Appendix |
|
745 | (2) |
Index |
|
747 | |