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Theology and Vampires [Kõva köide]

Edited by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Edited by
  • Formaat: Hardback, 256 pages, kõrgus x laius: 229x152 mm, 3 BW Illustrations
  • Sari: Theology, Religion, and Pop Culture
  • Ilmumisaeg: 15-Dec-2024
  • Kirjastus: Lexington Books/Fortress Academic
  • ISBN-10: 1978716893
  • ISBN-13: 9781978716896
  • Formaat: Hardback, 256 pages, kõrgus x laius: 229x152 mm, 3 BW Illustrations
  • Sari: Theology, Religion, and Pop Culture
  • Ilmumisaeg: 15-Dec-2024
  • Kirjastus: Lexington Books/Fortress Academic
  • ISBN-10: 1978716893
  • ISBN-13: 9781978716896

What can vampires teach us about God? How can they reshape the way we think about religion, and our relationship with the divine? Through a thorough analysis of the relationship between theology and vampires, Theology and Vampires provides a glimpse into the versatility of the vampire as a tool for theological enquiry. Contributions to the volume assess vampires and their role in articulating theological thought, bringing together some of the classical vampire tales of the 19th century, with contemporary iterations of the figure. Considering how vampires are used to ask theological questions across media, from literature through to video games, this volume paints a complex and comprehensive picture of the often overlooked manner in which vampires not only reflect but also actively shape theological modes of enquiry.



This volume explores the complex relationship between vampires and theology across time and media, bringing together established and emerging scholars to showcase how vampires help us think about the divine and our place within theological systems.

Arvustused

Theology and Vampires provides an historically and geographically comprehensive account of the theological journey undertaken by the vampire from the nineteenth century to the present day. From Britain to India and Japan, these essays bear witness to the complex manifestation of vampirism in a variety of national and theological contexts. This volume charts the rich theological development of the undead vampire in novels, films, and manga. This is an important book for any scholar working on the history of the vampire across media forms. -- Andrew Smith, University of Sheffield, UK This welcome new volume, edited expertly by Madeline Potter, applies the recent religious turn in Gothic studies to one of horrors most enduring archetypes: the vampire. It does so within a rich global context, examining literary vampirisms engagement with different theologies around the world and beyond the West. Collectively, the impressive contributions reveal how the vampire has retained an intimate relationship with shifting concepts and practices of belief from the nineteenth century to the present day. -- Christine Ferguson, University of Stirling Contrary to popular images of the vampire as a demonic prince of darkness that fears the sign of the cross, this fine collection of essays reveals a complex figure that continues to be re-invented in changing religious, national and theological contexts. If the vampires that emerge here can still be the enemies of the sacred and a lens through which to examine the nature of human and metaphysical evil, they can also confront a secular culture with profound theological questions. Recent scholarship has recognized the Gothics engagement with religion; this collection adds to the field by demonstrating the range of theological ideas embodied by one of the genres most famous monsters. -- Simon Marsden, University of Liverpool

Muu info

This volume explores the complex relationship between vampires and theology across time and media, bringing together established and emerging scholars to showcase how vampires help us think about the divine and our place within theological systems.
Introduction, Madeline Potter

Chapter 1: Contesting Materialism in Nineteenth-Century Vampire Fiction,
Alison Milbank

Chapter 2: Bless Me Lord, For I am Going to Sin: Vampire Priests, the Role
of Blood, Religion and Gothic Heresy, Jonathan Greenaway

Chapter 3: Indian Vampires: Religion, Esotericism, Responses in English and
Bengali Literature, Shaona Barik

Chapter 4: What We [ Actually] Do in the Shadows: Vampires in Orthodox
Christianity through the Lens of Kostovas The Historian, David K. Goodin

Chapter 5: Japanese Vampires for Christ: Vampire Media as Religious Invasion
Narrative in Japan, Justin Mullis

Chapter 6: In the Beginning, God Created Lilith: Vampiric Ontology, Gender
and Lilith in True Blood and She Never Died, Mary Going

Chapter 7: The Inoperative Bite: Aoi Tori, Vampire Narratives, and the
Absence of Evil, Leo Chu

Chapter 8: We are on a Mission from God. Alucard, Theology, Monsters, and
Monstrosity in Hellsing Ultimate (2006-2012), Marthe-Siobhán Hecke

Chapter 9: Vampire Priests and Cult Messiahs in Stephen Kings Salems
Lot, Curtis Runstedler

Chapter 10: Bloody Scriptures: The Vampires Place within the Bible of the
Folk Tradition, Kari Sawden

Chapter 11: Horizontal Vampirism, Vertical Theology: Juxtaposing Jean
Rollins Lips of Blood with Abel Ferraras The Addiction, Gavin F. Hurley

Chapter 12: Blade and the Spiritual Problem of Evil, Peter Morgan and Terance
Espinoza
Madeline Potter is Early Career Teaching and Research Fellow in the Long 19th Century (Romanticism to Victorianism) at University of Edinburgh.