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Victorian Literary Cultures: Studies in Textual Subversion [Pehme köide]

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  • Formaat: Paperback / softback, 218 pages, kõrgus x laius x paksus: 221x152x17 mm, kaal: 327 g
  • Ilmumisaeg: 24-May-2018
  • Kirjastus: Fairleigh Dickinson University Press
  • ISBN-10: 1683930215
  • ISBN-13: 9781683930211
Teised raamatud teemal:
  • Formaat: Paperback / softback, 218 pages, kõrgus x laius x paksus: 221x152x17 mm, kaal: 327 g
  • Ilmumisaeg: 24-May-2018
  • Kirjastus: Fairleigh Dickinson University Press
  • ISBN-10: 1683930215
  • ISBN-13: 9781683930211
Teised raamatud teemal:
Victorian Literary Cultures: Studies in Textual Subversion provides readers with close textual analyses regarding the role of subversive acts or tendencies in Victorian literature. By drawing clear cultural contexts for the works under reviewincluding such canonical texts as Dracula, Jane Eyre, Middlemarch, and stories featuring Sherlock Holmesthe critics in this anthology offer groundbreaking studies of subversion as a literary motif.

For some late nineteenth-century British novelists, subversion was a central aspect of their writerly existence. Althoughor perhaps becausemost Victorian authors composed their works for a general and mixed audience, many writers employed strategies designed to subvert genteel expectations. In addition to using coded and oblique subject matter, such figures also hid their transgressive material in plain sight. While some writers sought to critique, and even destabilize, their society, others juxtaposed subversive themes and aesthetics negatively with communal norms in hopes of quashing progressive agendas.

Arvustused

This collection of essays opens with a strong introduction by Womack on the meanings of subversion... Subversiveness seems to be a wide net in which critics are sometimes subversive; at other times authors are subversive or they invoke genres that are already assumed to be subversive. The collection addresses biographical enigmas surrounding the public and private identities of individual writersfor example, Helen Dickens and George Eliotand offers interpretations of major works by Charlotte Brontë, Arthur Conan Doyle, Henry James, and Bram Stoker. Jeanette Shumaker contributes a cogent essay on the gender connotations of fallen ministers such as The Scarlet Letters Arthur Dimmesdale, and Womack extends critical interest in the literary impressionism of Heart of Darkness into a thought-provoking examination of ethics via Hans Jausss reception theory. Readers will likely appreciate Alexis Weedons efforts to link the cross-media business practices of early-20th-century publishing to the media convergence model of the 21st century... Summing Up: Recommended...Upper-division undergraduates through faculty. * CHOICE *

Introduction: Subversive Literary Cultures xi
Kenneth Womack
James M. Decker
Part I Subversive Women
1(62)
1 The Mysterious Identity of Helen Dickens, Victorian Novelist
3(18)
Troy J. Bassett
2 Moonrise and the Ascent of Eve, the Woman Titan: Charlotte Bronte's Epiphanies of the Fourfold Elemental Feminine
21(24)
Martin Bidney
3 Condoning Adultery: Problems of Marriage and Divorce in George Eliot's Life and Writing
45(18)
Nancy Henry
Part II Subversive Ideologies
63(64)
4 Unraveling Orientalism: Dawe's "Yellow and White"
65(12)
James M. Decker
5 "A familiar kinde of chastisement": Fasting in the Nineteenth-Century
77(24)
Joseph Lennon
6 The Effect of Emerging New Media on Book Publishing: Lessons from the Origins of Cross-Media Storytelling in the Early Twentieth Century for Contemporary Transmedia Researchers
101(14)
Alexis Weedon
7 "And this also has been one of the dark places of the earth": Reading Levinasian Ethics and Literary Impressionism in Conrad's Heart of Darkness
115(12)
Kenneth Womack
Part III Subversive Genres
127(70)
8 "Count me in": Comedy in Dracula
129(24)
Ira B. Nadel
9 "The seasoned spirit of the cunning reader": The Textual Subversions of The Turn of the Screw
153(12)
Ruth Robbins
10 "Fallen" Clergymen: The Wages of Sin in Hawthorne's The Scarlet Letter, Charles Reade's The Cloister and the Hearth, and Henry Arthur Jones's Michael and His Lost Angel
165(22)
Jeanette Shumaker
11 Sherlock Holmes: The Criminal in the Detective
187(10)
Joseph Wiesenfarth
Index 197(4)
About the Editors and Contributors 201
Kenneth Womack is professor of English and dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University.

James M. Decker is Professor of English, Humanities, and Language Studies at Illinois Central College.