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Technologies of the Marvellous in Ancient Greek Religion [Pehme köide]

(Australian National University, Canberra)
  • Formaat: Paperback / softback, 322 pages, Worked examples or Exercises; 15 Halftones, color
  • Sari: Cambridge Classical Studies
  • Ilmumisaeg: 24-Jul-2025
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1009331736
  • ISBN-13: 9781009331739
  • Formaat: Paperback / softback, 322 pages, Worked examples or Exercises; 15 Halftones, color
  • Sari: Cambridge Classical Studies
  • Ilmumisaeg: 24-Jul-2025
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1009331736
  • ISBN-13: 9781009331739
This book investigates the ways that technological, and especially mechanical, strategies were integrated into ancient Greek religion. By analysing a range of evidence, from the tragic use of the deus ex machina to Hellenistic epigrams to ancient mechanical literature, it expands the existing vocabulary of visual modes of ancient epiphany. Moreover, it contributes to the cultural history of the unique category of ancient 'enchantment' technologies by challenging the academic orthodoxy regarding the incompatibility of religion and technology. The evidence for this previously unidentified phenomenon is presented in full, thereby enabling the reader to perceive the shifting matrices of agency between technical objects, mechanical knowledge, gods, and mortals from the fifth century BCE to the second century CE.

For the first time investigates the ways that technological, and especially mechanical, strategies were integrated into ancient Greek religion. Presents in full the evidence from the fifth century BCE to the second century CE, thereby revealing the shifting matrices of agency between technical objects, mechanical knowledge, gods, and mortals.

Muu info

Explores how the agency of technical objects, mechanical knowledge, gods, and mortals interacted in the Greco-Roman world.
Introduction; Part I. Greek Tragedy and Mechanical Epiphany:
1. Viewing
the mchan;
2. Visual representations of the gods in tragedy;
3. Theos apo
mchans; Part II. Technologies and Ritual Experience;
4. Technical
divination and mechanics of sacred space;
5. Dedicated inventions;
6. Pompai
and the mechanics of sacred occasion; Part III. Faking the Gods;
7. In the
hands of frauds;
8. Theomimesis-theomachy.
TATIANA BUR held the Moses and Mary Finley Research Fellowship at Darwin College, Cambridge before joining the Australian National University as Lecturer in Classics. She is the recipient of the Cambridge University Hare Prize in Classics, and co-editor of Technological Animation in Classical Antiquity (2024).