A tour de force of oral poetry which oozes word pictures and onomatopoeic musicality * Guardian * A dazzling combination of poetic fireworks and music-hall humor * New York Times * Dylan Thomas...was the most musical of poets. His work is so full of rhythm and melody that one of life's great pleasures is to read him aloud, feeling those syllables roll around your mouth while the rhythms find their ebb and flow -- Cerys Matthews Thomas stretches out his sentences into great, rolling, relentless waves, or crushes words together into compound coinages as the voices whisper and declaim: the play is bawdy, tragic, lyrical, sly, odd, familiar, broad and deep by turns * Guardian * I'm not sure anyone really needs my opinion on 'Under Milk Wood' as Thomas wrote it. But for what it's worth I think it's brilliant - time hasn't dimmed it, his language remains bracingly wild, elemental and weird * Time Out * [ Thomas] conscripts metaphors, rapes the dictionary and builds a verbal bawdy-house where words mate and couple on the wing, like swifts. Nouns dress up, quite unself-consciously, as verbs, sometimes balancing three-tiered epithets on their heads and often alliterating to boot * Observer, 1956 *
