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Subjects of Art History: Historical Objects in Contemporary Perspective [Kõva köide]

Edited by (University of Rochester, New York), Edited by (Columbia University, New York), Edited by (University of Western Ontario)
  • Formaat: Hardback, 348 pages, kõrgus x laius x paksus: 261x183x25 mm, kaal: 905 g, 48 Halftones, unspecified
  • Ilmumisaeg: 13-Dec-1998
  • Kirjastus: Cambridge University Press
  • ISBN-10: 0521454905
  • ISBN-13: 9780521454902
Teised raamatud teemal:
  • Formaat: Hardback, 348 pages, kõrgus x laius x paksus: 261x183x25 mm, kaal: 905 g, 48 Halftones, unspecified
  • Ilmumisaeg: 13-Dec-1998
  • Kirjastus: Cambridge University Press
  • ISBN-10: 0521454905
  • ISBN-13: 9780521454902
Teised raamatud teemal:
An introduction to the historiography and theory of the history of art.

The Subjects of Art History provides an introduction to the historiography and theory of the history of art. Examining a variety of theoretical approaches, the editors and contributors to this volume provide interpretations of the history and contemporary relevance of such important methodologies as semiotics, phenomenology, feminism, gay and lesbian studies, museology, and computer applications, among other topics. Each essay, specially commissioned for this volume, gives a fresh perspective on the topic by demonstrating how a particular approach can be applied to the understanding and interpretation of specific works of art. This volume will be a timely contribution to the current debate on the theory and practice of art history.

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An introduction to the historiography and theory of the history of art.
List of Illustrations vii(2) List of Contributors ix Introduction 1(5) Mark A. Cheetham Michael Ann Holly Keith Moxey Part One: Philosophy of History and Historiography 6(68) 1 Immanuel Kant and the Bo(a)rders of Art History 6(19) Mark A. Cheetham 2 Art Historys Hegelian Unconscious: Naturalism as Nationalism in the Study of Early Netherlandish Painting 25(27) Keith Moxey 3 Spirits and Ghosts in the Historiography of Art 52(22) Michael Ann Holly Part Two: The Subjects and Objects of Art History 74(156) 4 Seeing Signs: The Use of Semiotics for the Understanding of Visual Art 74(20) Mieke Bal 5 The Politics of Feminist Art History 94(21) Patricia Mathews 6 Homosexualism, Gay and Lesbian Studies, and Queer Theory in Art History 115(28) Whitney Davis 7 Phenomenology and the Limits of Hermeneutics 143(12) Stephen Melville 8 Photo-Logos: Photography and Deconstruction 155(25) David Phillips 9 The Work of Art and Its Beholder: The Methodology of the Aesthetic of Reception 180(17) Wolfgang Kemp 10 Between Art History and Psychoanalysis: I/Eye-ing Monet with Freud and Lacan 197(16) Steven Z. Levine 11 Passing between Art History and Postcolonial Theory 213(17) James D. Herbert Part Three: Places & Spaces for Visual Studies 230(99) 12 Art History and Museums 230(20) Stephen Bann 13 Museums and Galleries as Sites for Artistic Intervention 250(12) Gerald McMaster 14 Art Historys Significant Other...Film Studies 262(26) Bruce Barber 15 Interpreting the Void: Architecture and Spatial Anxiety 288(20) Anthony Vidler 16 Computer Applications for Art History 308(21) William Vaughan Index 329