Why do we keep returning to the Weimar Republic as a focal point for queer and trans histories, and why are images so crucial to our understanding of this period? This volume brings together research from disciplines including history, art history, literature, film, performance, and gender studies to explore the ongoing resonances of visual and narrative queer mythologies from Weimar Germany, often considered a “golden age” for queer culture and a period of relative rights and freedoms.
Chapters contribute new readings of classic Weimar art and film while significantly expanding the archive of queer Weimar by examining new or previously overlooked visual materials and relations: from occult practices to the vagaries of human-animal love, and from trans representations on film to the ambiguous tensions of forbidden intergenerational desire. Taken together, this volume generates a deep understanding of the twentieth-century emergence of queer and trans subjects through visual media; it develops methods that give prominence to the voices and perspectives of the historical subjects of sexual science; and it critically interrogates past practices of sexual knowledge production for understandings of LGBTQI+ lives today.
1. Introduction: Weimars Queer Visual Cultures
Birgit Lang, Ina Linge, and Katie Sutton
2. Virtual Witnessing: Weimar Cinemas pre-Weimar roots in Anders als die
Andern (Different from the Others, 1919)
Sara Friedman
3. Beyond Open Bookshelves: Knabenliebe, Homoerotica, and Publishing in
Weimar Germany
Camilla Smith
4. Taxonomies of Venus: Curt Moreck, Gerda Wegener, and the Queer Aesthetics
of Cultural-Sexological Print
Eliza Coyle
5. Ambivalent Images: Revisiting Magnus Hirschfelds Photo Wall of Sexual
Intermediaries
Rainer Herrn
6. Weimar Tarot and the Queer Sensuous Knowledge of Ernst Tristan Kurtzahn
Ervin Malakaj
7. Self-Portrait with a Cat: Weimars Queer History Beyond the Human
Heike Bauer
8. In the Closet: Codified Queerness in G.W. Pabsts Pandoras Box (1929)
Molly Harrabin
9. Erotic Pedagogy, Power Play, and Suspended Pleasure in Mädchen in Uniform
(1931)
Cedar Lensing-Sharp
10. Between the Bar and the Clinic: Trans* Visual Histories in Mysterium des
Geschlechtes
Jonah I. Garde
11. My Own I: Transgender Presentation and Doing Gender in Weimar Germany
Bodie A. Ashton
12. Queer Nostalgia: Ernst Hildebrand, Homoerotica, and Post-war Memories of
Weimar Berlin
Ty Vanover
13. =Queer Futurist Performance Aesthetics in Babylon Berlin (20172025)
Wesley Lim
14. Photographing Transness and Weimar Berlin: Transparent on Television and
on the Stage, and Hirschfelds Photography
Laurie Marhoefer
Birgit Lang is a professor of German at the University of Melbourne.
Ina Linge is an associate professor of German, and gender and sexuality studies at the University of Exeter.
Katie Sutton is an associate professor of German and gender studies at the Australian National University.
