| Prelude: Death |
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1 | (4) |
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5 | (16) |
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21 | (20) |
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41 | (24) |
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Fine Arts at Carnegie Tech |
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65 | (18) |
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Outlines Gallery and the Avant-Garde |
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Origins of the Blotted Line |
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83 | (10) |
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First New York Digs and Contracts |
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Fashion Magazines, Record Covers, Book Jackets |
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93 | (18) |
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Franziska Boas and the Bohemian Life |
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A Starving-Artist Commune |
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Tommy Jackson and a First Flirtation |
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Living Solo and Hunting Work |
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111 | (20) |
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131 | (14) |
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Hago Grallery and an Homage to Capote |
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145 | (10) |
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155 | (16) |
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171 | (22) |
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A Silver Decor for the Theater |
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1,000 Names and Where to Drop Them |
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193 | (16) |
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Judson Church Performances |
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The Threat of Photography |
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209 | (24) |
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Window Props Become Pop Art |
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Ivan Karp and Henry Geldzahler Visit the Studio |
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233 | (14) |
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The Critical Reception of Pop |
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247 | (20) |
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Martha Jackson Cancels a Show |
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The Stable Gallery Steps Up |
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267 | (22) |
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"New Realists" and the Launch of Pop |
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289 | (16) |
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Costumes for The Beast in Me |
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A Portrait of Ethel Scull |
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305 | (24) |
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Gerard Malanga Starts Work |
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Home Movies with Jack Smith in Old Lyme |
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329 | (24) |
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Elvis and Liz in Los Angeles |
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Hollywood Reception and Marcel Duchamp |
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Taylor Mead and Naomi Levine in Tarzan |
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353 | (18) |
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Boxes at the Stable Gallery |
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371 | (20) |
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Most Wanted Men for the World's Fair |
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A Raunchy Couch and Blow Job |
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The Empire State Building, Observed |
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391 | (14) |
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From Eleanor Ward to Leo Castelli |
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Baby Jane Holzer, Girl of the Year |
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405 | (20) |
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Henry Geldzahler Smokes a Cigar |
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Philip Pagan, First of the Live-in Lovers |
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Movies and the Death of Painting |
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425 | (20) |
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Andy and Edle, Fashion Twins |
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The Birth of Video Art: Outer and Inner Space |
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445 | (18) |
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New Arrivals: Paul Morrissey Brigid Berlin Hansen |
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Danny Williams Moves In, Then I Out |
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463 | (16) |
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Andymania at the Philadelphia I.C.A. |
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Warhol Sculpts His Persona |
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479 | (14) |
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Rocking a Dinner for Shrinks |
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Fall of Edie, Rise of Ingrid Superstar |
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493 | (14) |
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The Exploding Plastic Inevitable |
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New Warholians: Mary Woronov, Susan Bottomly, Susan Pile |
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A Velvet Underground Album |
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507 | (12) |
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Silver Clouds and Wallpaper Cows |
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Julia Warhola at Home, and Ailing |
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Richard Rheem Moves In, Then Out |
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519 | (20) |
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Repetition as an Art Supply |
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A Portrait of Holly Solomon |
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Clouds and Cows Cross the Country |
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Jane Heir, A Failed Feature Film |
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The Birth of Chelsea Girls |
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539 | (14) |
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Flesh on Film: Bike Boy and Nude Restaurant |
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Superstar Russian Roulette |
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553 | (14) |
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Prints, A New Income Stream |
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Thirteen Most Wanted Men in Paris |
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567 | (20) |
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Four Stars---25 Hours of Film |
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a: a novel---24 Hours of Talk |
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Andy Warhol's Index (Book) |
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The Silver Factory Shuts Down |
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587 | (22) |
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A New Studio on Union Square |
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Lonesome Cowboys in Arizona |
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Last of the Factory Crowd |
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609 | (16) |
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625 | (16) |
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Solanas and the Feminists |
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Flesh and the Business of Film |
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New (Super-)Stars: Joe Dallesandro and a Transgendered Trio |
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641 | (22) |
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Back in the Saddle but Still Sore |
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Pat Hackett, Ultimate Ghostwriter |
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Hospital Bills, Lawsuits and Rubber Checks |
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663 | (22) |
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Forays into Conceptualism: Vacuum Cleaners and Superstars for Rent |
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"Raid the Icebox" and the Museum as Art |
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Floating Chairs and Rain Machines |
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685 | (24) |
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Rolling Stones Album Covers |
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Hollywood Film Plans Collapse (Twice) |
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Gerard Malanga's "Male Parade" |
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Business Art, the Next Step After Art |
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Frozen Foods at the Andy-Mat |
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709 | (20) |
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A Warhol Retrospective (Again) |
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Bob Colacello and Vincent Fremont Come on Board |
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Andy Warhol, Super-Shopper |
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New Patrons: Sandy and Peter Brant |
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Failures in Theater: Andy Warhol's Pork and Man on the Moon |
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729 | (10) |
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Fine Cars and Real Estate |
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Country Life and Celebrity Renters: Lee Radziwill and the Kennedy Kids, Mick and Bianca Jagger |
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739 | (22) |
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Julia Warhola Heads Home to Die |
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Chairman Mao and the Un-Death of Painting |
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Biting into Europe's Upper Crust |
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The Polaroid Big Shot, for Big Shots |
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Frankenstein and Dracula in Rome |
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With Warhol, Liz Taylor is in The Driver's Seat |
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761 | (22) |
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Warhol Headquarters in Paris |
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Interview, Fashion and Society |
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The Bent Genders of Ladies and Gentlemen |
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The Philosophy of Andy Warhol (and of His Ghostwriters) |
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POPism, a (Non-)Autobiography |
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783 | (20) |
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Time Capsules and the Fine Art of Junk |
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A Rolls-Royce to the Diamond District |
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The Interview Lunch and Its Prey |
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803 | (16) |
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Portrait Prey: Iranian Royals and Imelda Marcos |
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At the White House with Gerald Ford |
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In Georgia with jimmy Carter |
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Commercial Art: Athletes, Pets, Cars and Houses |
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Victor Hugo and the Nude as Landscape |
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819 | (18) |
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837 | (16) |
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Ronald Feldman's Business Propositions |
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Outsourcing to Rupert Smith |
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853 | (18) |
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871 | (26) |
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Tensions with Fred Hughes |
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897 | (14) |
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| Postlude: Afterlife |
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911 | (4) |
| A Note on Sources |
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915 | (4) |
| Acknowledgments |
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919 | (2) |
| Credits |
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921 | (2) |
| Index |
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923 | |