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Ten Thousand Years of Pottery 4th Revised edition [Kõva köide]

  • Formaat: Hardback, 360 pages, kõrgus x laius x paksus: 280x216x30 mm, kaal: 1720 g, 315 color illus.
  • Ilmumisaeg: 28-Mar-2000
  • Kirjastus: University of Pennsylvania Press
  • ISBN-10: 0812235541
  • ISBN-13: 9780812235548
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  • Formaat: Hardback, 360 pages, kõrgus x laius x paksus: 280x216x30 mm, kaal: 1720 g, 315 color illus.
  • Ilmumisaeg: 28-Mar-2000
  • Kirjastus: University of Pennsylvania Press
  • ISBN-10: 0812235541
  • ISBN-13: 9780812235548
New edition of a beautifully illustrated account of pottery-making. Cooper (a potter, writer, broadcaster, and editor) begins with the earliest civilizations of the Near and Middle East and follows the production of pottery chronologically around the globe, from the Mediterranean and the Orient to the Islamic world and Ancient America, from neolithic Britain to the factories of Wedgwood and de Morgan, and from contemporary Africa and India to Scandinavia and Australasia. In the final chapters, he analyzes the development of ceramics as a medium of personal expression by artists and studio potters during the 20th century. The color illustrations are drawn from museums, collectors, and practicing potters around the world. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Pottery making is one of the oldest and most widespread of human activities, with a history that can be traced back to the Stone Age. Stylistic and technical changes over time reveal a great deal about the societies in which the pottery was made, so that clay vessels serve as essential cultural and dating indicators, as well as objects of individual skill and creativity.

This lavishly illustrated and comprehensive account begins with the earliest civilizations of the Near East and Middle East and follows the production of pottery chronologically around the globe, from the Mediterranean and the Orient to the Islamic world and ancient America, from neolithic Britain to the factories of Wedgwood and de Morgan, from contemporary Africa and India to Scandinavia and Australasia. The final chapters analyze the development of ceramics as a medium of personal expression by artists and studio potters during the twentieth century.

This is the fourth edition of a work that has been deemed a classic since its first publication in 1972 and, for this new edition, has been completely revised, expanded, and redesigned, with new illustrations throughout. The illustrations are drawn from museums, collectors, and practicing potters across the word and offer representative examples of the major styles, materials, and forms of all periods, allowing us to make comparisons and see relationships between the works of potters who may be widely separated in space and time.



The finest history of pottery available, this book offers an inspirational journey through one of the oldest and most widespread of human activities.

Arvustused

"An essential historical, critical, scholarly, and very highly recommended reference."-Bookwatch

Introduction 6(8)
Early Beginnings
8(26)
The Ancient World
34(20)
Cyprus, The Cyclades, Greece, Italy
The Oriental World
54(28)
China, Korea, Japan, South-East Asia
The Islamic World
82(20)
Continental European Earthenwares and Stonewares
102(36)
Byzantium, Italy, Spain and Portugal, Germany, France, The Low Countries, Scandinavia
Britain
138(22)
c. 200 BC until AD 1800
European Porcelain
160(20)
Germany, France, Italy and Spain, Scandinavia, The Low Countries, and Russia, Britain and Ireland
American-Indian Pottery
180(20)
Living Traditions
200(14)
Modern Tribal and Indigenous Societies
Modern America
214(12)
Craft Into Industry
226(24)
Britain 1750--1900
The Arts and Crafts Movement
250(30)
Britain, North America, Germany and Austria, Scandinavia, The Netherland, Hungary, Italy, 1850--1920
Artist-Potters
280(34)
Studio Ceramics Today
314(28)
Frivolity, Self-Expression, Content
Glossary of Technical Terms 342(2)
Museum and National Collections of Pottery 344(1)
Bibliography 345(3)
Illustration References 348(2)
Index of Names 350
Emmanuel Cooper is internationally known as a potter, writer, and broadcaster and as the editor of the highly respected and influential magazine Ceramic Review. He has written widely on both modern and historical ceramics and has contributed to Pottery in the Making.