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Theory for Today's Musician Workbook: Workbook 3rd edition [Pehme köide]

(University of Akron, USA), (University of Akron, USA)
  • Formaat: Paperback / softback, 464 pages, kõrgus x laius: 280x210 mm, kaal: 1102 g, 740 Line drawings, black and white
  • Ilmumisaeg: 13-Dec-2018
  • Kirjastus: Routledge
  • ISBN-10: 0815371721
  • ISBN-13: 9780815371724
Teised raamatud teemal:
  • Formaat: Paperback / softback, 464 pages, kõrgus x laius: 280x210 mm, kaal: 1102 g, 740 Line drawings, black and white
  • Ilmumisaeg: 13-Dec-2018
  • Kirjastus: Routledge
  • ISBN-10: 0815371721
  • ISBN-13: 9780815371724
Teised raamatud teemal:
Theory for Todays Musician, Third Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to todays music student. It uses classical, folk, popular, and jazz repertoires with clear explanations that link music theory to musical applications. The authors help prepare students by not only exploring how music theory works in art music, but how it functions within modern music, and why this knowledge will help them become better composers, music teachers, performers, and recording engineers.

This broadly comprehensive text merges traditional topics such as part writing and harmony (diatonic, chromatic, neo-tonal and atonal), with less traditional topics such as counterpoint and musical process, and includes the non-traditional topics of popular music songwriting, jazz harmony and the blues. The accompanying companion website provides interactive exercises that allow students to practice foundational theory skills. Written by experienced authors, both active classroom teachers for many years, Theory for Todays Musician is the complete and ideal theory text to enable todays student to accomplish their musical goals tomorrow.

Updated and corrected throughout, the Third Edition includes:





Expanded coverage of atonality and serialism, now separated into two chapters. Broadened treatment of cadences, including examples from popular music. Substantially rewritten chapter on songwriting. Interactive features of the text simplified to two types, "Concept Checks" and "Review and Reinforcement," for greater ease of use. New and updated musical examples added throughout. Charts, illustrations, and musical examples revised for increased clarity. Audio of musical examples now provided through the companion website.

The accompanying Workbook offers exercises and assignments to accompany each chapter in the book. A companion website houses online tutorials with drills of basic concepts, as well as audio.

The paperback WORKBOOK is also paired with the corresponding hardback TEXTBOOK in a discounted PACKAGE (9780815371731).
Preface vii
1 Assorted Preliminaries
1(11)
2 Intervals
12(8)
3 Basic Harmonic Structures
20(12)
4 Musical Shorthand: Lead Sheets and Figured Bass
32(10)
5 Harmonies of the Major and Minor Scales
42(12)
6 Cadences/Harmonic Rhythm
54(10)
7 Melodic Pitch and Rhythm
64(14)
8 Embellishing Tones
78(17)
9 Melodic Form
95(17)
10 Melodic Principles of Part Writing: The Outer-Voice Framework
112(8)
11 The Melodic Factor in Four-Voice Part Writing: Voicing and Connecting Chords
120(10)
12 The Chorale: Part Writing with Root-Position Triads
130(11)
13 Part Writing with Triads in Inversion
141(16)
14 Part Writing Seventh Chords
157(11)
15 Secondary Function I
168(16)
16 Secondary Function II
184(11)
17 Modulation I
195(13)
18 The Art of Countermelody
208(17)
19 The Fugue
225(12)
20 Mixing Modes
237(16)
21 Altered Pre-Dominants
253(15)
22 Other Chromatic Harmonies
268(10)
23 Modulation II
278(16)
24 Harmonic Extensions and Chromatic Techniques
294(13)
25 Binary and Ternary Forms
307(17)
26 Sonata Form
324(15)
27 The Rondo
339(21)
28 Syntax and Vocabulary
360(17)
29 New Tonal Methods
377(14)
30 Non-Serial Atonality
391(9)
31 Serial Atonality
400(7)
32 Harmonic Principles in Jazz
407(14)
33 The Blues
421(12)
34 Shaping a Song
433(4)
Appendix A Pitch 437(14)
Appendix B Rhythm 451(11)
Credits 462
Ralph Turek is a theorist, composer, author, jazz pianist, Professor Emeritus at The University of Akron, and a veteran of 35 years of teaching in the music theory classroom.

Daniel McCarthy is a familiar name in contemporary American music. As a composer, he has received distinguished faculty research/creativity awards at Indiana State University and The University of Akron, where he is Chair of the Composition and Theory Section in the School of Music.