"The first major biography of Alice Austen to appear in nearly fifty years. Yochelson offers a new and compelling appraisal of this significant woman photographer of the late 19th and early 20th centuries, integrating Austens intimate woman-centered life with her evolving photography." - Kathy Peiss, Roy F. and Jeannette P. Nichols Professor Emerita of American History at the University of Pennsylvania
"An engaging, lively, and insightful look at the life and work of photographer Alice Austen, a pioneering figure in womens and lesbian history whose story has not been well-told until now. Yochelson carefully and thoughtfully assesses Austens life as a moving and revealing lens on the place of women in the United States and New York in a period of dramatic change." - Stephen Vider, author of The Queerness of Home: Gender, Sexuality, and the Politics of Domesticity After World War II
"Much of photohistoryand the photography discourse during Alice Austens time - is preoccupied with photographys artistic status and its evolving documentary capacities. Yochelson posits a different concern: photography as social currency. This engaging biography is also an incisive social history, ranging from the Gilded Age to feminism. The protagonists and the period come to life vividly as a result of extensive primary research, while Yochelson also encourages the reader to think about what went unspoken: views that were simply assumed to be shared by all, or feelings for which direct language didnt exist." - Britt Salvesen, Curator and Head, Wallis Annenberg Photography Department, Los Angeles County Museum of Art
"Finally! After seventy-five years in relative obscurity, we have a genuine biographical study of this pioneering, elusive woman. Alice Austen was a brilliant early photographer, whose name ought to be well-known. She led a generally cloistered, privileged life on Staten Island, until her tragic end. But she produced a huge body of innovative, experimental work that now at last is getting the attention it deserves. And in these pages we find the complex person behind it, a modern-day lesbian icon who carried all the usual prejudices of the industrial era aristocracy. You can find no better guide for the life and work of Miss Austen." - Peter-Christian Aigner, Director, The Gotham Center for New York City History
"Bonnie Yochelson traces the extraordinary story of how a 19th-century upper-class social butterfly became a pioneering woman photographer who lived most of her life in a loving lesbian partnership. Alice Austen, with all her complexities and remarkable talent, comes alive in these engaging pages. Too Good to Get Married is a wonderful read." - Lillian Faderman, author of Odd Girls and Twilight Lovers: A History of Lesbian Life in 20th-Century America
"Yochelson, former curator of prints and photographs at the Museum of the City of New York, pays homage to photographer Alice Austen (1866-1952), who, like Jacob Riis and Lewis Hine, documented a changing America. . . Generously illustrated, the biography reveals a change in her perspective in 1891 when she began to use her camera to satirize social rituals and gender politics - posing herself and friends dressed in mens clothes, for example. . . A sensitive portrait of a prolific photographer." - Kirkus Reviews
"Too Good to Get Married is an assiduous, revealing biography of a complex early feminist photographer who carved her own path." - Foreword Reviews
"In Bonnie Yochelsons copiously illustrated, extensively researched, and highly entertaining biography, Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press / Empire State Editions); she describes how a woman who grew up in the Gilded Age, when the term 'lesbian' did not yet exist, challenged and conformed to the conservative ideals of Staten Island high society. (The Eye of Photography) Standing on the edge of the Staten Island property where photographer Alice Austen lived for the vast majority of her life and looking out as gargantuan container ships and massive cruise ships make their way under the soaring metal span of the Verrazano Bridge, and into the protected waters of New York Harbor, you get some sense of the worlds that passed before her doorstep. You are also reminded of the relative isolation of her Staten Island, a place that, for much of Austens early life in the late 1800s, was an enclave for the wealthy. Her relatively bohemian home base allowed her to establish an unconventional life that provided the content for her riveting photographs of friends and lovers, offering a tantalizing and exceedingly rare visual record of one womans lesbian existence starting in the late 19th century. But Austens desire to remain mostly detached from the realities facing other New Yorkers at a time of enormous social and cultural upheaval makes her view highly specific. That said, Austens life and these images continue to have an impact, and this new, much more complete biography offers a better image of her than weve ever had before." - Hyperallergic
"TOO GOOD TO GET MARRIED: The Life and Photographs of Miss Alice Austen by historian Bonnie Yochelson is a singular work of impressive historical research and with a meticulous attention to detail. Deftly written, profusely illustrated with B/W historical photos, exceptionally informed and informative...A fascinating read from start to finish." - Midwest Book Review
