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Songs of the South African AIDS Crisis [Kõva köide]

(Minjiang University)
  • Formaat: Hardback, 256 pages, kõrgus x laius x paksus: 229x152x25 mm, kaal: 454 g, 1 bw illus
  • Ilmumisaeg: 16-Oct-2025
  • Kirjastus: Rowman & Littlefield Publishers
  • ISBN-10: 1666928526
  • ISBN-13: 9781666928525
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  • Kõva köide
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  • Formaat: Hardback, 256 pages, kõrgus x laius x paksus: 229x152x25 mm, kaal: 454 g, 1 bw illus
  • Ilmumisaeg: 16-Oct-2025
  • Kirjastus: Rowman & Littlefield Publishers
  • ISBN-10: 1666928526
  • ISBN-13: 9781666928525
Teised raamatud teemal:
"Using the concept of musical effervescence, a collective state of synchronized and focused intersubjectivity through music, Gavin Robert Walker reveals how and why songs have become such a ubiquitous and formidable force within the AIDS epidemic in Africa. Drawing from a rich cultural history, this book connects music within human life to discover how collective singing is an expression of our shared humanity. This fascinating analysis confronts interpersonal musical experiences by answering the following questions: what about these experiences become deeply personal and fundamentally social , how can music be applicable for such a wide range of outcomes , and what can musical effervescence contribute to our understanding of the arts and social, emotional, or physical wellness? Walker challenges conventional thinking on the universal qualities of music by focusing on the bonds that music cultivates through movement, perception, experience, and perspective"--

Using the concept of musical effervescence, a collective state of synchronized and focused intersubjectivity through music, Gavin Robert Walker reveals how and why songs have become such a ubiquitous and formidable force within the AIDS epidemic in Africa.

Drawn from a rich and powerful cultural history, music has been used to inspire HIV/AIDS activism and advocacy, facilitate local psychosocial healing, communicate life-saving health information, motivate communities towards healthy behaviors, and promote acceptance of individuals living with HIV. In this book, Walker introduces musical effervescence, a collective state of synchronized and focused intersubjectivity through music, to reveal how and why songs have become such a ubiquitous and formidable force within the AIDS epidemic in South Africa. He situates music at the core of human experience, unpacking how collective singing embodies a shared sense of humanity. This compelling analysis engages deeply with interpersonal musical encounters, asking: what makes these experiences both deeply personal and fundamentally social , how can music be relevant to such a diverse range of outcomes , and what can musical effervescence contribute to our understanding of the arts and social, emotional, or physical wellness? Challenging conventional assumptions about the universality of music, Walker explores the relational bonds it cultivates through movement, perception, experience, and perspective to reveal music's role in shaping the South African AIDS crisis.



Explores how and why songs have become such a ubiquitous and formidable force within the AIDS epidemic in Africa

Arvustused

Songs of the South African AIDS Crisis is a powerful demonstration of the increasing need for social science in understanding global medical emergencies. Walker develops fresh modes of enquiry in medical ethnomusicology by bringing nuanced ethnographic accounts of creative performance into discussion with classic theoretical texts. The result is a highly original take on music and illness, which will undoubtedly challenge students, academics, and the wider public to reconsider the ways we think about songs, suffering, and surviving one of the most devastating pandemics in recent history. -- Fraser G. McNeill, University of Pretoria The functionality of music, and other expressive forms in public health contexts in Africa, continues to call for diverse theoretical and methodological approaches to illuminate subtle meanings and dimensions of human experience. Gavin Robert Walker does just that in this work by engaging multiple voices and moments in the history of the HIV/AIDS crisis in South Africa. He provides a uniquely discursive framework that adds an important layer to existing body of scholarship about music and HIV/AIDS, relevant even for understanding the broader issues of health, culture, and society. -- Austin C. Okigbo, University of Colorado at Boulder

Muu info

Explores how and why songs have become such a ubiquitous and formidable force within the AIDS epidemic in Africa
A Note on Style and Terminology
Acknowledgments
List of Abbreviations
1. Antecedent
2. The Poisoning of the Poor: A Historical Political Economy of AIDS in South
Africa
3. Developing Durkheim: Musical Effervescence
4. Song as Social Life and Cultural Armament
5. Edutainment, Celebrity Advocacy, and the Legacy of Live Aid
6. Wake up! Demand it! Sing!: Song and Struggle in the Treatment Action
Campaign
7. Songs that Speak to the Shock of the Loss: The Generics HIV-Positive
Choir and Psychosocial Healing
8. Ethnographic Encounters with Musical Effervescence in the Lucky, The Hero!
Applied Theatre Mini-Musical
9. Music Videos as Mass-Media HIV/AIDS Awareness and Prevention
10. Consequent: The Songs of the South African AIDS Crisis
References
Index
About the Author
Gavin Robert Walker is an Ethnomusicologist and Associate Professor at Minjiang University, China.