Staging Blackness provides a multifaceted look at how Blackness has been staged in Germany from the eighteenth century, the birth of German national theater, until the present. In recent years, the German stage has been at the forefront of discussions about race, from cases of blackface to fights for better representation within the professional community. These debates frequently invoke larger discussions about the politics of race in German theater and their origins, and beyond. Written by scholars andtheater professionals with a wide variety of historical and theoretical expertise, the chapters seek to explore the connections between the German discourse on national theater and emerging ideas about race, analyze how dramaturges deal with older representations of Blackness in current productions, and discuss the contributions Black German playwrights and dramaturges have made to this discourse. Historians question how these plays were staged in their time, while cultural studies scholars contemplate how to interpret the function of race in these plays and how they can continue to be staged today.
Staging Blackness provides a multifaceted look at how Blackness has been staged in Germany from the eighteenth century, the birth of German national theater, until the present. In recent years, the German stage has been at the forefront of discussions about race, from cases of blackface to fights for better representation within the professional community. These debates frequently invoke larger discussions about the politics of race in German theater and their origins and beyond.
Written by scholars and theater professionals with a wide variety of historical and theoretical expertise, the chapters seek to explore the connections between the German discourse on national theater and emerging ideas about race, analyze how dramaturges deal with older representations of Blackness in current productions, and discuss the contributions Black German playwrights and dramaturges have made to this discourse. Historians question how these plays were staged in their time, while cultural studies scholars contemplate how to interpret the function of race in these plays and how they can continue to be staged today.
Examining how Blackness has been historically staged in German theater and how it should be represented today
Arvustused
The scholarship represented in this book is timely and cutting edge. The manuscript marks an important step in the history of German theater studies and theater itself. Tobias Nagl, University of Western Ontario -- Tobias Nagl, University of Western Ontario This volume offers an important and groundbreaking contribution to the study of German theater and racial representations. It follows on significant developments in the globalization of the Black Lives Matter movement but also intense debates on the nature of theatrical representation in Germany. And it follows on important academic work; the volume coheres well because the contributors began their dialogue at the Staging Blackness conference, a major gathering. Randall Halle, University of Pittsburgh -- Randall Halle, University of Pittsburgh
Contents
Priscilla Layne & Lily Tonger-Erk
Centuries of Staging Blackness in Germany: An Introduction
I: Black Figures. Race-ing the Canon
Wendy-Lou Sutherland
Looking at the Overlooked: The Table as Global Stage in Karl Gotthelf
Lessings Die Mätresse (1780)
Sigrid G. Köhler
Black Revolution Or: Reflection of History in Tragedy. Resistance and
Slavery as Theme in Popular German-language Theater (1775-1810)
Irmtraud Hnilica
Monostatos Longing: Staging Blackness in Mozarts The Magic Flute
Franziska Bergmann
Economies of Compassion and Skin Color in Friedrich Schillers Fiescos
Conspiracy at Genoa (1783)
Lily Tonger-Erk
Staging Whiteness: Race and Aesthetics in Schillers The Robbers and Antù
Romero Nunes 20122013 Production
Norbert Otto Eke
Blackness in Heiner Müllers Imaginary
II: Black Performance and Practices of Blackfacing
Jeff Bowersox
Blackface and Black Faces on German and Austrian Stages, 1847-1914
Evelyn Annuß
Racisms and Representation. Staging Defacement in Germany Contextualized
Jonathan Wipplinger
The Biguine: The African Diasporic Presence at Weimars End
Andrea Geier
How Education about Racism can(not) succeed: Blackface in Literature,
Theater, and Film
III: Black Artists. Race, Theater, Institution
Azadeh Sharifi
Coloniality and decolonial practices in contemporary German theater
Olivia Landry
Black Bismarck and the Circum-Mediterranean Performance of Black German
Theater
Hanna Voss
From Drama School to Stage: Young Actors of Color in German-Speaking
Sprechtheater
Simone Dede Ayivi, director and author
Rahel Jankowski, actress
Michael Klammer, actor
Philipp Khabo Köpsell, author
Olivia Wenzel, author, musician, performer
Roundtable Discussion
Anta Helena Recke
Judgment, Power, and Participation in Theater. Based on the Ascending Career
of a Black Female Artist in Germany during the Latter Half of the 2010s
Contributors
Index
Priscilla Layne is Professor of German and Adjunct Associate Professor of African and Afro-American Studies at the University of North Carolina at Chapel Hill. She is the author of White Rebels in Black: German Appropriation of Black Popular Culture (2018).
Lily Tonger-Erk is Associate Professor at the German Studies Department and Research Associate at the Rhetoric Department of the University of Tübingen, Germany.
