Muutke küpsiste eelistusi

Total Work of Art: Foundations, Articulations, Inspirations [Kõva köide]

  • Kõva köide
  • Hind: 99,19 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • soodushind kehtib ainult laos olevatele toodetele (tellimishind: 143,20 €)
  • Tavahind: 143,20 €
  • Säästad 31%
  • Kaupluses 1 eks Tule tutvuma - Raekoja plats 11, Tartu, E-R 10-18
  • Kogus:
  • Lisa ostukorvi
  • Tasuta tarne
  • Saadame välja 1 tööpäeva jooksul
  • Lisa soovinimekirja

For two centuries, Gesamtkunstwerk-the ideal of the "total work of art"-has exerted a powerful influence over artistic discourse and practice, spurring new forms of collaboration and provoking debates over the political instrumentalization of art. Despite its popular conflation with the work of Richard Wagner, Gesamtkunstwerk's lineage and legacies extend well beyond German Romanticism, as this wide-ranging collection demonstrates. In eleven compact essays, scholars from a variety of disciplines trace the idea's evolution in German-speaking Europe, from its foundations in the early nineteenth century to its manifold articulations and reimaginings in the twentieth century and beyond, providing an uncommonly broad perspective on a distinctly modern cultural form.

Arvustused

Contributors are deft in negotiating and teasing out how aspects of the Gesamtkunstwerk shaped the German cultural landscape and at the same time mirrored the changing nature of politics and consumerism. This collection will prove to be an invaluable resource for historians interested in all aspects of German culture. Choice

List of Illustrations and Tables
vii
Foreword viii
Celia Applegate
Acknowledgments xiv
Introduction 1(20)
Margaret Eleanor Menninger
Part I Foundations
1 The Play's the Thing: Schiller, Wagner, and Gesamtkunstwerk
21(18)
Nicholas Vazsonyi
2 From Gesamtkunstwerk to Music Drama
39(17)
Sanna Pederson
3 Richard Wagner, Parsifal, and the Pursuit of Gesamtkunstwerk
56(25)
Anthony J. Steinhoff
Part II Articulations
4 Epic Gesamtkunstwerk
81(14)
Joy H. Calico
5 Gesamtkunstwerk, Gestaltung, and the Bauhaus Stage
95(20)
Melissa Trimingham
6 Exposing the Political Gesamtkunstwerk: Hanns Eisler's Nuit et Brouillard
115(18)
Amy Lynn Wlodarski
7 Reconciling the "Three Graceful Hellenic Sisters": Wagner, Dance, and Song-Ballets Set to Richard Strauss's Vier letzte Lieder
133(24)
Wayne Heisler, Jr.
Part III Inspirations
8 The "Translucent (Not: Transparent)" Gesamtglaswerk
157(26)
Jenny Anger
9 Quiet Audience, Roaring Crowd: The Aesthetics of Sound and the Traces of Bayreuth in Kuhle Wampe and Triumph of the Will
183(23)
Theodore F. Rippey
10 The Will to Heal: Gesamtkunstwerk and Memorial Music since 1945
206(22)
Julia Goodwin
Margaret Eleanor Menninger
11 Consuming Voices: Musical Film and the Gesamtkunstwerk of Mass Culture
228(31)
David Imhoof
Afterword: Gesamtkunstwerk as Epistemic Space
249(10)
Kevin S. Amidon
Select Bibliography 259(14)
Index 273
David Imhoof is Professor of History at Susquehanna University in Selinsgrove, Pennsylvania. Bloomsbury Press recently published his textbook So, About Modern Europe: A Conversational History from the Enlightenment to the Present. He is the author of Becoming a Nazi Town (Michigan, 2013) and co-editor of a special edition of Colloquia Germanica (2016) on sound studies. He is currently writing a history of the German record industry. Imhoof also directs the Music and Sound Studies Network for the German Studies Association.