Its 1984, and investigative reporter Arthur Stuart is trying to locate Brian Slade, the glam-rock superstar who staged his own death and vanished from the spotlight ten years earlier. Todd Hayness Velvet Goldmine (1998) transforms that mystery into a vivid collage of memory, fantasy and desire, creating an alternative history of rock and a landmark of queer cinema.
Velvet Goldmine divided opinion on its release, but Katherine Reed traces how the films fans have kept it alive through rewatches, relistens and fan fiction. Reed weaves in the history of the film with close readings of its cinematic references, songs and style. She re-evaluates Velvet Goldmine in light of Hayness other films, addresses its fraught production history and its allusions to David Bowie, Lou Reed and Iggy Pop, and the ways in which Haynes reshapes those figures into a new mythology.
Reed also analyses Velvet Goldmines soundtrack, and examines legendary costume designer Sandy Powells role in creating blends of fantasy and reality in each characters wardrobe. Like the film itself, this is not a linear history, but an exploration of how Velvet Goldmine teaches us to create anew.
