"Transcultural Exchange through Art provides an exploration of two countries and their capital cities, two regions and their growing cultural engagement with one another, soft and hard power and their impact on the arts, multiculturalism, museums, globalization, cosmopolitanism and postcoloniality. Drawing on the author's experiences of working in Kenya and living in South Korea, as well as interviews with artists, curators and other practitioners, the book demonstrates that experiencing "otherness" through the imaginative engagement of art can cultivate appreciation of cultural diversity. Various case studies from Nairobi and Seoul are analyzed to unpack narratives about nation, self, and other through the cultural and creative industries. By focusing on two non-Western regional capitals whose urban contemporary development is affected by their colonial pasts, the book explores the larger dynamics of postcolonial nation building and the formulation of cultural identities in the face of rapid economic development and demographic changes. The issues identified in the study are linked to wider debates concerning the role of the arts and art museums in relation to migration, globalization and multiculturalism. Transcultural Exchange through Art will be of great interest to academics and practitioners working in the cultural and creative industries, museum and curatorial studies, visual culture studies, African studies and Asian studies. The book transcends disciplinary boundaries and relates academic research to pragmatic issues such as diversity and inclusion in public cultural spaces"-- Provided by publisher.
Transcultural Exchange through Art provides an exploration of two countries and their capital cities, two regions and their growing cultural engagement with one another, soft and hard power and their impact on the arts, multiculturalism, museums, globalization, cosmopolitanism and postcoloniality.
Transcultural Exchange through Art provides an exploration of two countries and their capital cities, two regions and their growing cultural engagement with one another, soft and hard power and their impact on the arts, multiculturalism, museums, globalization, cosmopolitanism and postcoloniality.
Drawing on the author’s experiences of working in Kenya and living in South Korea, as well as interviews with artists, curators and other practitioners, the book demonstrates that experiencing “otherness” through the imaginative engagement of art can cultivate appreciation of cultural diversity. Various case studies from Nairobi and Seoul are analyzed to unpack narratives about nation, self, and other through the cultural and creative industries. By focusing on two non-Western regional capitals whose urban contemporary development is affected by their colonial pasts, the book explores the larger dynamics of postcolonial nation building and the formulation of cultural identities in the face of rapid economic development and demographic changes. The issues identified in the study are linked to wider debates concerning the role of the arts and art museums in relation to migration, globalization and multiculturalism.
Transcultural Exchange through Art will be of great interest to academics and practitioners working in the cultural and creative industries, museum and curatorial studies, visual culture studies, African studies and Asian studies. The book transcends disciplinary boundaries and relates academic research to pragmatic issues such as diversity and inclusion in public cultural spaces.
