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Vision in Text and Image: The Cultural Turn in the Study of Arts [Kõva köide]

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This volume contains the essays presented at the conference that was held on 19-21 October 2005 at the University of Groningen under the auspices of the Groningen Institute for the Study of Culture (ICOG). The conference was meant to be an occasion where the Groningen research into culture both past and present, as it occurs within ICOG, could present itself. The theme, Vision in Text and Image, was chosen on the one hand as a wide umbrella for practically the entire body of research being conducted in ICOG (from classical archaeology to modern literature), and on the other as a reference, albeit a modest one, towards a new, more context-oriented approach to text and image. In that sense the volume pinpoints to methodological strands of the study of arts. Nowadays there is little impetus to analyse literary texts and works of visual art per se, as was much more the case in the 1960s and 1970s. So, more attention has been paid to the ties between text/image and the surrounding contemporary culture. Furthermore, the study of arts is no longer considered as totally separate from the study of non-artistic images and texts, either methodologically or ideologically. It is the aim of this volume to reveal the shifts in divisions of labour within the study of arts. Apart from a keynote speech delivered by Jurgen Pieters, professor of literary theory at the University of Ghent, the book contains contributions from all disciplines within ICOG: from young PhD students as well as from senior staff members. Through their practical approach to research, and in some cases also by way of theoretical reflection, they illustrate the dynamics and interchange that characterise the relationship between text/image and culture.
Preface and Acknowledgements vii
Introduction to Vision in Text and Image. Arts and Culture: a Complex and Dynamic Relationship ix
Herman W. Hoen
Mary G. Kemperink
Contributors xvii
Why in Politics Depth is on the Surface
1(16)
Frank R. Ankersmit
The Powers of Fiction and the Conversation with the Dead
17(16)
Jurgen Pieters
Creating Frameworks: The Social Function of the Ghent Altarpiece
33(20)
Bernhard Ridderbos
Picturing the Intermediary. Artistic Consciousness in Representations of Saint Luke Painting the Virgin in Netherlandish Art: The Case of Van der Weyden's Saint Luke
53(14)
Annette de Vries
Gothic Architecture as Self-representation: Henric Piccardt and the Church of Harkstede
67(18)
Kees van der Ploeg
`Come all ye Artless, take Pleasure in Learning!' The role of Education in allegorical Plays performed at the Antwerp Landjuweel of 1561
85(16)
Jeroen J.M. Vandommele
Kotzebue's Misanthropy and Repentance (1790) in the Netherlands
101(14)
Klaartje E. Groot
The Duty of Us All to help Mankind: Literary Representation of Toynbee-work in the Netherlands around 1900
115(12)
Christianne Smit
Ubu Reporter: News and Newspapers in Alfred Jarry's Almanachs Du Pere Ubu
127(16)
Marieke Dubbelboer
The discursive Strategy of a subversive Genre: the Introduction of the Interview in U.S. and European Journalism
143(16)
Marcel J. Broersma
The Abuse of History: Demarcations, Definitions, and Historical Perspective
159(16)
Antoon H.M. De Baets
Bibliography 175(20)
Index 195