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Versions and Inversions: Perspectives on Avant-Garde Art in Latin America [Multiple-component retail product]

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  • Formaat: Multiple-component retail product, 303 pages, kõrgus x laius: 216x140 mm, kaal: 726 g, 21 b-w + 79 color illus., Contains 1 Paperback / softback and 1 CD-ROM
  • Ilmumisaeg: 30-Jan-2007
  • Kirjastus: Yale University Press
  • ISBN-10: 0300116527
  • ISBN-13: 9780300116526
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  • Multiple-component retail product
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  • Formaat: Multiple-component retail product, 303 pages, kõrgus x laius: 216x140 mm, kaal: 726 g, 21 b-w + 79 color illus., Contains 1 Paperback / softback and 1 CD-ROM
  • Ilmumisaeg: 30-Jan-2007
  • Kirjastus: Yale University Press
  • ISBN-10: 0300116527
  • ISBN-13: 9780300116526
Teised raamatud teemal:
In 2004, the Museum of Fine Arts, Houston, presented Inverted Utopias, a critically acclaimed exhibition focusing on the development of avant-garde art in Latin America from 1920 to 1970. At the time of the exhibition, a major symposium was held at the museum. This handsome book brings together texts and commentary by leading art historians and critics who participated in the event. A wide range of topics is covered, including the avant-garde in America and Europe, Argentine art in the 1960s, Latin American Conceptualism, and Brazilian art trends of the 1950s. Beautiful and important works by such various artists as Gego, Lygia Clark, Mia Schendel, and Eva Hesse are featured, and a CD-Rom of the exhibition accompanies the book.  As an outgrowth of and complement to Inverted Utopias, this book expands the framework for understanding the complex contributions of Latin American artists to 20th-century art.

Distributed for the Museum of Fine Arts, Houston
Founders of the Latin American Art Department and ICAA. The Museum of Fine Arts, Houston 7(2)
Foreword 9(4)
Peter C. Marzio
I. The Rights of Inversion
The Rights of Inversion
13(10)
Hector Olea
Pedro Figari: Criticism of the Avant-Garde and the Utopia of Memory
23(26)
Gabriel Peluffo Linari
Art of the Sixties in Buenos Aires: Words, Images, and Frontiers
49(40)
Andrea Giunta
The Historical Unfitting of Conceptualism in Latin America
89(19)
Luis Camnitzer
Inverted Utopias: Exhibition Photo Sequence
108(13)
II. The Displacement of Utopias
The Displacement of Utopias
121(10)
Mari Carmen Ramirez
Contemporary Trends in Brazil during the 1950s: The Mire of Modernization
131(28)
Sonia Salzstein
The Materials at Hand: Art, Work, and Life-Gego, Clark, Schendel, and Hesse
159(35)
Lucy R. Lippard
Inverted Utopias: Exhibition Photo Sequence
194(13)
Perspective of Exhibition Craft
207(36)
Robert Storr
Better Ideas and Impossible Objects: A Commentary
243(38)
Terry Smith
Contributors 281(19)
List of Plates 300
Héctor Olea is an independent scholar and curator specializing in Latin American modern art. Mari Carmen Ramírez is the Wortham Curator of Latin American Art and director of the International Center for the Arts of the Americas at The Museum of Fine Arts, Houston.