| Preface |
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xvii | |
| Part One: Instrumentation |
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Chapter 1 The Orchestra-Yesterday and Today |
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5 | (4) |
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Chapter 2 Bowed String Instruments |
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9 | (48) |
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10 | (1) |
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11 | (1) |
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11 | (1) |
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Double, Triple, and Quadruple Stops |
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12 | (1) |
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13 | (3) |
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16 | (1) |
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16 | (2) |
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18 | (1) |
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19 | (6) |
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Other On-the-String Bowings |
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25 | (3) |
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28 | (3) |
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Trills and Other Coloristic Effects Using the Bow |
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31 | (6) |
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Coloristic Effects without the Bow |
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37 | (6) |
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43 | (1) |
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44 | (1) |
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45 | (8) |
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Contemporary String Techniques |
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53 | (4) |
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Chapter 3 Individual Bowed String Instruments |
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57 | (38) |
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57 | (14) |
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71 | (8) |
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79 | (2) |
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81 | (8) |
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89 | (6) |
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Chapter 4 Plucked String Instruments |
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95 | (24) |
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95 | (13) |
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108 | (2) |
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110 | (3) |
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113 | (2) |
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115 | (4) |
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Chapter 5 Scoring for Strings |
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119 | (54) |
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Individuality within the Ensemble |
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119 | (1) |
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Haydn, String Quartet Op. 76, No. 3 ("Emperor"), second movement, theme |
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120 | (6) |
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Foreground-Middleground-Background |
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126 | (15) |
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Contrapuntal Writing for Strings |
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141 | (9) |
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Homophonic Writing for Strings |
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150 | (10) |
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Using the String Choir to Accompany a Soloist |
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160 | (7) |
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Transcribing from Piano to Strings |
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167 | (6) |
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Chapter 6 The Woodwind Choir (Reed and Non-Reed Aerophones) |
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173 | (16) |
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173 | (1) |
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Classifying Woodwind Instruments |
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174 | (2) |
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The Principle of Transposition |
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176 | (3) |
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179 | (7) |
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The Woodwind Section of a Symphony Orchestra |
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186 | (1) |
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Scoring for Woodwind Instruments |
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187 | (2) |
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Chapter 7 Individual Woodwinds |
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189 | (56) |
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189 | (9) |
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198 | (3) |
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201 | (2) |
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203 | (1) |
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204 | (5) |
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209 | (4) |
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Other Members of the Oboe Family |
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213 | (4) |
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217 | (7) |
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"Piccolo" Clarinet: Clarinet in D or B |
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224 | (1) |
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225 | (3) |
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Other Members of the Clarinet Family |
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228 | (3) |
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231 | (4) |
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235 | (5) |
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240 | (5) |
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Chapter 8 Scoring for Woodwinds and Woodwind- String Combinations |
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245 | (74) |
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The Role of Winds in the Symphony Orchestra |
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248 | (9) |
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The Variety of Orchestral Treatments |
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257 | (14) |
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Homophonic Writing for Winds |
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271 | (9) |
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Contrapuntal Writing for Winds |
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280 | (11) |
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Using the Wind Choir to Provide a Contrasting Color |
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291 | (6) |
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Using the Wind Choir to Double Other Instruments of the Orchestra |
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297 | (8) |
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New Types of Articulations for Woodwinds |
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305 | (5) |
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310 | (3) |
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Transcribing from Piano to Winds and Strings |
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313 | (6) |
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Chapter 9 Introduction to Brass Instruments |
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319 | (18) |
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Composition of the Brass Section |
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321 | (1) |
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Brass Instruments and the Written Orchestral Score |
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321 | (1) |
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Overblowing and the Principle of the Harmonic Series |
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322 | (3) |
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Crooks, Valves, and Slides |
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325 | (3) |
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328 | (1) |
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Tone Production, Articulation, and Tonguing |
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328 | (1) |
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Common Characteristics and Effects on All Brass Instruments |
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329 | (3) |
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332 | (3) |
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Other Muting Devices and Methods |
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335 | (2) |
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Chapter 10 Individual Brass Instruments |
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337 | (50) |
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337 | (14) |
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351 | (14) |
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365 | (1) |
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Other Members of the Trumpet Family |
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366 | (2) |
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368 | (9) |
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Other Members of the Trombone Family |
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377 | (1) |
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377 | (5) |
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Other Members of the Tuba Family |
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382 | (5) |
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Chapter 11 Scoring for Brass, and Brass Combined with Strings and Winds |
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387 | (82) |
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Early Uses of the Brass Choir |
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387 | (7) |
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Doubling of Brass Instruments within the Modern Orchestra |
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394 | (1) |
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Homophonic Writing for the Brass Choir |
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395 | (13) |
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Using the Brass Choir to Present the Melody |
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408 | (16) |
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Contrapuntal Writing for the Brass Choir |
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424 | (21) |
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Climactic Uses of the Brass Choir |
