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Tradition and Creativity in Korean Taegm Flute Performance [Kõva köide]

  • Formaat: Hardback, 184 pages, kõrgus x laius: 234x156 mm, kaal: 520 g, 42 Line drawings, black and white; 9 Halftones, black and white; 51 Illustrations, black and white
  • Sari: SOAS Studies in Music
  • Ilmumisaeg: 30-Nov-2021
  • Kirjastus: Routledge
  • ISBN-10: 0815379129
  • ISBN-13: 9780815379126
  • Kõva köide
  • Hind: 159,19 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Tavahind: 212,25 €
  • Säästad 25%
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  • Lisa soovinimekirja
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  • Formaat: Hardback, 184 pages, kõrgus x laius: 234x156 mm, kaal: 520 g, 42 Line drawings, black and white; 9 Halftones, black and white; 51 Illustrations, black and white
  • Sari: SOAS Studies in Music
  • Ilmumisaeg: 30-Nov-2021
  • Kirjastus: Routledge
  • ISBN-10: 0815379129
  • ISBN-13: 9780815379126
 Tradition and Creativity in Korean Taegum Flute Performance describes the taegum as a representation of Korean culture in the contemporary world. Through the development and performance of creative works, this horizontal bamboo flute reflects both tradition and contemporary creativity. The first part of the book outlines the historical background of the taegum. The author illuminates the potential future of the Korean flute in a globalised world through the analyses of three musical works for taegum. The second part of the book draws on approaches of Practice Research within musicology and sociology to examine the ways in which the taegum tradition interacts with, and responds to, different genres in performance. Documenting collaborative encounters with musicians from three musical cultures: jazz, Western art and electroacoustic music, the result is an innovative exploration of the musical and social relationships between composers, performers and audiences in intercultural performances, contrasting traditional uses of the taegum with perspectives on its use today.

Tradition and Creativity in Korean Taegum Flute Performance describes the taegum as a representation of Korean culture in the contemporary world.

List of figures, tables and notations
vii
Acknowledgements ix
Editorial noteslromanisation x
1 Introduction
1(17)
Learner's position
5(6)
Performer's position
11(7)
2 History and background of the taegum
18(20)
History of the taegum
18(5)
Court and folk taegum
23(4)
Notations for the taegum
27(11)
3 The contemporary practices of the taegum
38(18)
Nationalism and Orientalism
38(5)
Orientalism and Korean traditional music
43(3)
Nationalism and Korean traditional music
46(10)
4 Music analysis I: Youngdong Kim
56(22)
`Son': Zen
60(7)
`Manp'a shik chOk'
67(11)
5 Music analysis II: Sukhi Kang
78(16)
`Manp'a'
84(10)
6 Music analysis III: Sngkn Kim
94(15)
`Sujech'on'
98(3)
Taegum Quartet 2006'
101(8)
7 Performance I: Jazz
109(17)
The history of Korean jazz
109(6)
Collaboration with Simon Barker
115(11)
8 Performance II: Western art music
126(10)
Composer, Dae-seong Kim
126(3)
Universal gestures in nongum
129(7)
9 Performance III: Electroacoustics
136(10)
Improvisation
136(2)
The Son Art Project
138(4)
`Pojagi'
142(4)
10 Conclusion
146(7)
Interviews 153(1)
Bibliography 154(13)
Chronicles/annals 167(2)
Discography 169(4)
Index 173
Dr Hyelim Kim is a world-renowned traditional Korean taegum performer and academic, who is a Visiting Research Fellow, Bath Spa University (UK).