Morris offers an ethnography that astutely and illuminatingly captures the stubborn fiction that there is such a thing as a distinction between the formal and informal sectors of the economy, or between the normal and abnormal modes of existence in southern Africas political economy. This is all one economy. The haves and the have-nots inhabit one world. Different for sure but one. -- Jacob S. Dlamini, author of The Terrorist Album: Apartheids Insurgents, Collaborators, and the Security Police This is a history of South Africa and the gold mining at its core unlike any you have encountered. Enriched by two and a half decades of field and archival research, this exquisitely crafted book calibrates many registers: poetical and lyrical, geological, legal, philosophical, technical, sociological, and much more. The result is sumptuously layered, each page shimmering with insight and a delight to read. -- Isabel Hofmeyr, author of Dockside Reading: Hydrocolonialism and the Custom House Brilliant! With writerly flair, Morris presents interviews from the margins and gives them a close reading based on more than twenty years of wide-ranging research, combined with dazzling theoretical analyses. Vivid and compelling, this counter-history is a work of exceptional power and literary richness. -- Antjie Krog, author of Pillage and Country of My Skull Rosalind Morris is a remarkable scholar, deep thinker, and artist. The tragedy of gold mining and its relationship to the emergence and sustenance of Apartheid and its aftermath is a story that needs to be told. In this book, she develops an astonishingly capacious and powerful analysis through the lens of fetishism in order to understand the enduring fantasies of, and feverish desires for, gold as well as racialized politics within South Africas race-based capitalism. -- Andrew C. Willford, author of The Future of Bangalore's Cosmopolitan Pasts: Civility and Difference in a Global City