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445 | (15) |
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Using the Brass Choir to Provide a Coloristic Effect |
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460 | (9) |
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Chapter 12 The Percussion Ensemble |
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469 | (52) |
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Historical Uses of Percussion Instruments within the Orchestra |
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469 | (1) |
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Number and Distribution of Percussion Players |
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470 | (1) |
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Notation of Percussion Instruments |
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471 | (1) |
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Mallets, Beaters, and Sticks |
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472 | (1) |
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Categories of Percussion Instruments |
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473 | (1) |
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Instruments of Definite Pitch |
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474 | (47) |
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Idiophones: Mallet Instruments |
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475 | (1) |
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476 | (1) |
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477 | (2) |
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479 | (1) |
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480 | (1) |
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481 | (1) |
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482 | (1) |
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Idiophones: Shaken Or Stroked Instruments |
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483 | (1) |
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483 | (1) |
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484 | (1) |
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485 | (3) |
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488 | (2) |
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490 | (3) |
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493 | (1) |
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Instruments of Indefinite Pitch |
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493 | (1) |
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Cymbals: Crash, Suspended, Hi-Hat, Sizzle, Chinese, Finger |
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494 | (3) |
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497 | (1) |
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498 | (1) |
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498 | (1) |
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499 | (1) |
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500 | (1) |
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500 | (1) |
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501 | (1) |
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501 | (1) |
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502 | (1) |
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502 | (1) |
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503 | (1) |
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503 | (1) |
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504 | (1) |
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Sand Block or Sandpaper Block |
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505 | (1) |
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505 | (1) |
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506 | (1) |
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506 | (1) |
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507 | (1) |
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507 | (1) |
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508 | (1) |
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508 | (1) |
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509 | (1) |
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510 | (1) |
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510 | (1) |
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511 | (1) |
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512 | (1) |
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513 | (1) |
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513 | (1) |
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514 | (1) |
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514 | (1) |
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Quica; String Drum or Lion's Roar |
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515 | (1) |
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516 | (1) |
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516 | (1) |
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516 | (5) |
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Chapter 13 Keyboard Instruments |
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521 | (24) |
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521 | (7) |
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528 | (3) |
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531 | (2) |
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533 | (3) |
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536 | (2) |
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538 | (7) |
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Chapter 14 Scoring for Percussion with Keyboard Alone or in Combination |
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545 | (67) |
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Percussion Layout in the Full Score |
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546 | (8) |
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554 | (3) |
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Uses of the Percussion Section |
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557 | (55) |
| Part Two Orchestration |
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Chapter 15 Scoring for Orchestra
613. The Unison-Octave Tutti |
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612 | (65) |
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The Distribution of Foreground-Middleground-Background Elements within the Orchestra |
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622 | (41) |
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Orchestrating a Melody or Primary Gesture |
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663 | (2) |
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Using the Orchestra to Create Special Effects |
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665 | (12) |
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Chapter 16 The Orchestra as Accompanist |
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677 | (64) |
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677 | (30) |
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Accompanying the Vocal Soloist, Ensemble, or Chorus |
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707 | (14) |
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The Operatic Vocal Ensemble |
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721 | (20) |
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Chapter 17 Transcribing for Orchestra |
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741 | (104) |
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Transcribing from Keyboard or Small Chamber Combinations to Orchestra |
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743 | (57) |
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Transcribing from Band or Wind Ensemble to Orchestra |
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800 | (29) |
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Transcribing to Various Available Instrumental Combinations |
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829 | (16) |
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Chapter 18 The Preparation of Score and Parts |
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845 | (16) |
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The Orchestral Score Setup |
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845 | (5) |
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850 | (1) |
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851 | (3) |
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Preparing Individual Parts |
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854 | (7) |
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Chapter 19 Scoring for Band or Wind Ensemble |
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861 | (88) |
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861 | (1) |
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Band Versus Wind Ensemble |
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862 | (1) |
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The Percussion Section within the Band or Wind Ensemble |
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862 | (76) |
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The Band and Wind Ensemble Score Layout |
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938 | (8) |
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Transcribing from Orchestra to Band or Wind Ensemble |
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946 | (3) |
| Appendices |
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949 | (10) |
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Ranges of the Most Frequently Used Orchestral Instruments |
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950 | (5) |
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Names of Instruments in Four Languages and Their English Abbreviations |
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955 | (2) |
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Frequently Used Orchestral Terms in Four Languages |
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957 | (2) |
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959 | (8) |
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959 | (2) |
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Individual Instrumental Technique |
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961 | (3) |
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The History of the Orchestra and of Orchestral Instruments |
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964 | (1) |
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Band and Wind Ensemble Scoring, Film Scoring, Jazz Orchestra, and Commercial Arranging |
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965 | (1) |
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Computer and Electronic Music |
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966 | (1) |
| Credits |
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967 | (6) |
| Index of Concepts |
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973 | (26) |
| Index of Composers and Works |
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999 | |
