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Stanislavsky in Focus: An Acting Master for the Twenty-First Century 2nd edition [Kõva köide]

(University of Southern California, USA)
  • Formaat: Hardback, 256 pages, kõrgus x laius: 234x156 mm, kaal: 589 g, 20 Illustrations, black and white
  • Ilmumisaeg: 01-Sep-2008
  • Kirjastus: Routledge
  • ISBN-10: 0415774969
  • ISBN-13: 9780415774963
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  • Formaat: Hardback, 256 pages, kõrgus x laius: 234x156 mm, kaal: 589 g, 20 Illustrations, black and white
  • Ilmumisaeg: 01-Sep-2008
  • Kirjastus: Routledge
  • ISBN-10: 0415774969
  • ISBN-13: 9780415774963
Stanislavsky in Focus brilliantly examines the history and actual premises of Stanislavskys 'System', separating myth from fact with forensic skill.

The first edition of this now classic study showed conclusively how the 'System' was gradually transformed into the Method, popularised in the 1950s by Lee Strasberg and the Actors Studio. It looked at the gap between the original Russian texts and what most English-speaking practitioners still imagine to be Stanislavskys ideas.

This thoroughly revised new edition also delves even deeper into:





the mythical depiction of Stanislavsky as a tyrannical director and teacher yoga, the mind-body-spirit continuum and its role in the System how Stanislavsky used subtexts to hide many of his ideas from Soviet censors.









The text has been updated to address all of the relevant scholarship, particularly in Russia, since the first edition was published. It also features an expanded glossary on the System's terminology and its historical exercises, as well as more on the political context of Stanislavsky's work, its links with cognitive science, and the System's relation to contemporary developments in actor-training. It will be a vital part of every practitioner's and historian's library.

Arvustused

'Outstanding ... There are innumerable books about Stanislavsky. "Stanislavsky in Focus" is the only book worth taking seriously.' -- "David Chambers, Yale School of Drama, USA" 'Sharon Carnicke has single-handedly begun to demystify Stanislavsky's influence for theatre practitioners everywhere.' --" Anne Bogart, Columbia University, USA" 'Carnicke's is the finest book I have read on the work of Stanislavsky in many, many years.' -- "Andre Gregory, Actor and Director" 'Essential reading for every actor, whether experienced or a novice.' -- "Ed Hooks, Acting Coach"

List of illustrations ix
Acknowledgements xi
A note on transliteration and translation xiii
Abbreviations xiv
Introduction: Stanislaysky in the twenty-first century 1
1 Demythologizing Stanislaysky 7
PART I Transmission 17
2 From Moscow to New York
19
3 New York adopts Stanislaysky
41
PART II Translation 59
4 The classroom circuit
61
5 The US publication maze: Stanislaysky abridged
76
6 The USSR publication maze: the System in the subtext
94
PART III Transformation 127
7 Stanislaysky's lost term
129
8 Emotion and the human spirit of the role: psychology
148
9 Emotion and the human spirit of the role: Yoga
167
10 Action and the human body in the role
185
Afterword: Stanislaysky on his own terms 207
The System's terminology: a selected glossary 211
Endnotes 228
Bibliography 235
Index 245
Sharon Marie Carnicke is widely known for her groundbreaking work on Russian acting techniques, her innovative examination of film acting, and her recent collaboration with computer scientists on actings place in virtual reality. With a Ph.D. in Russian from Columbia University and professional performance experience in New York, Moscow and Los Angeles, she speaks to theatre practitioners and scholars alike. She is currently Professor of Theatre and Slavic Languages at the University of Southern California and the leader of a workshop on Active Analysis (A/ACT) in Los Angeles.