Story Circle is the first collection ever devoted to a comprehensive international study of the digital storytelling movement, exploring subjects of central importance on the emergent and ever-shifting digital landscape.
- Covers consumer-generated content, memory grids, the digital storytelling youth movement, participatory public history, audience reception, videoblogging and microdocumentary
- Pinpoints who is telling what stories where, on what terms, and what they look and sound like
- Explores the boundaries of digital storytelling from China and Brazil to Western Europe and Australia
Arvustused
"There can be no doubt that this book is important in fostering understanding of DST's potential and it deserves many readers among students, researchers and practitioners." (Seminar.net, July 2010)
| List of Figures |
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vii | |
| List of Tables |
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ix | |
| Acknowledgments |
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x | |
| Notes on Contributors |
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xii | |
| Part I What Is Digital Storytelling? |
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1 | |
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1 Computational Power Meets Human Contact |
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3 | |
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John Hartley and Kelly McWilliam |
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2 TV Stories: From Representation to Productivity |
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16 | |
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3 The Global Diffusion of a Community Media Practice: Digital Storytelling Online |
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37 | |
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| Part II Foundational Practices |
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77 | |
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4 Where It All Started: The Center for Digital Storytelling in California |
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79 | |
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5 "Capture Wales": The BBC Digital Storytelling Project |
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91 | |
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Daniel Meadows and Jenny Kidd |
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6 Digital Storytelling at the Australian Centre for the Moving Image |
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118 | |
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7 Radio Storytelling and Beyond |
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124 | |
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| Part III Digital Storytelling Around the World |
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129 | |
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8 Narrating Euro-African Life in Digital Space |
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131 | |
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Sissy Helff and Julie Woletz |
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9 Developing Digital Storytelling in Brazil |
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144 | |
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10 Digital Storytelling as Participatory Public History in Australia |
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155 | |
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Jean Burgess and Helen Klaebe |
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11 Finding a Voice: Participatory Development in Southeast Asia |
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167 | |
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12 The Matrices of Digital Storytelling: Examples from Scandinavia |
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176 | |
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13 Digital Storytelling in Belgium: Power and Participation |
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188 | |
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14 Exploring Self-representations in Wales and London: Tension in the Text |
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205 | |
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| Part IV Emergent Practices |
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219 | |
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15 Digital Storytelling as Play: The Tale of Tales |
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221 | |
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Maria Chatzichristodoulou |
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16 Commercialization and Digital Storytelling in China |
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230 | |
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17 Digital Storytelling with Youth: Whose Agenda Is It? |
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245 | |
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18 Digital Storytelling in Education: An Emerging Institutional Technology? |
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252 | |
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19 Digital Storytelling in Organizations: Syntax and Skills |
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260 | |
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20 Beyond Individual Expression: Working with Cultural Institutions |
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269 | |
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Jerry Watkins and Angelina Russo |
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| References |
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279 | |
| Index |
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300 | |
John Hartley is Distinguished Professor and ARC Federation Fellow at Queensland University of Technology, and Research Director of the ARC Centre of Excellence for Creative industries and Innovation. He is the author of Television Truths (Wiley-Blackwell 2008) and A Short History of Cultural Studies (2003), and editor of Creative Industries (Wiley-Blackwell 2005). He is Editor of the International Journal of Cultural Studies. Kelly McWilliam is an ARC Postdoctoral Research Fellow (Industry) in the Creative Industries Faculty of Queensland University of Technology. She is the co-author, with Jane Stadler, of Screen Media: Analysing Film and Television (2009) and the author of When Carrie Met Sally: Lesbian Romantic Comedies (2008).
