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Toward a Cultural Archive of la Movida: Back to the Future [Kõva köide]

Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by
  • Formaat: Hardback, 370 pages, kõrgus x laius x paksus: 235x160x28 mm, kaal: 717 g, Illustrations, unspecified; Black & White Illustrations
  • Ilmumisaeg: 26-Nov-2013
  • Kirjastus: Fairleigh Dickinson University Press
  • ISBN-10: 1611476305
  • ISBN-13: 9781611476309
Teised raamatud teemal:
  • Formaat: Hardback, 370 pages, kõrgus x laius x paksus: 235x160x28 mm, kaal: 717 g, Illustrations, unspecified; Black & White Illustrations
  • Ilmumisaeg: 26-Nov-2013
  • Kirjastus: Fairleigh Dickinson University Press
  • ISBN-10: 1611476305
  • ISBN-13: 9781611476309
Teised raamatud teemal:
Toward a Cultural Archive of la Movida revisits the cultural and social milieu in which la Movida, an explosion of artistic production in the late 1970s and early 1980s, was articulated discursively, aesthetically, socially, and politically. We connect this experience with a broader national and international context that takes it beyond the city of Madrid and outside the borders of Spain. This collection of essays links the political and social undertakings of this cultural period with youth movements in Spain and other international counter-cultural or underground movements. Moving away from biographical experiences or the identification of further participants and works that belong to la Movida, the articles collected in this volume situate this movement within the political and social development of post-Franco Spain. Finally, it also offers a reading of recent politically motivated recoveries of this cultural phenomenon through exhibitions, state sponsored documentaries, musicals, or tourist itineraries. The perception of Spain as representative of a successful dual transition from dictatorship to democracy and free market capitalism created a Spanish model that has been emulated in countries like Portugal, Argentina, Chile and Hungary, all formerly ruled by totalitarian regimes. While social scientists study the promises, contradictions and failures of the Spanish Transiciónespecially on issues of memory, repression, and (the lack of) reconciliation our approach from the humanities offers another vantage point to a wider discussion of an unfinished chapter in recent Spanish history by focusing on la Movida as the cultural archive whose cultural transitions parallel the political and economic ones. The transgressive, urban nature of this movement demonstrated an overt desire, especially among Spanish youth, to reach onto a global arena emulating the punk and new wave aesthetic of such cities as London, New York, Paris, and Berlin. Art, design, film, music, fashion during this period helped to forge a sense of a modern urban identity in Spain that also reflected the tensions between modernity and tradition, global forces and local values, international mass media technology and regional customs.
List of Figures
vii
Acknowledgments ix
1 Back to the Future: Towards a Cultural Archive of la Movida
1(16)
William J. Nichols
H. Rosi Song
I Theorizing la Movida
17(70)
2 La Movida as a Debate
19(18)
Jorge Mari
3 From the Unrest to la Movida: Cultural Politics and Pop Music in the Spanish Transition
37(14)
Hector Fouce
4 The Same in Name, but Different: La Movida madrilena and the other "movidas" of Spain
51(18)
Hamilton M. Stapell
5 In/Authenticities: Movida Youth Culture in Motion
69(18)
Christine Henseler
II Peripheral Movidas and Media Revolutions
87(92)
6 The Dark Heart of la Movida: Vampire Fantasies in Ivan Zulueta's Arrebato
89(18)
Alberto Mira
7 Peripheral Movidas: Cannibalizing Galicia
107(28)
Jose Colmeiro
8 Queer Traces in the Soundtrack of la Movida
135(20)
Jorge Perez
9 Party to the People: Heroin and the Spanish "Lost" Generation
155(24)
Francisco Fernandez de Alba
III Taking Back the City: Politics of Space and Place in Spain
179(94)
10 Architecture, Urbanism, and la Movida madrilena
181(22)
Susan Larson
11 Sketching the Future Furiously: La Movida, Graphic Design, and the Urban Process in Madrid
203(30)
Malcolm A. Compitello
12 Calle Libertad, the Liberty of the Street: La Movida and Political Transition
233(18)
Juan Pablo
Wert Ortega
13 From Carajillo to Madriz: Comics of la Movida
251(22)
Pedro Perez del Solar
IV Still in the Present: Ghosts of la Movida
273(76)
14 From Counter-Culture to National Heritage: La Movida in the Museum and the Institutionalization of Irreverence
275(18)
William J. Nichols
15 Memory and Archive: La Movida, Alaska, and Processes of Cultural Archeology
293(14)
Silvia Bermudez
16 Ghostly Subjectivities: Photography, Spectral Identities, and the Temporality of la Movida
307(24)
Jonathan Snyder
17 Re: La Removida: The Metamorphosis of Memory and la Movida in Recent Documentary Films
331(18)
Marcela T. Garces
Index 349(6)
About the Contributors 355
William J. Nichols is associate professor of Spanish at Georgia State University.

H. Rosie Song is associate professor of Spanish at Bryn Mawr College.