Versions of Censorship [Pehme köide]

this is a paperbound reprint of a 1962 work. McCormick (emeritus, comparative literature, Rutgers U.) and novelist and poet MacInnes attempt to construct a definition of censorship out of historical and contemporary cases. They have assembled texts and excerpts about censorship and arranged them generally in chronological order, with commentary pointing out the larger significance of the argument being made. They authors include Milton, Brecht, Hobbes, de Tocqueville, Henry Miller, George Orwell, Rousseau, Shaw, and Freud. Also included are court decisions and newspaper articles. Annotation ©2007 Book News, Inc., Portland, OR (booknews.com)

Censorship and all it implies in terms both of our historical understanding and of issues of enormous moment in contemporary life defies brief definition because it is an idea that always engages our prejudices, penetrates to the dim regions where our manners and mores take form, and shapes our attitude to the rule law, while at the same time the responses it evokes, whether pernicious or benevolent, depend upon the actualities of the historical moment. Censorship is fascinating because its theory demands some decision on its practice whenever there is an intellectual or political crisis; it is a measure of individual rationality and liberalism. History, which has accelerated so powerfully in recent decades, has diffused our attention, and we tend to overlook the most urgent of the threats to ourselves from ourselves.

Censorship is one of the gauges of civilization, and it has always aroused men's most passionate and partisan feelings. The issues involved exploded into the modern world with John Milton's Areopagitica in 1644, and have become ever more pressing as our world has grown smaller and smaller. This anthology is therefore of urgent relevance to our own lives and times.

Milton's thesis rests upon the issue of religious belief, and it introduces the book's first part, "Censorship and Belief." With "Censorship and Fact," the book moves to the conflict of the interests of science and freedom of speech with those of the state. In "Censorship and the Imagination," the issue turns on the question of what art is and how it functions in society. And, finally, comes "Self-Censorship," with Dostoievsky and Freud opening up that modern vista where neurosis and politics meet.

John McCormick was for five years Professor of American Studies in the Free University, Berlin, and is at present Professor emeritus of Comparative Literature at Rutgers University. He is also a Honorary Fellow of English and Literature at the University of York.

Mairi MacInnes was educated in England and has published a novel and a book of verse there and poems in British and American magazines.