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Walking and Mapping: Artists as Cartographers [Pehme köide]

Edited by (Goldsmiths, University of London), Edited by (Leonardo/ISAST), (Université de Paris I (Panthéon-Sorbonne))
  • Formaat: Paperback / softback, 348 pages, kõrgus x laius x paksus: 229x178x21 mm, 115 b&w photos; 230 Illustrations
  • Sari: Leonardo
  • Ilmumisaeg: 12-Feb-2016
  • Kirjastus: MIT Press
  • ISBN-10: 0262528959
  • ISBN-13: 9780262528955
Teised raamatud teemal:
  • Formaat: Paperback / softback, 348 pages, kõrgus x laius x paksus: 229x178x21 mm, 115 b&w photos; 230 Illustrations
  • Sari: Leonardo
  • Ilmumisaeg: 12-Feb-2016
  • Kirjastus: MIT Press
  • ISBN-10: 0262528959
  • ISBN-13: 9780262528955
Teised raamatud teemal:

From Guy Debord in the early 1950s to Richard Long, Janet Cardiff, and Esther Polak more recently, contemporary artists have returned again and again to the walking motif. Today, the convergence of global networks, online databases, and new tools for mobile mapping coincides with a resurgence of interest in walking as an art form. In Walking and Mapping, Karen O'Rourke explores a series of walking/mapping projects by contemporary artists. She offers close readings of these projects -- many of which she was able to experience firsthand -- and situates them in relation to landmark works from the past half-century. Together, they form a new entity, a dynamic whole greater than the sum of its parts. By alternating close study of selected projects with a broader view of their place in a bigger picture, Walking and Mapping itself maps a complex phenomenon.

Series Foreword xi
Preface xiii
Introduction xvii
Pedestrians and Cartographers xvii
Top-Down or Bottom-Up? xviii
Choice of Artworks xix
Structure of the Book xix
1 Psychogeography: The Politics of Applied Pedestrianism
1(26)
Drifting for an Hour in Orleans-La-Source
1(5)
Psychogeography: A Toolbox for Reading
6(6)
Playful Pedestrianism
12(2)
From Poaching to Protest: Walking the Cutting Edge
14(11)
Remaking the World?
25(2)
2 A Form of Perception or a Form of Art?
27(20)
Walking and Falling
27(1)
The ABCs of Movement
28(5)
A Walk as an Experience
33(5)
Artist's Experience and Viewer's Experience
38(5)
The Art of Walking
43(4)
3 A Map, No Directions
47(26)
Walking Protocols
47(1)
Shaped Walks
48(1)
Executing a Figure in the Landscape
49(2)
On the Beaten Path
51(5)
Due East: Walking the Compass
56(1)
The Walk and the Artifact
57(3)
Contemporary Travelogues
60(8)
So Near, So Far
68(3)
Closing the Circuit: A Walk as a Gestalt
71(2)
4 Directions but No Map
73(28)
Instructions and Scores
73(6)
When the Precursors Are Followers
79(2)
Bottom-Up Walking
81(1)
"If-Then" Procedural Walking
81(6)
Negotiated Walking
87(4)
Street Games: Teleguided Theater
91(7)
Delving into the Black Box
98(3)
5 When Walking Becomes Mapping: Labyrinths, Songlines
101(22)
Cognitive Mapping
101(2)
No Playing in the Labyrinth
103(2)
Corridors: Itineraries of Oppression
105(2)
Lost in the Funhouse: Mirror and Media Mazes
107(3)
Labyrinths and Maps
110(2)
Wayfinding as Learning as Remembering
112(1)
Mapping Edges and Boundaries
113(4)
Tracking and Pathfinding
117(5)
Making One's Way: An Aesthetics of Cognitive Mapping
122(1)
6 Lines Made by Walking
123(30)
Urban Trails
123(1)
Drawing Lines with Locative Media
124(1)
Early Work with Mobile Technologies
125(5)
Playing the City: Riffs on Real Time
130(2)
Drawing by Walking
132(11)
Annotating Space: Site-Specific Documentary
143(10)
7 Hybrid Datascapes: Envisioning Space and Time
153(24)
Drawing with Time and Space
154(7)
Hybrid Datascapes
161(7)
Shifting Perspective
168(4)
Smooth Hybridization
172(5)
8 Walking the Network
177(30)
Database Cartography
177(1)
Image Maps: Maps as Interfaces
177(10)
Dynamic Maps
187(2)
Participative Mapping
189(5)
Maps in Which You Are the Cartographer
194(3)
Mapping Performatively
197(2)
Mapping as Context Creation
199(5)
Linking the Maps
204(3)
9 Mapping "Ways Through"
207(38)
The Trouble with Linking the Maps
207(2)
Surveillance, Control, (Mis)Trust
209(21)
Regaining Agency: Shifting Lines of Force
230(15)
Conclusion
245(4)
The Art of Alter-Mapping: Context
245(1)
A Map for Listening
246(1)
Maps and Trajectories
247(2)
Notes 249(56)
Bibliography 305(16)
Index 321