Muutke küpsiste eelistusi

Unsettling Canadian Art History [Pehme köide]

Edited by
Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada.This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future.Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.


Bringing together fifteen scholars of art and culture, this collection addresses visual and material cultural histories of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada, offering new perspectives for decolonial and anti-racist scholarship on art, archives, and creative practice.

Arvustused

"This anthology inspires me to attune to how its authors enact shifting subjectivity and embodiment through the generative restaging of relationship." RACAR "Unsettling Canadian Art History shows the rich fruits that come from rigorous inclusivity and relationality. It achieves affirmation of the human condition in all its complexity through a hope-ridden grappling with materiality. Experiential knowledge and razor-sharp critical theory combine to create a humane and profoundly relevant collection of essays that is a must-read by broader audiences than art historians and their students." ARTiculate "Unsettling Canadian Art History is an ambitious and important book that should be looked to as a model for further analyses of Canadian (art) history and will make a strong impact on researchers and professors of both undergraduate and graduate courses." *College Art Association Reviews *

Muu info

Rethinking visual and material histories of settler colonialism, enslavement, and racialized disapora in the contested white settler state of Canada.
Preface ix
Acknowledgments xv
Introduction: Unsettling Canadian Art History 3(42)
Erin Morton
Part One Unsettling Settler Methodologies, Re-centring Decolonial Knowledge
1 White Settler Tautologies and Pioneer Lies in Mi'kma'ki
45(20)
Travis Wysote
Erin Morton
2 Notes to a Nation: Teachings on Land through the Art of Norval Morrisseau
65(22)
Carmen Robertson
3 Embodying Decolonial Methodology: Building and Sustaining Critical Relationality in the Cultural Sector
87(25)
Leah Decter
Carla Taunton
4 Silence as Resistance: When Silence Is the Only Weapon You Have Left
112(29)
Lindsay Mcintyre
Part Two Excavating and Creating Decolonial Archives
5 Truth Is No Stranger to (Para)fiction: Settlers, Arrivants, and Place in Iris Haussler's He Named Her Amber, Camille Turner's BlackGrange, and Robert Houle's Garrison Creek Project
141(19)
Mark A. Cheetham
6 "Ran away from her Master a Negroe Girl named Thursday": Examining Evidence of Punishment, Isolation, Trauma, and Illness in Nova Scotia and Quebec Fugitive Slave Advertisements
160(19)
Charmaine A. Nelson
7 "Miner with a Heart of Gold": Native North America, Vol. 1 and the Colonial Excavation of Authenticity
179(16)
Henry Adam Svec
8 Excavation: Memory Work
195(20)
Sylvia D. Hamilton
Part Three Reclaiming Sexualities, Tracing Complicities
9 Bear Grease, Whips, Bodies, and Beads: Community Building and Refusing Trauma Porn in Dayna Danger's Embodied 2Spirit Arts Praxis
215(26)
Dorian J. Fraser
Dayna Danger
Adrienne Huard
10 Coming Out a POriental: Diasporic Art and Colonial Wounds
241(29)
Andrew Gayed
11 Indian Americans Engulfing "American Indian": Marking the "Dot Indians'" Indianness through Genocide and Casteism in Diaspora
270(23)
Shaista Patel
Figures 293(4)
Bibliography 297(30)
Contributors 327(2)
Index 329
Erin Morton is professor of visual culture in the Department of History at the University of New Brunswick.