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Violence, Trauma, and Memory: Responses to War in the Late Medieval and Early Modern World [Kõva köide]

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  • Formaat: Hardback, 256 pages, kõrgus x laius x paksus: 237x160x22 mm, kaal: 517 g
  • Sari: Reading Trauma and Memory
  • Ilmumisaeg: 03-Oct-2022
  • Kirjastus: Lexington Books/Fortress Academic
  • ISBN-10: 1666914568
  • ISBN-13: 9781666914566
Teised raamatud teemal:
  • Formaat: Hardback, 256 pages, kõrgus x laius x paksus: 237x160x22 mm, kaal: 517 g
  • Sari: Reading Trauma and Memory
  • Ilmumisaeg: 03-Oct-2022
  • Kirjastus: Lexington Books/Fortress Academic
  • ISBN-10: 1666914568
  • ISBN-13: 9781666914566
Teised raamatud teemal:
Violence, Trauma, and Memory: Responses to War in the Late Medieval and Early Modern World brings together eight essays that examine medieval and early modern violence and warfare in France, the Hispanic World, and the Dutch Republic through the lens of trauma studies and memory studies. By focusing on warfare, these essays by historians, literary specialists, and historians of visual culture demonstrate how individuals and groups living with the ungraspable outcomes of wartime violence grappled with processing and remembering (both culturally and politically) the trauma of war.

Arvustused

Violence, Trauma, and Memory: Responses to War in the late Medieval and Early Modern World showcases the richness of the archive in premodern Continental and Colonial Europe for contemporary reflection about the forms, strategies, and effects of cultural memory in the wake of traumatic events. Its expertly researched and well-written essays span a range of representational genres and linguistic traditions, offering stimulating close readings that never lose sight of the larger questions that lend the volume both its coherence and its import. -- Andrea Frisch, University of Maryland This collection includes an impressive range of studies on the connections between military violence, emotions, memory, and trauma from the Hundred Years War to the Thirty Years War. The comparative way in which it is arranged allows for fruitful understandings within and between the regions of France, the Hispanic World, and the Dutch Republic, while also providing a wealth of interdisciplinary analysis of their respective literature, visual culture, and history. The greatest strength of this volume is its challenge to the old myth that late medieval and early modern Europe was so violent that warfare had become banal. Instead, they restore the human story to the history of warfare in this period, and they allow us to see how it continued to shape and reshape human communities well off the battlefield. This is a good introduction for those new to the field, while providing a tremendous amount of insight to more advanced scholars. As such, it is an important and significant contribution to current scholarship on late medieval and early modern society. -- Kate McGrath, Central Connecticut State University

List of Figures

Acknowledgments

Introduction, Alexandra Onuf and Nicholas Ealy

Section One: France

Chapter One: Memorializing the Battle of Crécy: Colins de Beaumonts On the
Crécy Dead as a Textual Monument for Processing Trauma, Kimberly Lifton

Chapter Two: Je hé guerre, point ne la doit prisier: Emotions, War, and
Trauma in the Poetry of Charles of Orléans, Charles-Louis Morand-Métivier

Chapter Three: Bringing up the Dead: The Grotesque in Literature after the
French Wars of Religion, Kathleen Long

Section Two: The Hispanic World

Chapter Four: Desire, Trauma, and Warfare in Fernando de Rojass Celestina,
Nicholas Ealy

Chapter Five: Violence in the Making: Remembering the Viceroys Assassination
during the Catalan Revolt of 1640, Ivan Gracia-Arnau

Chapter Six: Trauma and Postmemory in Martín Cortéss Uprising, Covadonga
Lamar Prieto

Section Three: The Dutch Republic

Chapter Seven: Hendrick Goltziuss Lucretia and the Eighty Years War, Rachel
Wise

Chapter Eight: Landscape and the Memory of Place in Claes Jansz. Visschers
Prints of Brabant, Alexandra Onuf

Index

About the Contributors
Nicholas Ealy is professor of English and modern languages at the University of Hartford.

Alexandra Onuf is associate professor and chair of the art history department in the Hartford Art School at the University of Hartford.