Muutke küpsiste eelistusi

Virtual Restoration: Paintings and Mosaics [Pehme köide]

  • Formaat: Paperback / softback, 200 pages, kõrgus x laius x paksus: 239x170x13 mm, kaal: 635 g
  • Ilmumisaeg: 31-Oct-2017
  • Kirjastus: L'Erma Di Bretschneider
  • ISBN-10: 8891315753
  • ISBN-13: 9788891315755
  • Formaat: Paperback / softback, 200 pages, kõrgus x laius x paksus: 239x170x13 mm, kaal: 635 g
  • Ilmumisaeg: 31-Oct-2017
  • Kirjastus: L'Erma Di Bretschneider
  • ISBN-10: 8891315753
  • ISBN-13: 9788891315755
This volume is the first of a series of books dedicated to individual areas of Virtual Restoration, which today represents one of the possible ways to know, preserve, safeguard and enhance works of art. Through the examination of numerous case studies, this book deals with the restoration of pictorial and mosaic surfaces and all the topics related to restoration through the use of digital technologies: from the relief to the representation of decorated surfaces, the integration of gaps to virtual iconographic reconstruction up to the use of non-invasive diagnostic analysis. For each individual issue, solutions are compatible with the principles, rules and methods of real restoration, according to the axiom physical restoration to preserve and virtual restoration to enhance: an evolving methodology.
Preface ix
Richard Hodges
Presentation xiii
Norbert Zimmermann
Premise xv
Massimo Limoncelli
I Virtual restoration and diagnostics
1(14)
I.1 Virtual restoration of painted surfaces and mosaics (Massimo Limoncelli)
1(4)
I.2 Diagnostics and virtual restoration: surface analysis (Laura Schepis)
5(5)
I.3 Presentation of virtual restoration to the wider public (Claudio Germinario)
10(5)
II Survey of the surfaces (Massimo Limoncelli)
15(24)
II.1 Digital surveying and conservation
15(2)
II.2 2D photogrammetric surveying
17(5)
II.3 Surveying with a reference grid of fiducial markers
22(5)
II.4 Camera scanner-based surveys
27(7)
II.5 Laser scanner-based surveys
34(5)
III Representation of the surfaces (Massimo Limoncelli)
39(30)
III.1 Problems with representation
39(1)
III.2 Representations without distortion: flat projections and map projections
40(16)
III.3 Representations with distortion: perspective projections and 3D visualisations
56(8)
III.4 Graphic scale
64(5)
IV Preparation of the surfaces (Laura Schepis)
69(12)
IV.1 Optimisation of the image and cleaning of the surfaces
69(2)
IV.2 Levels and Curves (bitmap graphics)
71(3)
IV.3 Black and white points (bitmap graphics)
74(2)
IV.4 Tone and contrast (bitmap graphics)
76(1)
IV.5 Exposure (bitmap graphics)
77(1)
IV.6 Chromatic alterations (bitmap graphics)
78(3)
V Mapping of the surfaces and non-invasive analyses (Laura Schepis)
81(18)
V.1 Schematic mapping and quantitative analyses of decay
81(5)
V.2 Thermographic mapping
86(4)
V.3 Infrared reflectography and false colour mappings
90(2)
V.4 Mapping and qualitative analyses in xrf and raman spectroscopy
92(3)
V.5 Investigations by scanning electron microscope (sem)
95(4)
VI Colour analysis of the surfaces
99(12)
VI.1 Perception, standardisation and measurement of colour (Massimo Limoncelli)
99(4)
VI.2 Sampling colour and chromatic correspondences (Laura Schepis)
103(2)
VI.3 Analysis of colour (Massimo Limoncelli)
105(6)
VII Treatment of the surfaces: lacunae (Massimo Limoncelli)
111(58)
VII.1 Lacunae: principles, forms of decay and digital intervention
111(4)
VII.2 Classification and analysis of lacunae
115(3)
VII.3 Reconstructable and non-reconstructable lacunae
118(1)
VII.4 Filling in lacunae in monochrome - neutral retouching
119(6)
VII.5 Mimetic Imitative pictorial reconstruction - total retouching
125(9)
VII.6 Imitative pictorial reconstruction - chromatic attenuation
134(7)
VIII Reconstruction of the surfaces (Massimo Limoncelli)
141(1)
VIII.1 Virtual iconographic reconstruction
141(1)
VIII.2 Line-drawing reconstruction
142(7)
VIII.3 Reconstruction of the "palimpsest" cycles
149(2)
VIII.4 Virtual recomposition
151(11)
VIII.5 Stylistic reconstruction
162(7)
Bibliography 169