Identifies the parallels and resonances between Christopher Nolan's cinema and the works of philosopher Paul Ricoeur and theologian St. Augustine to demonstrate how Nolan's films are truly
doing theology and philosophy through the medium of film.
This work of theological film criticism provides an analysis of filmmaker Christopher Nolan's entire filmography, from Following (1998) to Oppenheimer (2023).
Though his films are noticeably lacking in representations of religion or references to God, Nolan's postsecular cinema is nevertheless worthy of our theological consideration, as it contains valuable theological and philosophical insights. Indeed, this is the central claim of Theology and the Films of Christopher Nolan: Christopher Nolan's films can and should be considered works of cinematic philosophical theology-they are doing theology and philosophy through the medium of film as they explore what it means to be human in relation to the transcendent. This book identifies the deep parallels and resonances between Nolan's films and the works of philosopher Paul Ricoeur and theologian St. Augustine. Like Nolan's cinema, Theology and the Films of Christopher Nolan is both intellectually stimulating and highly accessible, satisfying the interests of both scholars and popular audiences alike.
Arvustused
This is theology and film at its best! Putting post-religious filmmaker Christopher Nolan into dialogue with Paul Ricoeur and Augustine, Joel Mayward argues convincingly that Nolan is actually doing theology. his montage of perspectives providing insight aplenty not only for Nolan's films but also from his cinema. * Robert K. Johnston, Senior Professor of Theology and Culture, Fuller Theological Seminary, USA * Holy theocinematics, Batman! Walking into the Christopher Nolan conversation with the sagacity of Nikola Tesla in The Prestige, Joel Mayward will compel the attention of the auteur's super-fans and skeptics alike. As he opens up exciting new avenues of exploration and interpretation in Nolan's filmography, he's ultimately challenging us to rethink the possibilities of cinema as a form of theology. Chapter by chapter, Im compelled to revisit and reinterpret each enigmatic film, and my understanding of both art and faith are enriched. * Jeffrey Overstreet, author of Through a Screen Darkly: Looking Closer at Beauty, Truth and Evil in the Movies *
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Identifies the parallels and resonances between Christopher Nolans cinema and the works of philosopher Paul Ricoeur and theologian St. Augustine to demonstrate how Nolans films are truly doing theology and philosophy through the medium of film.
Foreword by Kutter Callaway
Acknowledgments
Introduction: Theology and Christopher Nolan
1. Following: Fallible Man
2. Memento: Memory, History, Forgetting
3. Insomnia: Finitude and Guilt
4. The Dark Knight Trilogy: The Symbolism of Evil
5. The Prestige: Oneself as Another
6. Inception: The Conflict of Interpretations
7. Interstellar: The Course of Recognition
8. Dunkirk: History and Truth
9. Tenet: Time and Narrative
10. Oppenheimer: Living Up to Death
Conclusion: Nolans Cinematic Transcendence
Joel Mayward is Assistant Professor of Christian Ministries, Theology and the Arts at George Fox University in Oregon. He is author of five books including The Dardenne Brothers Cinematic Parables: Integrating Theology, Philosophy, and Film (2022) and the forthcoming Theology and the Films of Christopher Nolan (2025). He is also a cultural critic and writes about the intersection of art and religion.
