A timely exploration of Austrian writer Ingeborg Bachmann by Booker-shortlisted author Tom McCarthy.
Since her untimely death in 1973, Ingeborg Bachmann has come to be regarded as one of the twentieth centurys most important writers. Unpacking a single Bachmann poem, novelist Tom McCarthy latches onto two of its central terms the eponymous threshold and ledger and takes off on a line of flight: through the work of Franz Kafka, David Lynch, Anne Carson, Sappho and Shakespeare. Can writing be understood as an experience of the threshold, a limit- or boundary-state? A condition of ecstasy or ec-stasis, standing outside of oneself? If so, then how might such experience be archived, jotted down, notated? And when the boundaries of the self are ruptured, who then might be said to be this ledgers author? Appearing on the eve of Bachmanns centenary year, McCarthys book not only celebrates her brilliance, but also argues for the centrality of her vision to the very act of literature itself, whatever epoch it may be composed in.
Comp titles: White Girls by Hilton Als; Feel Free by Zadie Smith; The Possessed by Elif Batuman; The Irresponsible Self by James Wood
Tom McCarthy is a novelist whose work has been translated into more than twenty languages and adapted for cinema, theatre and radio. In 2013 he was awarded the inaugural Windham-Campbell Prize for Fiction. His first novel, Remainder, won the 2008 Believer Book Award; his third, C, was a 2010 Booker Prize finalist, as was his fourth, Satin Island, in 2015. He is also author of the study Tintin and the Secret of Literature, and of the essay collection Typewriters, Bombs, Jellyfish. His latest novel, The Making of Incarnation, was published in 2021. McCarthy has held Visiting Professorships at the Royal College of Art London, Columbia University New York and Städelschule Frankfurt. Born in Scotland, he is now a Swedish citizen, and lives in Berlin.
