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Storytelling for Film and Television: From First Word to Last Frame [Pehme köide]

2.25/5 (8 hinnangut Goodreads-ist)
(Tisch School of the Arts, New York University, NY, USA)
  • Formaat: Paperback / softback, 188 pages, kõrgus x laius: 234x156 mm, kaal: 544 g
  • Ilmumisaeg: 07-May-2019
  • Kirjastus: Routledge
  • ISBN-10: 0815371799
  • ISBN-13: 9780815371793
Teised raamatud teemal:
Storytelling for Film and Television: From First Word to Last FrameSuurem pilt
  • Formaat: Paperback / softback, 188 pages, kõrgus x laius: 234x156 mm, kaal: 544 g
  • Ilmumisaeg: 07-May-2019
  • Kirjastus: Routledge
  • ISBN-10: 0815371799
  • ISBN-13: 9780815371793
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780815371793.html
Märksõnad:
Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production.The book takes a unique approach by connecting the different phases of the creative process of film and television production. It shows how directing, writing and editing all contribute to the process of storytelling and function together to advance the narrative goals of a screenplay; to tell the best story. A case study approach provides numerous examples of effectiveness and brings together the core areas of aesthetics and production to make these concepts more accessible. Case studies include classic and modern films, foreign films, limited and series television, with examples including Breaking Bad, Game of Thrones, The Revenant, and Son of Saul.This is the ideal text for film and television production students at all levels. It is written in a style which makes it accessible to anybody interested in the learning more about the storytelling process and is written for a global audience addressing a global industry.

Arvustused

Ken Dancyger has done the impossible synthesizing decades of insight about the power of screenwriting, directing and editing into one volume. Classic and modern examples, from both film and television, precisely illustrate his unified theory. I cant imagine a more comprehensive vision of the art and craft storytelling.

Eric R. Williams, Screenwriter, Author and Director of the MFA in Communication Media Arts program, Ohio University Ken Dancyger has done the impossible synthesizing decades of insight about the power of screenwriting, directing, and editing into one volume. Classic and modern examples, from both film and television, precisely illustrate his unified theory. I cant imagine a more comprehensive vision of the art and craft storytelling.

Eric R. Williams, Screenwriter, Author, and Director of the MFA in Communication Media Arts program, Ohio University

Acknowledgments ix
SECTION I NARRATIVE
Chapter 1 Introduction
3(12)
Chapter 2 The narrative tools
15(14)
Chapter 3 The technical dimension
29(8)
Chapter 4 The creative possibilities
37(10)
Chapter 5 Three case studies of excellence
47(10)
SECTION II DIRECTING
Chapter 6 The directing tools
57(17)
Chapter 7 The technical dimension
74(10)
Chapter 8 The creative possibilities
84(11)
Chapter 9 Three case studies of excellence
95(10)
SECTION III EDITING
Chapter 10 The editing tools
105(14)
Chapter 11 The technical dimension
119(11)
Chapter 12 The creative possibilities
130(11)
Chapter 13 Three case studies of excellence
141(10)
SECTION IV THE STORYTELLING EXPERIENCE FROM BEGINNING TO END
Chapter 14 Elia Kazan's Splendor in the Grass
151(8)
Chapter 15 Sidney Lumet's Daniel
159(8)
Chapter 16 Laszlo Nemes' Son of Saul
167(9)
Chapter 17 Conclusion
176(9)
Glossary 185(9)
Index 194
Ken Dancyger is Professor of Film and Television at Tisch School of the Arts, New York University. He teaches script and post-production workshops worldwide and is the author of seven books on screenwriting, editing, and production including Alternative Scriptwriting, 5th edition with Jeff Rush; The Technique of Film and Video Editing, 6th edition; Global Scriptwriting; and The Directors Idea.