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Theatre of Christopher Durang [Kõva köide]

Series edited by (Loyola Marymount University, Los Angeles, USA), Series edited by (University of Galway, Ireland), (Eastern Connecticut State University, USA)
  • Formaat: Hardback, 248 pages, kõrgus x laius x paksus: 220x146x18 mm, kaal: 440 g, 5 bw illus
  • Sari: Critical Companions
  • Ilmumisaeg: 14-May-2020
  • Kirjastus: Methuen Drama
  • ISBN-10: 1474288928
  • ISBN-13: 9781474288927
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  • Formaat: Hardback, 248 pages, kõrgus x laius x paksus: 220x146x18 mm, kaal: 440 g, 5 bw illus
  • Sari: Critical Companions
  • Ilmumisaeg: 14-May-2020
  • Kirjastus: Methuen Drama
  • ISBN-10: 1474288928
  • ISBN-13: 9781474288927
Teised raamatud teemal:

The Theatre of Christopher Durang documents and analyses the major plays and productions of one of America's significant contemporary playwrights who has contributed much to the American stage by his provocative works. It covers both his full-length and one-act plays, from his early success of Sister Mary Ignatius Explains it All For You (1974) to his most recent Tony-Award winning play, Vanya and Sonia and Masha and Spike (2012). Durang has given an original theatrical voice to American theatre by writing comedies that are irreverent and shocking, yet profoundly draw a connection between fear and laughter. This book, the first to provide an in-depth analysis of his plays, examines Durang's use of specific comedic genres such as black comedy, satire, and farce as the means to explore American social malaise. Placing Durang within a tradition of Theater of the Absurd, the author incorporates comedic theory to examine how laughter in performance can dissolve hierarchies and subvert social conventions.

More than any other playwright, Durang challenges traditional drama by breaking from typical realistic constructions of character, motivation, and plot. By offering a comprehensive examination of Durang's works, this study demonstrates how Durang's innovational dramaturgy and unique commentary on American culture has shaped our current theatrical possibilities, particularly in comedy. Additional critical perspectives are offered by scholars of American theatre, together with further resources to aid study and research.

Muu info

A comprehensive examination of Christopher Durangs major and minor (one-act) plays, from his early success of Sister Mary Ignatius Explains it All For You (1974) to his Tony-Award winning play, Vanya and Sonia and Masha and Spike (2012) focusing specifically on how his plays have been instrumental in defining American dramatic comedy.
Acknowledgments ix
Foreword: Christopher Durang Explains It All for Me x
David Lindsay-Abaire
Introduction: Christopher Durang's Dark Comedy 1(20)
1 Perverting the Classics
21(38)
The Idiots Karamazov
23(9)
Vietnamization of New Jersey: A American Tragedy
32(6)
A History of the American Film
38(11)
Mrs. Bob Cratchit's Wild Christmas Binge
49(7)
Adrift in Macao
56(3)
2 Seeking Is Believing
59(34)
The Nature and Purpose of the Universe
61(7)
Sister Mary Ignatius Explains It All for You
68(6)
Laughing Wild
74(5)
Sex and Longing
79(7)
Miss Witherspoon
86(7)
3 One-Act Plays
93(22)
4 Family Dysfunction
115(34)
Titanic
117(4)
Death Comes to Us All, Mary Agnes
121(4)
Dentity Crisis
125(6)
Baby with the Bathwater
131(7)
The Marriage of Bette and Boo
138(11)
5 American Anomie
149(40)
Beyond Therapy
150(5)
Media Amok
155(7)
Betty's Summer Vacation
162(6)
Why Torture Is Wrong, and the People Who Love Them
168(9)
Vanya and Sonia and Masha and Spike
177(12)
6 Critical Perspectives
189(24)
We Laugh Track People: Christopher Durang's Drama of Audience Participation
189(13)
Robert Combs
The Marriage of Parody and Satire: The All-American Comedy of Christopher Durang
202(11)
Jay Malarcher
Conclusion 213(4)
Notes 217(4)
Works Cited 221(9)
List of Contributors 230(1)
Index 231
Miriam M. Chirico specializes in dramatic literature and comedy studies at Eastern Connecticut State University, where she is Professor of English. Together with Kelly Younger, she edited How to Teach a Play: Essential Exercises for Popular Plays, also by Methuen Drama. She is most recently the author of Performed Authenticity: Narrating the Self in the Comic Monologues of David Sedaris, John Leguizamo and Spalding Gray, (Studies in American Humor 2016), and has written articles for Text and Presentation, Comparative Drama, and Shaw: The Annual of Bernard Shaw Studies. This is her first book.