This book presents examination of queer and feminist alternative art spaces in Canada and the United States from the late-1960s to the present. It explores how queer and feminist artists have responded to the institutions and histories they have inherited.
Taking place examines feminist and queer alternative art spaces across Canada and the United States from the late-1960s to the present. It looks at how queer and feminist artists working in the present day engage with, respond to and challenge the institutions they have inherited. Through a series of regional case studies, the book interrogates different understandings of ‘alternative’ space and the possibilities the term affords for queer and feminist artistic imaginaries.
