Virtual Victorians seeks to re-examine the networks of remediation that allow contemporary researchers to reconstruct the distant nineteenth century, which has at this point necessarily become an artificial simulation. Our own virtual Victorians come to us out of the archives, which are increasingly available to computational analysis via digital surrogates; the first half of this volume considers the distinctive opportunities for literary scholarship that online research tools create. Contributors argue that our mediated distance from the Victorian era allows us to see that it too is immersed in virtuality – both optical and textual – as a result of its own novel technologies and networks. The second half of Virtual Victorians outlines a prehistory of digital virtuality by exploring specific Victorian cultural forms and their imaginative legacies – from the "Panorama of London" of the late 1820s to early cinema around the turn of the century. In this way, the volume addresses pivotal issues in the digital humanities from a historical perspective.
Arvustused
"A timely and exciting volume, methodologically diverse and consistently thought-provoking." - Jason Rudy, Associate Professor of English, University of Maryland, USA
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List of Figures and Tables |
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vii | |
Acknowledgments |
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ix | |
Introduction |
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1 | (10) |
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Part I Navigating Networks |
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1 How We Search Now: New and Old Ways of Digging Up Wolfe's "Sir John Moore" |
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11 | (18) |
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2 Viral Textuality in Nineteenth-Century US Newspaper Exchanges |
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29 | (28) |
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3 Networking Feminist Literary History: Recovering Eliza Meteyard's Web |
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57 | (26) |
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4 Frances Trollope in a Victorian Network of Women's Biographies |
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83 | (24) |
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5 Representing Leigh Hunt's Autobiography |
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107 | (14) |
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6 Visualizing the Cultural Field of Victorian Poetry |
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121 | (24) |
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Part II Virtual Imaginings |
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7 Virtual Victorian Poetry |
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145 | (22) |
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8 Artificial Environments, Virtual Realities, and the Cultivation of Propensity in the London Colosseum |
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167 | (22) |
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9 The Imperial Avatar in the Imagined Landscape: The Virtual Dynamics of the Prince of Wales's Tour of India in 1875-76 |
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189 | (26) |
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10 Steampunk Technologies of Gender: Deryn Sharp's Nonbinary Gender Identity in Scott Westerfeld's Leviathan Series |
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215 | (16) |
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11 Strange Fascination: Kipling, Benjamin, and Early Cinema |
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231 | (20) |
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Select Bibliography |
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251 | (20) |
Notes on Contributors |
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271 | (2) |
Index |
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273 | |
Alison Booth, University of Virginia, USA
Ruth Brimacombe, National Portrait Gallery, UK
Susan Brown, University of Guelph, Canada
Alison Chapman, University of Victoria, Canada
Ryan Cordell, Northeastern University, USA
Lisa Hager, University of Wisconsin-Waukesha, USA
Natalie M. Houston, University of Houston, USA
Christopher Keep, University of Western Ontario, Canada
Peter Otto, University of Melbourne, Australia
Catherine Robson, New York University, USA
Michael E. Sinatra, University of Montreal, Canada