I was entranced by Martins voice, which melds painful Irish history with political insights, personifies tragedy through the heart-wrenching stories of abandoned children and heartless clergy, and despite the childrens perilous existence contextualizes it with humour mixed with ancient myths in language bordering on the poetic. Sally Barr Ebest, Estudios Irlandeses Kevin Curran's spiky, polyphonic, multi-ethnic tale of four Balbriggan teenagers, Youth, scratches an itch for modern urban grit I hunger for more of this. Sunday Independent An unstoppable tour de force Martins work is extremely important; it provides a portal for people who want to learn more about Ireland and its complex and convoluted history. Atticus Review 'An untamed dreamtime held together by stories, this is a wild river-run of a novel about Irelands dark histories, narrated in the merry voice we associate with Emer Martin, one of our truly original writers. Her wry humour gives the grimmest stories an exuberant buoyancy. And seldom has English as spoken in Ireland from rural Tyrone to south Dublin suburbia been so perfectly conveyed on the page. Éilís Ní Dhuibhne 'Emer Martin casts a cold eye on Ireland and the Irish in this layered narrative which ranges from myths to myth-busting over the comforting fictions we tell ourselves. Martina Devlin Inventive, freewheeling and utterly fearless, Thirsty Ghosts delves into the Irish psyche with no holds barred. An incisive and intriguing novel. Christine Dwyer Hickey There is ambition and then there is the Great Irish Novel kind of ambition that is in Emer Martin's Thirsty Ghosts It is a fine balance of the savagely funny and heartbreaking. THE BOOKSELLER To say Emer Martins fifth novel is epic would be an understatement. With the literary flair and love of language to match its ambition, it is breathtaking in its scope The writing and the tangled, intergenerational stories flow beautifully. Each sentence, each word is in service of the tragically comic, the wonderfully epic story of Ireland. SUNDAY INDEPENDENT A new book from Emer Martin is always a big deal Emer is a singular voice Derek O'Connor, RTÉ Emer Martins fourth novel, The Cruelty Men, was my book of the year in 2018, a searing account of one Irish familys tribulations at the hands of church and state in the last century. Thirsty Ghosts revisits some of the same characters, albeit from a slightly different perspective. There is a raw and savage humour here Flann OBrien shot through with Guillermo del Toro. Martins use of language is superb, from the comedic colloquialisms of rural accents with one character having a face on her like a pig licking piss off a nettle, to the lyrical and poetic where ghosts are likely to live inside the grimy guts of the gloom of nights. Thirsty Ghosts is also epic in scope. Martin skilfully juxtaposes the bloodletting of the recent and the distant past in a glorious bid to capture the power of story itself as a means to push back the darkness. A wild, magnificent book. SUNDAY BUSINESS POST Emer Martin knows how to tell a story. Martins writing has a well-earned reputation of literary merit. Her latest, Thirsty Ghosts, is an epic work of multigenerational lived truth. It follows two families, and the hagIreland. Its angry, beautiful and important. Martin sees the ghosts. She gives voice to people who werent listened to, and thats what makes this book so incredibly powerful. She shows us what a difference it makes to be poor, to be rich, to be impotent against the evils. BOOKS IRELAND Emer Martins novel is a fierce indictment of the collusion in 20th-century Ireland between church and state. Martin specializes in contemporary stories of exile, family dysfunction and the Irish diaspora. [ She] offers a searingly unsentimental view of modern Ireland. AMERICA MAGAZINE There are very few books that I find myself compulsively recommending to absolutely everyone I know. Emer Martins formidable Thirsty Ghosts is one of these few. Martin has managed to capture an emotional history of Ireland since the birth of time in just one novel. It is a story of missed chances, of childhood, of politics and power, of inherited pain, of familial love, but most of all it is a story of stories the mythology that connects us, that supports us and that keeps us alive. TOTALLY DUBLIN A sprawling, epic powerhouse of a read ANNE CUNNINGHAM, MEATH CHRONICLE
