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Spirit of Controversy: and Other Essays [Pehme köide]

Edited by (University of York), Edited by (King's College London),
  • Formaat: Paperback / softback, 448 pages, kõrgus x laius x paksus: 201x130x18 mm, kaal: 308 g
  • Sari: Oxford World's Classics
  • Ilmumisaeg: 24-Jun-2021
  • Kirjastus: Oxford University Press
  • ISBN-10: 0199591954
  • ISBN-13: 9780199591954
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  • Formaat: Paperback / softback, 448 pages, kõrgus x laius x paksus: 201x130x18 mm, kaal: 308 g
  • Sari: Oxford World's Classics
  • Ilmumisaeg: 24-Jun-2021
  • Kirjastus: Oxford University Press
  • ISBN-10: 0199591954
  • ISBN-13: 9780199591954
Teised raamatud teemal:
William Hazlitt (1778-1830) is among the most brilliant critics and essayists to have ever written in the English language. Combative and insightful, he was close to two generations of romantic poets. His early friendship with Samuel Taylor Coleridge and William Wordsworth as a young man inspired him to a literary career, but he became disillusioned with them as apostates from the cause of liberty he associated with the French Revolution. As a mature writer, he inspired John Keats and contributed to his thinking about imagination and poetic character. A forceful commentator on contemporary London, he was also a committed radical, whose 'What is the People?' is an almost visionary statement of a new democratic politics.

The Spirit of Controversy collects together Hazlitt's most coruscating and influential essays, using versions as they first appeared, including those that originally found their way into print in the cut and thrust of the newspapers and magazines of his day.

Arvustused

The ambitious attention to contextual situations, and the generous help afforded through introduction and annotations, make this the best selection yet for undergraduates, and the most affordable genuinely good edition for any Hazlitt reader. * Koenraad Claes, Hazlitt Review *

Introduction xi
Note on the Text xxxii
Select Bibliography xxxiii
A Chronology of William Hazlitt xxxvii
1 Reply to Malthus
3(8)
2 Why the Arts Are Not Progressive?
11(6)
3 Mr. Kean's Shylock
17(2)
4 On Imitation
19(5)
5 On Gusto
24(4)
6 On the Elgin Marbles
28(9)
7 Mrs. Siddons
37(3)
8 Mr. Kemble's King John
40(3)
9 Coriolanus
43(5)
10 On Actors and Acting
48(7)
11 Macbeth
55(10)
12 Hamlet
65(7)
13 Character of Mr. Burke
72(5)
14 What is the People?
77(24)
15 On Court-Influence
101(14)
16 On Fashion
115(6)
17 Minor Theatres
121(13)
18 On the Pleasure of Painting
134(18)
19 Character of Cobbett
152(10)
20 The Indian Jugglers
162(14)
21 On a Landscape of Nicolas Poussin
176(7)
22 The Fight
183(16)
23 On Familiar Style
199(7)
24 On the Spirit of Monarchy
206(13)
25 My First Acquaintance with Poets
219(18)
26 On Londoners and Country People
237(13)
27 Jeremy Bentham
250(13)
28 William Godwin
263(14)
29 Lord Byron
277(11)
30 Mr. Wordsworth
288(10)
31 On the Pleasure of Hating
298(11)
32 Our National Theatres
309(3)
33 The Spirit of Controversy
312(6)
34 The Free Admission
318(6)
35 The Letter-Bell
324(7)
Explanatory Notes 331
Jon Mee is Professor of Eighteenth Century Studies at the University of York. He was previously Professor of Literature at the Universities of Warwick and Oxford, and Margaret Candfield Fellow in English Literature at University College, Oxford. He has worked at the Australian National University and held visiting professorships at ANU, the University of Chicago and the H. E. Huntington Library



James Grande is Lecturer in Eighteenth-Century Literature and Culture at King's College London. He was previously a research assistant on the Leverhulme-funded Godwin Diary Project at Oxford, a British Academy Postdoctoral Fellow at KCL, and a postdoctoral research fellow on the ERC project 'Music in London, 1800-1851'. He is a trustee of Keats-Shelley House in Rome and editor of the Keats-Shelley Review.