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Theatre in Prison: Theory and Practice [Pehme köide]

Edited by (University of New South Wales, Australia)
  • Formaat: Paperback / softback, 206 pages, kõrgus x laius x paksus: 229x172x12 mm, kaal: 367 g
  • Ilmumisaeg: 01-Jan-2004
  • Kirjastus: Intellect Books
  • ISBN-10: 1841500666
  • ISBN-13: 9781841500669
Teised raamatud teemal:
  • Formaat: Paperback / softback, 206 pages, kõrgus x laius x paksus: 229x172x12 mm, kaal: 367 g
  • Ilmumisaeg: 01-Jan-2004
  • Kirjastus: Intellect Books
  • ISBN-10: 1841500666
  • ISBN-13: 9781841500669
Teised raamatud teemal:
Balfour (King Alfreds, Winchester) and international contributors examine how different concepts of theater, and their applications, relate to the assumptions, needs, and rehabilitation of the incarcerated. Essays include examinations of theater programs in prisons; the theoretical and practical processes needed to develop relevant, culturally-sensitive experiences for performers, planners, and audiences; the realities of drugs, sexual abuse, and ethnic and gender identification; and the psychological effects of poetic imagination and drama on prisoner-performers and those working with them. Distributed by ISBS. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com) From role-plays with street gangs in the USA to Beckett in Brixton; from opera productions with sex offenders to psychodrama with psychopaths, the book will discuss, analyse and reflect on theoretical notions and practical applications of theatre for and with the incarcerated.Theatre in Prison is a collection of thirteen international essays exploring the rich diversity of innovative drama works in prisons. The book includes an introduction that will present a contextualisation of the prison theatre field. Thereafter, leading practitioners and academics will explore key aspects of practice &endash; problemitising, theorising and describing specific approaches to working with offenders. The book also includes extracts from prison plays, poetry and prisoners writings that offer illustrations and insights into the experience of prison life.
Acknowledgements vii
The Contributors ix
Introduction 1(18)
A Study of Prisoners and Guards in a Simulated Prison
Philip Zimbardo, Craig Haney and Curtis Banks
19(16)
Pathologies of Hope in Drama and Theatre
Baz Kershaw
35(18)
Play: One Hour in the Semi Open (aka The Rat Run) 53(4)
From the Stocks to the Stage: Prison Theatre and the Theatre of Prison
James Thompson
57(20)
The Prosocial Gang
Arnold Goldstein, Barry Glick, Wilma Carthan And Douglas A. Blancero
77(22)
Prison Poem
'Ali'
99(2)
Somebody's Daughter Theatre: Celebrating Difference with Women in Prison
Maud Clark
101(6)
The Role of the Camshaft in Offender Rehabilitation
Chris Johnston
107(16)
Dealing with Drugs
Kate McCoy And Imogen Blood
123(16)
'If All the World's a Stage, Why Did I Get the Worst Parts?': Psychodrama with Violent and Sexually Abusive Men
Clark Bairn
139(22)
Prison Transformation in South Africa
Centre For Conflict Resolution
161(16)
Poem: The True Prison
Ken Saro-Wiwa
177(2)
Theatre and Ecclecticism: The 'Tandari' Experience
Emman Frank Idoko
179(10)
Real Social Ties?: The Ins and Outs of Making Theatre in Brazilian Prisons
Paul Heritage
189(14)
Index 203


Michael Balfour is chair of the Centre for the Arts in Development Communication at Griffith University, Australia.